| Photos (see all 5 | slideshow) | Videos |
| Madeleine Stowe | ... | Senga Wilson | |
| Norman Reedus | ... | Recovery Man | |
| Bijou Phillips | ... | Backpacker | |
| Mischa Barton | ... | Natasha 'Nat' Wilson | |
| Jonathan Rhys Meyers | ... | The Father | |
| Leo Gregory | ... | Joyrider | |
| Gary Parker | ... | Vacation Man | |
| Amber Batty | ... | Vacation Woman | |
| Jenny Jules | ... | Highway Patrol Sergeant | |
| Patrick O'Kane | ... | Trucker | |
| Martin McDougall | ... | Motivational Speaker | |
| Shauna Shim | ... | Paramedic #1 | |
| David Menkin | ... | Paramedic #2 | |
| Nigel Whitmey | ... | Detective Ned Stephens | |
| Samuel Fröler | ... | Marek Wilson | |
| Stephen Lord | ... | Carjacker | |
| Dean Gregory | ... | Christian Missionary | |
| Sarah Drews | ... | Christine | |
| Raffaello Degruttola | ... | Highway Patrol Cop #1 | |
| Glenn Wrage | ... | Highway Patrol Cop #2 | |
| Monika Hudgins | ... | Southern Woman | |
| Cesar Bayona Pinto | ... | Latino Busboy | |
| Véronique Koch | ... | Cashier #1 (as Veronique Koch) | |
| Ase Dunbar | ... | Cashier #2 | |
| Nicolette Christie | ... | Teenage Girl with Mobile | |
| Rachel Pollack | ... | Metro Girl | |
| Emma Drews | ... | Teenage Girl in Video | |
| Tom Hunsinger | ... | CSI Man | |
| Sam Douglas | ... | Crash Site Detective | |
| rest of cast listed alphabetically: | |||
| Pedro Barreira | ... | Leo James (uncredited) | |
Directed by | |||
| Marcus Adams | |||
Writing credits(in alphabetical order) | ||
| Stephen Volk | written by | |
Original Music by | |||
| Simon Boswell | (supervising composer) | ||
| Paul Hartnoll | (as Orbital) | ||
| Phil Hartnoll | (as Orbital) | ||
| Orbital | |||
Cinematography by | |||
| Robin Vidgeon | (director of photography) | ||
Film Editing by | |||
| Trevor Waite | |||
Casting by | |||
| Leo Davis | |||
| Elaine Fallon | |||
| John Papsidera | |||
| Tania Polentarutti | |||
Production Design by | |||
| Max Gottlieb | |||
Art Direction by | |||
| Teresa Weston | |||
Set Decoration by | |||
| Anna Lynch-Robinson | |||
Costume Design by | |||
| Stewart Meachem | |||
Makeup Department | |||
| Aurélie Elich | .... | assistant makeup artist | |
| Sarah Love | .... | chief of hair | |
| Trefor Proud | .... | chief makeup artist | |
| Evelyne Sittig | .... | assistant hair stylist | |
Production Management | |||
| Bénédicte Humbel | .... | production manager | |
Art Department | |||
| Alfie Burgess | .... | stand-by props | |
| François Dickes | .... | props buyer | |
| Billy Edwards | .... | stand-by props | |
| Ricardo Galvao | .... | art department assistant | |
| John Greaves | .... | storyboard artist | |
| Edouard Pallardy | .... | head painter | |
Sound Department | |||
| Howard Bargroff | .... | sound re-recording mixer | |
| Keith Batten | .... | boom operator | |
| Gianluca Buttari | .... | foley editor | |
| Alistair Crocker | .... | sound recordist | |
| Colette Dahanne | .... | adr mixer | |
| Simon Gershon | .... | supervising sound editor | |
| Alex Hudd | .... | sound consultant: dolby | |
| Dan Johnson | .... | assistant sound re-recording mixer | |
| Ben Meechan | .... | sound effects editor | |
| Bernard O'Reilly | .... | sound effects editor | |
| James Perry | .... | assistant sound effects editor | |
| Joakim Sundström | .... | dialogue editor | |
Special Effects by | |||
| Alain Couty | .... | special effects coordinator | |
| Lawrence Michael | .... | special effects technician | |
Visual Effects by | |||
| Henry Badgett | .... | digital compositor | |
| Martin Cook | .... | title design | |
| Mark Curtis | .... | digital compositor | |
| Stefan Drury | .... | visual effects producer | |
| Rob Hill | .... | digital camera operator | |
| Douglas Larmour | .... | supervising compositor | |
| Stuart Lashley | .... | digital compositor | |
| Charlotte Loughnane | .... | visual effects coordinator | |
| Jessica Norman | .... | supervising compositor | |
| Gregory Salter | .... | supervising compositor | |
| Sally Spencer | .... | visual effects coordinator | |
| Ben Thompson | .... | 3D animator: MPC | |
| John Van Hoey Smith | .... | data operator | |
Stunts | |||
| Véronique Koch | .... | stunt driver | |
