| Photos (see all 9 | slideshow) | Videos (see all 4) |
| Pierce Brosnan | ... | Daniel Rafferty | |
| Julianne Moore | ... | Audrey Woods | |
| Michael Sheen | ... | Thorne Jamison | |
| Parker Posey | ... | Serena | |
| Frances Fisher | ... | Sara Miller | |
| Nora Dunn | ... | Judge Abramovitz | |
| Heather Ann Nurnberg | ... | Leslie | |
| Johnny Myers | ... | Ashton Phelps | |
| Mike Doyle | ... | Michael Rawson | |
| Allan Houston | ... | Adamo Shandela | |
| Annie Ryan | ... | TV Host | |
| Vincent Marzello | ... | Lyman Hersh | |
| Sara James | ... | Waitress | |
| John Discepolo | ... | Legal TV Reporter | |
| Annika Pergament | ... | TV Reporter | |
| Marc Turtletaub | ... | Judge Withers | |
| Gordon Sterne | ... | Judge Baker (as Gordan Sterne) | |
| Brette Taylor | ... | Mary Harrison | |
| Brendan Morrissey | ... | Mr. O'Callaghan | |
| Elva Crowley | ... | Mrs. Flanagan | |
| David Wilmot | ... | Brendan | |
| David Pearse | ... | Pig Farmer | |
| Nuala Kelly | ... | Large Irish Woman | |
| Liz Byrne | ... | Stewardess | |
| David Kelly | ... | Priest / Michael | |
| Peter Ballance | ... | Check in Clerk (as Peter Balance) | |
| Des Fleming | ... | Waiter | |
| James McClatchie | ... | Soloman Steinman | |
| Sara Gilbert | ... | Gary Gadget's Assistant | |
| Nick Hardin | ... | Man in Bathroom | |
| Brian O'Neill | ... | Limo Driver | |
| rest of cast listed alphabetically: | |||
| Sean Brosnan | ... | Boyfriend (uncredited) | |
| Adam Goodwin | ... | Charles Perrin (uncredited) | |
| Peter Howitt | ... | Client (uncredited) | |
| Kiva Murphy | ... | Stenographer (uncredited) | |
| Rachel Rath | ... | Maid (uncredited) | |
| Claire Michelle Scally | ... | Background Artist (uncredited) | |
| Gerry Wade | ... | Court Cop (uncredited) | |
Directed by | |||
| Peter Howitt | |||
Writing credits(WGA) | ||
| Aline Brosh McKenna | (story) | |
| Aline Brosh McKenna | (screenplay) and | |
| Robert Harling | (screenplay) | |
Produced by | |||
| David Bergstein | .... | producer | |
| Pierce Brosnan | .... | executive producer | |
| Julie Durk | .... | producer | |
| Toby Emmerich | .... | executive producer | |
| David T. Friendly | .... | producer | |
| Mark Gill | .... | executive producer | |
| Mark Gordon | .... | executive producer | |
| Oliver Hengst | .... | executive producer | |
| Angelique Higgins | .... | associate producer | |
| Basil Iwanyk | .... | executive producer | |
| Arthur Lappin | .... | executive producer | |
| Andrew Lowe | .... | co-executive producer | |
| Paul Myler | .... | co-producer | |
| Elie Samaha | .... | executive producer | |
| Amanda Scarano | .... | associate producer (as Amanda J. Scarano) | |
| Wolfgang Schamburg | .... | associate producer | |
| Ernst-August Schnieder | .... | associate producer | |
| Beau St. Clair | .... | producer | |
| Guy Stodel | .... | executive producer | |
| Marc Turtletaub | .... | producer | |
| Bob Yari | .... | executive producer | |
Original Music by | |||
| Ed Shearmur | (as Edward Shearmur) | ||
Cinematography by | |||
| Adrian Biddle | |||
Film Editing by | |||
| Tony Lawson | |||
Casting by | |||
| John Hubbard | |||
| Ros Hubbard | |||
| Amanda Mackey Johnson | (as Amanda Mackey) | ||
| Cathy Sandrich | |||
Production Design by | |||
| Charles Wood | |||
Art Direction by | |||
| Susie Cullen | (supervising art director) | ||
Set Decoration by | |||
| Michael Seirton | |||
Costume Design by | |||
| Joan Bergin | |||
Makeup Department | |||
| Clare Barman | .... | assistant makeup artist | |
| Chris Bingham | .... | key makeup artist: New York | |
| Amy Byrne | .... | makeup artist: daily | |
| Rose Chatterton | .... | key hair stylist: New York | |
| Bernadette Dooley | .... | chief hair stylist | |
| Morna Ferguson | .... | chief makeup artist | |
| Hildie Ginsberg | .... | key makeup artist: New York (as Hildy Ginsberg) | |
| Elaine L. Offers | .... | makeup artist: Julianne Moore (as Elaine Offers) | |
| Barbara Olvera | .... | hairdresser: Julianne Moore | |
