IMDb > The Mother (2003)
The Mother
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The Mother (2003) More at IMDbPro »

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The Mother -- A grandmother has a passionate affair with a man half her age, who is also sleeping with her daughter.

Overview

User Rating:
6.9/10   3,286 votes »
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View company contact information for The Mother on IMDbPro.
Release Date:
9 October 2003 (Germany) See more »
Genre:
Tagline:
It can take a lifetime to feel alive.
Plot:
A grandmother has a passionate affair with a man half her age, who is also sleeping with her daughter. Full summary » | Full synopsis »
Awards:
Nominated for BAFTA Film Award. Another 1 win & 11 nominations See more »
NewsDesk:
(29 articles)
Le Week-End | Review
 (From ioncinema. 12 March 2014, 1:00 PM, PDT)

DVD Review: 'Le Week-End'
 (From CineVue. 24 February 2014, 6:21 AM, PST)

The top 25 underappreciated films of 2004
 (From Den of Geek. 8 January 2014, 12:48 AM, PST)

User Reviews:
A very contemporary British "kitchen sink drama" See more (53 total) »

Cast

  (in credits order) (complete, awaiting verification)

Anne Reid ... May

Peter Vaughan ... Toots

Anna Wilson-Jones ... Helen

Daniel Craig ... Darren

Danira Govich ... Au Pair
Harry Michell ... Harry
Rosie Michell ... Rosie
Izabella Telezynska ... Polish Cleaner

Steven Mackintosh ... Bobby

Cathryn Bradshaw ... Paula
Carlo Kureishi ... Jack
Sachin Kureishi ... Jack
Simon Mason ... Man in Tate Gallery

Oliver Ford Davies ... Bruce
Jonah Coombes ... Estate Agent
rest of cast listed alphabetically:

Zelda Tinska ... Barmaid (uncredited)
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Directed by
Roger Michell 
 
Writing credits
Hanif Kureishi 

Produced by
Stephen Evans .... executive producer
Angus Finney .... executive producer
Kevin Loader .... producer
Rosa Romero .... line producer
Tracey Scoffield .... executive producer
David M. Thompson .... executive producer
 
Original Music by
Jeremy Sams 
 
Cinematography by
Alwin H. Küchler (director of photography) (as Alwin Küchler)
 
Film Editing by
Nicolas Gaster 
 
Casting by
Mary Selway 
Fiona Weir 
 
Production Design by
Mark Tildesley 
 
Art Direction by
Mark Digby 
 
Set Decoration by
Michelle Day 
 
Costume Design by
Natalie Ward 
 
Makeup Department
Konnie Daniel .... makeup designer
 
Production Management
Alistair Hopkins .... post-production supervisor
 
Second Unit Director or Assistant Director
Paul Mason .... third assistant director
Barrie McCulloch .... first assistant director
Olivia Peniston-Bird .... second assistant director
 
Art Department
Chris Lightburn-Jones .... stand-by art director
Denis Schnegg .... draughtsman
Nick Thomas .... property master
Warren Lever .... construction manager (uncredited)
 
Sound Department
Tim Alban .... sound re-recording mixer
Orin Beaton .... boom operator
Owen Bleasdale .... foley recordist
Paula Boram .... foley artist
Gianluca Buttari .... foley editor
Danny Hambrook .... sound recordist
Danny Hambrook .... supervising sound editor
Stewart Henderson .... supervising dialogue editor (as Stuart Henderson)
Melissa Lake .... foley artist
Adam Laschinger .... assistant sound editor
Adam Laschinger .... sound assistant
Matthew Skelding .... assistant sound re-recording mixer
Graeme Stoten .... adr editor
Michele Woods .... adr editor (as Michelle Woods)
 
Visual Effects by
Sally Clayton .... digital supervisor
Tim Davies .... senior compositor
Rob Ellis .... digital effects compositor
Safiya Ravat .... assistant compositor
Rod Shelton .... digital producer
Laurent Treherne .... technical supervisor
 
Camera and Electrical Department
Peter Byrne .... focus puller: "b" camera
Ivan Kyncl .... still photographer
Henry Landgrebe .... clapper loader
John Law .... rigger
Stephen Mathie .... best boy
Luke Redgrave .... camera operator: "b" camera
Olly Tellett .... focus puller
Lucho Zuidema .... grip
Thomas Townend .... camera operator: second unit (uncredited)
Harry Wiggins .... gaffer (uncredited)
 
