Annabelle is the wise-beyond-her-years newcomer to an exclusive Catholic girls school. Having been expelled from her first two schools she's bound to stir some trouble. Sparks fly between ... See full summary »
An uptight and conservative woman, working on tenure as a literacy professor at a large urban university, finds herself strangely attracted to a free-spirited, liberal woman who works at a local carnival that comes to town.
A young female intern at a small magazine company becomes involved with a drug-addicted lesbian photographer, both of whom seek to exploit each other for their respective careers, while slowly falling in love with each other.
When Jade, a web-cam girl visits Takeko's tattoo studio she becomes entranced with the image of the spider lily and with Takeko as well. In order to get closer to the object of her desire, ... See full summary »
It is 1950s Nevada, and Professor Vivian Bell arrives to get a divorce. She's unsatisfied with her marriage, and feels out of place at the ranch she stays on, she finds herself increasingly... See full summary »
A grieving upper class woman becomes a "Lady Visitor" at Millbank prison, hoping to escape her troubles and be a guiding figure in the lives of the female prisoners. Of all her friendships ... See full summary »
Annabelle is the wise-beyond-her-years newcomer to an exclusive Catholic girls school. Having been expelled from her first two schools she's bound to stir some trouble. Sparks fly between her and her teacher, Simone Bradley. Annabelle pursues Simone relentlessly until Simone must make a choice between following her heart and doing what's right. Written by
Actress Erin Kelly was approached by director Katherine Brooks randomly in a theatre audience and began working on the script/movie with her for three years before the movie began production. Actress Diane Gaidry was hired three days before the movie began production. See more »
In the classroom when Simone takes the note from Cat, you can see the microphone on the inside of Cat's shirt. See more »
[Peering down into the basement]
What are you guys doing down here?
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The look of Loving Annabelle is very classic. The 35mm film looks glossy and the colors are crisp. The film LOOKS pretty. The story also has a classic 3-act structure and is very well-written. These traditional aspects are really interesting to note since the subject of the film is rather modern. The "unconventional" love story turns many notions on their heads: student-teacher sexual relations; the possible effects of a Catholic school upbringing or environment on an individual; and same-sex love, if anyone out there is still bigoted enough to take offense to that.
What I liked about the film was that it was character-driven, and not plot-driven. The emotional growth of the characters took center stage to the possibly sensational aspects. I felt carried along the storyline without any forced-ness or jumps in thought. The plot line was smooth, and had enough twists and turns to keep me from knowing what would happen next. I totally identified with the main characters and cared about them (individually) very deeply besides my interest in whether or not they would get together.
The look of the film, the quality of the story, and the TERRIFIC acting (both Annabelle and Simone are perfectly cast) give Loving Annabelle the depth and sheen of a much higher-budget film. (Though the emotional resonance of the story makes talking about budgets almost crass.) The music is also terrific. The soundtrack would be great to listen to as its own entity. This is the film that I've most enjoyed in a long time and have recommended it highly to anyone who will listen to me since I first saw it.
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