| Rick Provenzano | .... | hairdresser: Pierce Brosnan | |
| Bron Roylance | .... | makeup artist: Pierce Brosnan | |
| Deirdre Tormey | .... | assistant hair stylist | |
| Frank Vazquez | .... | hair stylist (as Frank Vasquez) | |
Production Management | |||
| Mary Alleguen | .... | production manager | |
| Adam Brightman | .... | unit production manager | |
| Amanda Scarano | .... | production supervisor (as Amanda J. Scarano) | |
| Emma Zee | .... | post-production supervisor | |
| Jethro Harris | .... | post-production manager: Pepper Post-Productions Ltd. (uncredited) | |
Second Unit Director or Assistant Director | |||
| Sandra Corbally | .... | trainee assistant director | |
| Susan Drennan | .... | third assistant director | |
| Konrad Jay | .... | first assistant director | |
| Louise Murray | .... | assistant director | |
| Suzanne Nicell | .... | second assistant director | |
| Murphy Occhino | .... | second second assistant director | |
| Michael Pitt | .... | second assistant director | |
| John Wallace | .... | trainee assistant director | |
Art Department | |||
| George Arkins | .... | stagehand | |
| Ignacio Barbe | .... | trainee props (as Ignacio M. Barbe) | |
| Sean Barcoe | .... | carpenter | |
| Ruth Barry | .... | trainee art director | |
| Simon Boyd | .... | dressing props | |
| Stephen Bream | .... | assistant art director (as Steve Bream) | |
| Stephen Broughall | .... | chargehand carpenter (as Stephen Broughal) | |
| David Byrne | .... | carpenter | |
| Deirdre Byrne | .... | stores person | |
| Stephen Byrne | .... | carpenter | |
| William Byrne | .... | dressing props | |
| Oliver Clarke | .... | carpenter | |
| Bronwyn Clohissey-Boyd | .... | master painter | |
| Darren Crimmins | .... | assistant construction manager | |
| Tom Cullen | .... | props runaround | |
| Robert Daly | .... | chargehand carpenter | |
| Stephen Daly | .... | graphics artist | |
| Conor Devlin | .... | draughtsman | |
| Tom Dowling | .... | construction manager | |
| Willie Duff | .... | carpenter | |
| Eoin Dunford | .... | supervising plasterer | |
| James Dunleavy | .... | painter | |
| Alan Dunne | .... | chargehand props | |
| Paddy Dunne | .... | painter (as Pat Dunne) | |
| Ray Fisher | .... | lead man: reshoots | |
| Anne Fitzsimon | .... | trainee buyer (as Anne Fitzsimons) | |
| David Flanagan | .... | dressing props | |
| Daniel Frayne | .... | painter | |
| Barbara Galbraith | .... | stores person | |
| Martin Goulding | .... | assistant art director | |
| Martin Goulding | .... | stand-by art director | |
| Peter Grace | .... | stagehand | |
| Jules Harris | .... | trainee props | |
| Shirley Henderson | .... | prop buyer | |
| Stanley Irwin | .... | plasterer | |
| Darren Kearney | .... | chargehand | |
| Darren Kearney | .... | painter | |
| Darren Keenan | .... | painter | |
| Noel 'Bob' Kelly | .... | stand-by stagehand | |
| Pat Kelly | .... | painter | |
| Wendy Moore Kelly | .... | painter | |
| Dave Kinsella | .... | dressing prop | |
| Eoin Lewis | .... | dressing props | |
| Richard Looney | .... | carpenter | |
| Tom Lundy | .... | chargehand painter (as Tommy Lundy) | |
| Bernard Lyster | .... | trainee props | |
| Martin Maloney | .... | plasterer | |
| Thomas McAllister | .... | plasterer | |
| John McCaul | .... | carpenter | |
| Jerome McDonnell | .... | stand-by props | |
| James McGetrick | .... | dressing props | |
| Adrienne McGrane | .... | graphic artist | |
| Nuala McKernan | .... | prop master | |
| Jim Moore | .... | stand-by carpenter | |
| Kealan Murphy | .... | carpenter | |
| Stephen Murray | .... | plasterer | |
| Derek Newman | .... | plasterer | |
| Marc Newman | .... | lead man: New York | |
| Lesley Oakley | .... | draughtsman | |
| Carmel O'Connor | .... | assistant set decorator | |
| Alan O'Donnell | .... | stagehand | |
| Ciara O'Donnell | .... | trainee art director | |
| Sean O'Donnell | .... | carpenter | |
| Anthony O'Hanlon | .... | chargehand stagehand | |
