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Gleason (2002) (TV)
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Overview
User Rating:
Release Date:
13 October 2002 (USA) moreTagline:
How Sweet It Was! morePlot:
The story begins at the height of Gleason's career. He has it all: women, wealth, and extraordinary power... more | add synopsisAwards:
Nominated for Primetime Emmy. Another 1 win & 5 nominations moreUser Comments:
Above-average TV flick. Great performance from Garrett moreCast
(Credited cast)| Brad Garrett | ... | Jackie Gleason | |
| Saul Rubinek | ... | George 'Bullets' Durgom | |
| Gretchen Egolf | ... | Genevieve Halford | |
| Kristen Dalton | ... | Audrey Meadows | |
| Michael Chieffo | ... | Art Carney | |
| Jack Daniel Wells | ... | Jack L. Warner | |
| Mark Camacho | ... | Sammy Birch | |
| Jason Blicker | ... | Sol Friedman | |
| Vlasta Vrana | ... | Toots Shor | |
| Shawn Lawrence | ... | William S. Paley | |
| Kevin Dunn | ... | Jack Philbin - Gleason's manager | |
| Terry Farrell | ... | Marilyn Taylor | |
| Johanna Nutter | ... | Joyce Randolph | |
| rest of cast listed alphabetically: | |||
| Steve Adams | ... | Director Frank Satenstein | |
| Shawn Baichoo | ... | Leonard | |
| Claudia Besso | ... | CBS Costumer | |
| Howard Bilerman | ... | Writer | |
| Marc Boiteax | ... | Ventriloquist | |
| Terence Bowman | ... | Limo Driver | |
| Jake Brockman | ... | Young Jackie | |
| Tony Calabretta | ... | Miami Barman | |
| Joe Cobden | ... | Coleman Jacoby | |
| Carrie Colak | |||
| Nadia David | ... | Buxom Blond | |
| Diana Diaz | ... | June Taylor Dancer | |
| Kristella Diotte | ... | June Taylor Dancer | |
| Richard Dumont | ... | Stars Announcer | |
| Kim Feeney | ... | Date at Toot's | |
| Jane Gilchrist | ... | Matronly Mother | |
| Jayne Heitmeyer | ... | Call Girl | |
| Robert Higden | ... | Arnie | |
| Paula Jean Hixson | ... | Mae Gleason | |
| Arthur Holden | ... | Maitre D' | |
| Matt Holland | ... | Movie AD | |
| Michelle Johnston | ... | June Taylor | |
| Barry Julien | ... | Principal | |
| Richard Jutras | ... | Movie Director | |
| Kathryn Kriitmaa | ... | June Taylor Dancer | |
| Jack Langedijk | ... | Herb Gleason | |
| Vanessa Larocque | ... | June Taylor Dancer | |
| Vincent Leclerc | ... | Police Officer | |
| Pierre Lenoir | ... | CBS Announcer | |
| Pauline Little | ... | Motel Manager | |
| Nancy Loof | ... | June Taylor Dancer | |
| Joel McNichol | ... | Stage Manager | |
| Lisa Bronwyn Moore | ... | Pert Kelton | |
| Mabel Palomino | ... | June Taylor Dancer | |
| Tim Post | ... | Police Officer | |
| Maud Saint-Germain | ... | June Taylor Dancer | |
| David Schaap | ... | Reporter | |
| Amy Sloan | ... | Geraldine Halford | |
| Lawrence Anthony Smythe | ... | Vaudeville Performer | |
| Dino Valiotis | ... | Assistant Director | |
| Al Vandecruys | ... | Halsey Emcee | |
| France Viens | ... | Dancer | |
| Kevin Woodhouse | ... | Assistant director | |
| Brian Wrench | ... | CBS Executive | |
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
USA:100 min | USA:120 minLanguage:
EnglishColor:
ColorAspect Ratio:
1.33 : 1 moreSound Mix:
StereoCertification:
Netherlands:6Filming Locations:
Montréal, Québec, CanadaFun Stuff
Trivia:
Brad Garrettat a smidge over 6'8", is about nine inches taller than Jackie Gleason was. To compensate, other actors who shared scenes with Garrett wore platform shoes that would make everyone seem proportionate. moreGoofs:
Factual errors: Gleason is shown being fired from Navy Blues (1941) in 1949 or 1950. In real life, the film premiered in 1941 and he was not fired. Also, "Cavalcade of Stars" (1949) was not his TV debut. He starred in the short-lived series _"Life of Riley, The" (1949/II)_ . moreFAQ
This FAQ is empty. Add the first question.more
Message Boards
Discuss this movie with other users on IMDb message board for Gleason (2002) (TV)| Recent Posts (updated daily) | User |
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| 90 minute version? | freakseed |
| Anyone have this recorded? | quantumleaper |
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Brad Garrett (now an Emmy-winner for "Everybody Loves Raymond") really pulled this off superbly. Judging from the wealth of mannerisms, tics, vocal inflections, attitudes, and body language, it would seem that he made a careful study of Jackie Gleason in the various stages of his life. The hard work paid off in a vivid characterization that really brought the man to life without any cartoon-like exaggerations. The rest of the cast were uniformly good, but if Garrett hadn't managed as well as he did, it would hardly have mattered.
The writing, direction, and cinematography were above average for a TV movie, in my opinion, and I didn't really find the three-level flashbacks all that confusing. As an earlier commentator said, this was a long, turbulent, and wide-ranging life, and the three levels of flashback were an effective way of touching on several different stages of Gleason's life without expanding it to miniseries length.
I too was interested to see if any of Gleason's movie work would be portrayed, as I have fond memories of "Soldier in the Rain," "The Hustler," "Requiem for a Heavyweight," and that strange film where he tried to do a Chaplinesque turn as a mute simpleton, "Gigot." I'm guessing that in the interest of keeping it under two hours, and in consideration of the fact that most people see Gleason as a TV star first and foremost, that part of the story was jettisoned. It would have been interesting, though.
Before having seen it, I'd read some statements cautioning avid "Honeymooners" fans that they might be annoyed with the recreations in this film. I can see what they were talking about, in that several scenes from the show about Ralph getting a TV set were smooshed together into a single scene. While it managed to get the most memorable lines from the show together in a single compact scene, it could be a bit off-putting to those who know the shows so well that they've memorized the scripts (that's me, I'm afraid). The overall excellence of the production, and Garrett's outstanding performance, made this a forgivable sin for me.
Gleason's personality is not shown in a particularly good light in this piece. He is portrayed as being insecure, egocentric, petty, tyrannical, abrasive, possessive, and yet aloof from even his closest friends and colleagues. From everything I've read about the man, that's pretty much true. I still love Gleason and the expansive, lovable, down-to-earth everyman character he created for himself, even if I know it's not really true, but it tends to confirm my suspicion that it's always best to worship your heroes from afar.