Camera and Electrical Department | |||
| Alex Aach | .... | clapper loader | |
| Alex Bailey | .... | still photographer | |
| Kevin Dresse | .... | electrician | |
| Johnny Feurer | .... | assistant camera | |
| Mike Frift | .... | camera operator | |
| Rab Harling | .... | clapper loader: second unit | |
| Paul Hatchman | .... | key grip | |
| Mark Hryma | .... | camera operator: Wescam camera | |
| Clyde Miller | .... | assistant camera: Wescam camera | |
| Simon Mills | .... | focus puller: second unit | |
| José Alberto Pinto de Jesus | .... | electrician | |
| Mike Roberts | .... | video assist operator | |
| Luis Santos | .... | electrician | |
| Uli Schmidt | .... | assistant camera | |
| Théodore Theodorides | .... | additional clapper loader | |
| Théodore Theodorides | .... | assistant camera | |
| Roger Tooley | .... | Steadicam operator | |
| Wolfgang Wesemann | .... | assistant camera | |
| Michael 'Indy' Whiting | .... | assistant camera | |
| Peter Wignall | .... | camera operator | |
Costume and Wardrobe Department | |||
| Magdalena Marczynska | .... | wardrobe assistant | |
Editorial Department | |||
| Nicola Armstrong | .... | post-production coordinator | |
| Martin Corbett | .... | first assistant editor | |
Music Department | |||
| Simon Boswell | .... | soundtrack producer | |
| Geoff Foster | .... | score recordist | |
| Allan Jenkins | .... | music editor | |
Transportation Department | |||
| Svet Hrouchoff | .... | action vehicles | |
| Gaby Meyers | .... | facility/truck driver | |
| Igor Pecirep | .... | driver: Madeleine Stowe | |
| Olivier Printz | .... | car wrangler | |
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| Go | Crash | Across the Universe | The Lair of the White Worm | A Scanner Darkly |
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| Full cast and crew | Company credits | External reviews |
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Ah, the adorable Mrs.Stowe I sure miss the late 80's/early 90's, back when she was an elite member of the chosen few actresses club (alongside Linda Fiorentino, Lara Flynn Boyle and Sherilyn Fenn) who's every new film became instant priority-viewing on my movies' list. I wonder if she herself regrets the glorious days of "China Moon", "Blink" and "Unlawful Entry" are gone forever, especially now that she has to appear in below par and allegedly 'hip' new horror movies like this dreadfully irritating "Octane". This film is, briefly put, a big fat steaming & smelly pile of utter garbage. The story makes no sense whatsoever, the terribly slow built up atmosphere of mysteriousness leads absolutely nowhere, the "villainous" characters are pathetic & all but menacing and there's a seriously frustrating shortage of gore and sleaze. The ravishing Madeleine Stowe plays the uptight mother of an equally ravishing teenage girl (Mischa Barton) and the two are on a long and nightly homeward car journey. Things heat up when mommy forbids her daughter to go to a music concert and, bang, the girl promptly runs off with a bunch of rebellious teenagers in a giant truck. The fact she wanders off with complete strangers is already quite implausible, especially in this day and age, but the script even gets sillier when the strangers turn out to be members of some sort of bizarre cult. I think it's even hinted that they are a modern type of vampires, but that's never really confirmed. And then it even gets more retarded when literally everyone on the highway appears to be involved in this fiendish organization, including a female police officer and random motor home people in a restaurant. Stephen Volk's screenplay is truly unimaginative, borrowing even elements from 70's chillers like "Race With The Devil", Marcus Adams' direction is totally uninspired (not at all stylish, like some reviews I encountered dare to proclaim) and you know you're in trouble when someone without charisma like Jonathan Rhys Meyers is supposed to play an evil personified type of character referred to as The Father. Give me a break. "Octane" is a pretentious, pitiable and miserable excuse for a thriller, and if you have idea what good film-making is about you'll stay the hell away from it.