| Christy O'Shaughnessy | .... | supervising painter | |
| Thomas O'Shaughnessy | .... | stand-by painter | |
| Dave Peters | .... | dressing props | |
| Julie Philpott | .... | draughtsman | |
| Nathan Schroeder | .... | illustrator | |
| Dylan Sheridan | .... | prop master | |
| John Snee | .... | props trainee | |
| Brendan Stephens | .... | painter | |
| James Talbot | .... | stagehand | |
| Richard Tenewitz | .... | construction coordinator: New York | |
| Maurice Thompson | .... | construction buyer | |
| Jil Turner | .... | second prop buyer | |
| David Wallace | .... | dressing props | |
| Ian Wallace | .... | construction runaround | |
| Noel Walsh | .... | stand-by prop | |
| Peter Winstanley | .... | stagehand | |
| Alan Wynne | .... | carpenter | |
| Richard Tenewitz | .... | construction coordinator (uncredited) | |
Sound Department | |||
| Mark Auguste | .... | supervising sound editor | |
| Sam Auguste | .... | assistant sound editor | |
| Tim Cavagin | .... | sound re-recording mixer | |
| Phillip A. Hamilton | .... | adr recordist | |
| Kieran Horgan | .... | sound mixer | |
| Sam Horgan | .... | sound trainee | |
| Daniel Laurie | .... | adr editor | |
| Daniel Laurie | .... | dialogue editor | |
| Michael Miller | .... | adr mixer | |
| Noel Quinn | .... | boom operator | |
| Steve Single | .... | sound re-recording mixer | |
| Lee Kerr | .... | sound (uncredited) | |
Special Effects by | |||
| Gerry Johnston | .... | special effects supervisor | |
| Martin Kelly | .... | special effects technician | |
| Chris Lynch | .... | special effects assistant | |
Visual Effects by | |||
| Paul Alexiou | .... | runner: Double Negative | |
| Andrew Lockley | .... | sequence supervisor | |
| Fay McConkey | .... | visual effects producer | |
| John Moffatt | .... | digital compositor | |
Stunts | |||
| Donal O'Farrell | .... | stunt coordinator | |
Casting Department | |||
| Vanessa Baker | .... | adr voice casting | |
| Sig De Miguel | .... | casting associate | |
| Brendan Donnison | .... | adr voice casting | |
| John Hubbard | .... | casting: UK/Ireland | |
| Mary Maguire | .... | casting: Ireland | |
| Tamara Notcutt | .... | casting assistant | |
| Cathy Sandrich | .... | casting: USA | |
| Wendy Weidman | .... | casting associate | |
Costume and Wardrobe Department | |||
| Lynne Maureen Curtis | .... | wardrobe supervisor: New York | |
| Kevin Gleeson | .... | wardrobe trainee | |
| Carol Graham | .... | wardrobe assistant | |
| Barrett Hong | .... | wardrobe supervisor: New York | |
| Derbhla McClelland | .... | wardrobe trainee | |
| Gabriel O'Brien | .... | wardrobe assistant | |
| Melissa O'Connor | .... | costume assistant | |
| JP Sarni | .... | wardrobe assistant: New York | |
| Ger Scully | .... | wardrobe supervisor | |
Editorial Department | |||
| Jens Baylis | .... | first assistant editor | |
| Serena Mellor | .... | post-production assistant | |
| Alexandra Montgomery | .... | post-production coordinator | |
| James Turpin | .... | second assistant editor | |
| Jason Wheeler | .... | negative cutter | |
Music Department | |||
| Andy Brown | .... | music contractor | |
| Michael Connell | .... | music editor | |
| Karen Elliott | .... | music supervisor | |
| The London Metropolitan Orchestra | .... | music performed by | |
| Stephen McLaughlin | .... | music mixer | |
| Stephen McLaughlin | .... | music producer (as Steve McLaughlin) | |
| Andrew Raiher | .... | music production assistant | |
| Ed Shearmur | .... | conductor (as Edward Shearmur) | |
| Jeff Toyne | .... | orchestrator | |
Transportation Department | |||
| Stephen Carroll | .... | action vehicle coordinator | |
| Thomas Hamill | .... | driver: David Friendly | |
| John Kavanagh | .... | transportation captain | |
| Matt Kelly | .... | unit driver | |
| Pat Keogh | .... | driver: electrical truck | |
| Pat Larkin | .... | driver: Peter Howitt | |
| Bobby Marsh | .... | driver | |
| Al Morris | .... | unit driver | |