Costume and Wardrobe Department
Gemma Evans .... wardrobe assistant
 
Editorial Department
Erika Brüning .... arri laser operator (as Erica Brunning)
Kim Gaster .... associate editor
Mark Vincent .... senior colorist
Jon Thompson .... post-production consultant (uncredited)
 
Music Department
Simon Chamberlain .... musician: piano
Alec Dankworth .... musician: double bass
Isobel Griffiths .... music contractor
Tom Leader .... music engineer
Richard Paine .... music supervisor
Ralph Salmins .... musician: drums
Steve Parr .... music recordist (uncredited)
 
Other crew
Isabel Begg .... business affairs: BBC Films
Jonah Coombes .... location manager
Will Davies .... assistant: Stephen Evans, Renaissance Films
Sam Edmonds .... floor runner
Sarah Jane Facer .... legal services: Lee & Thompson
Jeremy Gawade .... legal services: Lee & Thompson
Jane Hawley .... production executive: BBC Films
Richard Juneman .... production accountant
Stephen Kelly .... floor runner
Steffy Marrion .... production coordinator
Ben McAlister .... caterer: Marquis Restaurant
Leila McAlister .... caterer: Marquis Restaurant
Martin McGlone .... laboratory contact
Liz Miller .... public relations: McDonald & Rutter
Michaela Piper .... head of marketing: Renaissance Films
Luke Redgrave .... assistant to director
Roger Sampson .... insurance: AON
Andrew Tapper .... production runner
Gurdeep Ubhie .... assistant accountant
Jane Wright .... business affairs: BBC Films
Katie Bullock-Webster .... assistant to producer (uncredited)
John Charles .... software engineer: Sony DAC (uncredited)
Michael J. Harker .... completion bond company representative (uncredited)
Sue Hills .... script supervisor (uncredited)
Edward Randolph .... runner (uncredited)
 
Thanks
Kate Buffery .... thanks
 
Crew believed to be complete


Production CompaniesDistributorsSpecial Effects
  • VTR (digital visual effects)
Other Companies
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Additional Details

Also Known As:
MPAA:
Rated R for sexual content including graphic images of sexuality, language and brief drug use
Runtime:
112 min
Country:
Language:
Color:
Aspect Ratio:
1.85 : 1 See more »
Sound Mix:
Company:

Did You Know?

Trivia:
The second sex scene between May and Darren was shot over a two day period.See more »
Goofs:
Continuity: When May is telling Darren about her affair and just before she asks him to take her to bed, Darren does not have a carpenter's pencil in his ear. When we see him a few moments later, the pencil is over his ear.See more »
Quotes:
May:Oh, Darren. This cigarette's making my chest all congested. I can't breathe.
Darren:What would happen if you did breathe?
May:I'd say, would you... would it be too much trouble... spare rooms... would you come to the spare rooms with me... would you...
See more »
Movie Connections:
Soundtrack:
Clint EastwoodSee more »

FAQ

This FAQ is empty. Add the first question.
25 out of 30 people found the following review useful.
A very contemporary British "kitchen sink drama", 28 June 2004
Author: noralee from Queens, NY

"The Mother" is a raw unpeeling of relationships between older parents and adult children in a very contemporary take on the British "kitchen sink drama".

Every character is baldly selfish to the point of startling brutality. Each one responds to attempted openings of lines of communication with "But what about me?"

The naturalism is palpably realistic, such that when Hanif Kureish's script crosses a line to go a bit over the top it's upsetting and jarring.

Director Roger Michell is particularly good at capturing the domestic mise en scene of sounds -- from simultaneous conversations to children's chatter -- and sights, such as lingering over meaningful visuals from a pair of old slippers to a casually bare torso.

Anne Reid gives the gutsiest older woman performance since Kathy Bates in "About Schmidt" and Helen Mirren in "Calendar Girls," but those were mostly played for laughs and didn't reveal the painful de-layering of inhibitions. Her character's continued low self-esteem to the point of accepting abuse is difficult to watch.

Except for a very atypical appearance in the first "Lara Croft," Daniel Craig has avoided depending on his magnetic hunkiness on screen. Here, as in "Sylvia," his manliness is a protean catalyst for the plot. In a complex triangle of relationships, his carpenter obliges the other characters' obsessions to project their fantasies and needs on to him.

While the grandmother finds some independence and self-respect, I'm not optimistic about the grandchildren in this dysfunctional family.

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One thing I don't understand... carmen78
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Did you wonder if the son was gay?... cmgeyer
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