Nobody Needs to Know is a story of Fame and the towns and industries and the people who create it and support it. It's the story of two actresses on divergent paths who unwittingly ... See full summary »
The Beat Nicks are musician Nick Nero and poet Nick Beat, a pair of self-styled truth-seekers who'd better find a gig or they'll be out on the street. Their luck begins to change when they ... See full summary »
Mark Boone Junior,
Preston Tylk is an ordinary guy living in Seattle. When he discovers that his wife, Emily, whom he adores, is having an affair, he is devastated. Storming out of the house, he returns later only to find her brutally murdered.
The spoiled rotten and utterly unlikable rich kid George Amberson becomes horrified when his recently widowed mother rekindles her relationship with the wealthy Eugene Morgan, who she left ... See full summary »
Jonathan Rhys Meyers
Two school kids who are best friends are drinking on the side of a river. One friend bets the other that he can't swim across the river and "Reach The Rock". The friend takes the bet and ... See full summary »
A young man sets out on a cross country trip to confront his abusive father who left his destitute family years earlier. Along the way, he encounters a notorious killer who instills him with a new outlook on life.
Divorced business-bitch Senga Wilson grudgingly drives daughter Nathalie 'Nat' home after a visit to her dad, far away. During a rest-stop, Nat sneaks out with a friend and joins a weird truck-nomadic hippie-like sort of cult, which Senga tails. Its 'father' uses drugs and sex to bind everyone to his bloodthirsty scheme. When Bradford PD detective Ned Stephens investigates, Nat's dad assures him she's safe with him and Senga is pathologically disturbed. Nightmares blur who is imagining or lying what. Written by
As you have probably gathered from the other reviews, this film badly needed a script doctor. If you watch films only to watch "stories," then move on. If, however, you appreciate stylish. dreamlike imagery and provocative dramatic situations, then this film does have something to offer. "Pulse" has been running on Showtime (under the title "Octane") and I have watched long sections of it several times. As scenes and sequences, many of these sections are quite compelling. I would like to see what this film's screenwriter(s) produce in five or ten years and I would like to see this director work with more coherent material.
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