At an undisclosed location and time an Empress has seven years to provide her Emperor with an heir to his throne. If she does not succeed during this time, the Emperor is free to marry a ... See full summary »
Jonathan Rhys Meyers,
The Beat Nicks are musician Nick Nero and poet Nick Beat, a pair of self-styled truth-seekers who'd better find a gig or they'll be out on the street. Their luck begins to change when they ... See full summary »
Mark Boone Junior,
Nobody Needs to Know is a story of Fame and the towns and industries and the people who create it and support it. It's the story of two actresses on divergent paths who unwittingly ... See full summary »
The spoiled rotten and utterly unlikable rich kid George Amberson becomes horrified when his recently widowed mother rekindles her relationship with the wealthy Eugene Morgan, who she left ... See full summary »
Jonathan Rhys Meyers
In Red Canyon, Regina and Devon return to their family home in the badlands of Utah to face the memory of a brutal attack - and put it behind them. But in coming home they awaken a killing ... See full summary »
A young man sets out on a cross country trip to confront his abusive father who left his destitute family years earlier. Along the way, he encounters a notorious killer who instills him with a new outlook on life.
Divorced business-bitch Senga Wilson grudgingly drives daughter Nathalie 'Nat' home after a visit to her dad, far away. During a rest-stop, Nat sneaks out with a friend and joins a weird truck-nomadic hippie-like sort of cult, which Senga tails. Its 'father' uses drugs and sex to bind everyone to his bloodthirsty scheme. When Bradford PD detective Ned Stephens investigates, Nat's dad assures him she's safe with him and Senga is pathologically disturbed. Nightmares blur who is imagining or lying what. Written by
I watched this movie only because I'm a huge Norman Reedus fan, and this was one of the few movies of his I hadn't seen.
One of the biggest problems with this movie was the pace. It spends forty minutes just showing Senga (mom) and Nat (daughter) bickering and arguing, which definitely does nothing to endear Nat to the audience. Then it briefly picks back up... only to slow down again. This definitely isn't something I'd watch on TV, just because I probably ended up skipping through an hour of this hour and forty five minute long movie.
Another problem was actually -and I hate to say it- Norman Reedus's character of the 'Recovery Man'. He pulls the role off well, but... well, there really wasn't enough of a role for him to do much with. He follows the group along, okay, so far so good... But then you get the impression that he's been following them for years as a tow-truck driver, but never gets anywhere, and just happens along Senga and Nat, and decides to sort of follow them, but not really. Then finally at the end, just as his character starts to get sort of interesting, boom. Movie over.
Also, as far as this being a horror, or thriller... There really was no substance to it at all. There's nothing remotely scary, or even chilling. The camera work was amazing, and did give off a creepy vibe, but the story itself was... very blagh, is the only thing I can think of.
Normally, I would say not bad for it's genre, but again, it really doesn't fit into a genre... Comparatively speaking, it wasn't horrible (especially compared to some of the trash passing itself off as good cinema lately) but it just didn't do anything for me. Again, it was more of a 'when is something interesting going to happen?' rather than 'what's going to happen?'.
3 of 3 people found this review helpful.
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