Critic Reviews



Based on 14 critic reviews provided by Metacritic.com
Japón, isn’t just the wildest eruption of the current Mexican film boom, it's the most fascinating new picture I've seen this year.
New York Post
Doesn't have the crossover appeal of the Mexican sexcapade "Y Tu Mama Tambien," but it does herald the arrival of an audacious young filmmaker. We can't wait to see what he does next.
Chicago Tribune
The work of a remarkable new talent. By the movie's towering, final tracking shot, this imaginative, dazzling film achieves distinction.
Its powerfully visual storytelling delivers great rewards as the meditative drama moves into increasingly complex, at times confrontational territory.
Village Voice
A notably confident and achieved debut.
It's an engrossing and inventive drama despite its flaws.
New York Magazine (Vulture)
Reygadas is both a sophisticate and a primitive: He sets up his film as a religious allegory, with the nameless painter as a kind of suffering Christ and the old woman--whose name is Ascen, as in Ascension--as his redeemer.
The A.V. Club
A dense, challenging work by any measure, Japón snakes toward a justly celebrated final shot that's technically astonishing and immensely powerful, cementing the arrival of a promising new talent.
Luckily Mr. Reygadas has talent to match his ambitions; or, rather, gifts that undercut them sufficiently to give his film a prickly, haunting poignancy.
This strange and beautifully expressive film set in a remote Mexican canyon has nothing whatsoever to do with Japan, but its themes are as universal as they come.

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