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Laws of Attraction (2004)

PG-13  |   |  Comedy, Romance  |  30 April 2004 (USA)
5.9
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Ratings: 5.9/10 from 17,190 users   Metascore: 38/100
Reviews: 101 user | 90 critic | 36 from Metacritic.com

Amidst a sea of litigation, two New York City divorce lawyers find love.

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(story), (screenplay), 1 more credit »
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Title: Laws of Attraction (2004)

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Cast

Cast overview, first billed only:
...
...
...
...
...
...
Judge Abramovitz
Heather Ann Nurnberg ...
Leslie
Johnny Myers ...
Ashton Phelps
...
Michael Rawson
...
Adamo Shandela
Annie Ryan ...
TV Host
Vincent Marzello ...
Lyman Hersh
Sara James ...
Waitress
John Discepolo ...
Legal TV Reporter
...
TV Reporter
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Storyline

This is the story of two New York divorce attorneys who are often competing against each other, but end up in a relationship nonetheless. When they get married, can they avoid the same issues at home that lead people to provide them business at work? One of the central cases in the story is the heavily-publicized divorce of a rock star from his wife... Written by austin4577@aol.com

Plot Summary | Plot Synopsis

Taglines:

Love always has the last word. See more »

Genres:

Comedy | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for sexual content and language | See all certifications »

Parents Guide:

 »
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Details

Country:

| |

Language:

Release Date:

30 April 2004 (USA)  »

Also Known As:

Las reglas de la seducción  »

Box Office

Budget:

$28,000,000 (estimated)

Opening Weekend:

$174,177 (Germany) (17 June 2005)

Gross:

$174,177 (Germany) (17 June 2005)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

A popular Dublin newspaper printed a full-page article on how insulting this film was towards Irish people, depicting them as a stereotype, on the day of its release in Ireland. See more »

Goofs

When Audrey visits Daniel's office she knocks on the glass part of the door, but it sounds like wood. See more »

Quotes

Daniel: Do you mind if I use the kitchen?
Sara: He cooks? You didn't tell me he cooks.
See more »

Connections

Features Cribs (2000) See more »

Soundtracks

Follow Through
Written by Gavin DeGraw
Performed by Gavin DeGraw
Licensed Courtesy of J Records / BMG
(c) Degraw Music Inc/Warner Chappell Music Inc
By kind permission of Warner/Chappell Music Ltd
See more »

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User Reviews

Screwball with snowballs
22 October 2004 | by (Lochawe, Scotland) – See all my reviews

Spencer Tracy and Katharine Hepburn, Cary Grant and Doris Day may have made better screwball comedies, but this one just about works, by downplaying punchlines and taking obvious idiocies as read, such as the leads' addictions to sweeties and their penchant for falling through doors or knocking things over. But with these traits, how is it their apartments are immaculate? A directorial faux-pas here.

Julianne Moore is wonderful as usual, playing the rather uptight divorce lawyer, impressed despite herself with Brosnan's physical attractions. She is a mistress of the personality contrasts: sweet smile against dagger-drawn eyes; disconcerted reactions with suave sophistication; professional aplomb in the courtroom, but slobbing out in front of the TV. She is not only determined to resist Brosnan but successfully compete against him, while her mother, brilliantly played by Frances Fisher, is determined to persuade her to accept his overtures. Frances Fisher almost steals the film with her over-the-top, much-married, society fashion character, distinctly contrasting with Julianne Moore's more stuffy persona (reminiscences of Edina and Saffy in Absolutely Fabulous?).

I cringed at the scenes in Ireland, but this film does not pretend to be anything other than a sweet-thing romantic comedy of deliberate game-playing. It doesn't go for stand-up jokes, but just bowls along happily in its overdose of sugar. Moore is marvelous in serious drama (The Hours and Far From Heaven) but is proving equally at home with zany comedy (see also Cookie's Fortune). Brosnan relies on his handsome looks to see him through any part, but his comedy timing is as excellent as Moore's. The characters' common clumsiness is as well-timed as anything Doris Day did in That Touch Of Mink, or Cary Grant in Monkey Business. Given that Brosnan and Moore are more often seen in adventure or drama, an outing into comedy does not go amiss and gives us a chance to see them do something different. I wasn't sure of the film to begin with, but it grew on me. As long as it is accepted as a light and frothy entertainment, with no other purpose than whiling away a Sunday afternoon in front of the fire with a box of chocolates, it's a fine movie. Does Frances Fisher ever play any other character than someone's mother?


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