| Kevin Scott | .... | genny driver | |
| Frank D. Tobin | .... | unit driver | |
Thanks | |||
| John Ptak | .... | special thanks | |
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Laws of Attraction (2004)
** (out of 4)
Audrey Woods (Julianne Moore) is a very successful divorce attorney who spends most of her nights alone in her apartment eating junk food. Whenever she does get out of the house she's usually with her aging mother (Francis Fisher) who has had a few too many operations done to make her look younger. Audrey swears up and down that she isn't afraid of relationships but instead just can't get involved because she's too busy with her clients' needs.
While taking on a major divorce case she meets her new opposing attorney, the very handsome Daniel Rafferty (Pierce Brosnan) who has yet to lose a case. The two don't strike it off too well but their jobs force them into a business dinner where they end up having too much to drink and eventually falling into bed. Audrey blames the booze but Daniel seems to want a relationship but when their case starts to break up so does the relationship. Soon the New York media has a spotlight on the two most powerful divorce attorneys who seem to be having their own fights behind the scenes.
For starters let's get some personal feelings out into the air. To me, Spencer Tracy and Katharine Hepburn were the greatest on-screen duo in the history of film. Their romantic comedies ranging from Adam's Rib to my personal favorite Woman of the Year are among the greatest films ever made and when watching this Adam's Rib wannabe I couldn't help but notice these romantic comedies haven't changed in sixty plus years. Once again we get an attractive couple fighting, screaming, fighting some more and then realizing they are in love.
I'm certainly not a sourpuss but my God, could writers try to come up with at least one original idea when doing these types of films? Perhaps this genre has just been beaten to death so bad that those watching these films want the fighting then at the last minute makeup but to me watching films like this are becoming a very tiresome chore because by the time the opening credits are over there's really no point in watching the film because it's something you've seen countless times before. I'm not saying one should kill the other's family at the end of the movie but please, offer at least one thing that differs from the other twenty romantic comedies that are released each year.
Is Laws of Attraction a horrible movie? No, none of these films ever are but I don't see the point in watching the same thing over and over. The only difference in these types of films are the leading actors and the success of raising the screenplay out of boredom lies on their shoulders. Pierce Brosnan is a very charming actor and certainly the best thing going for this film. He isn't offered much to do but he's charm and smile at least bring some freshness to this overdone film. Julianne Moore on the other hand has always left a sore spot with me. To me, Moore can either be brilliant or fall flat on her face and that's exactly what she does her. She brought nothing new to her character and didn't have half the charm of Brosnan.
With the all too familiar story and the lack of any real chemistry between the stars there really isn't much left in the film. Francis Fisher is wasted in the tired role of an old hag who is constantly giving advice in between her plastic surgeries. Parker Posey, a wonderful character actress, comes off looking very bad in the role of a divorcée who has nothing to do but keep asking Brosnan to cut her husband's balls off. That certain male part is also a constant running joke throughout the movie and not once did it make me laugh or smile, which is a shame because I enjoy private jokes. In the end, if you walk into your local rental store and see Laws of Attraction on the shelf, run towards the classics area and pick up Adam's Rib or Woman of the Year.