Molly Mahoney is the awkward and insecure manager of Mr. Magorium's Wonder Emporium, the strangest, most fantastic, most wonderful toy store in the world. But when Mr. Magorium, the 243 year-old eccentric who owns the store, bequeaths the store to her, a dark and ominous change begins to take over the once remarkable Emporium.
Wilbur the pig is scared of the end of the season, because he knows that come that time, he will end up on the dinner table. He hatches a plan with Charlotte, a spider that lives in his pen, to ensure that this will never happen.
The wide generation gap between Tess Coleman and her teenage daughter Anna is more than evident. They simply cannot understand each other's preferences. On a Thursday night they have a big argument in a Chinese restaurant. Both receive a fortune cookie each from the restaurant owner's mother which causes them to switch bodies next day. As they adjust with their new personalities, they begin to understand each other more and eventually it's the mutual self-respect that sorts the things out. Written by
During the House of Blues audition, in the intro, you see the backup guitarist with the black stratocaster playing. Since Tess (in Anna's body) isn't playing, palm mutes are heard. It looks as if the backup guitarist is playing the palm mutes, but her palm is nowhere near the bridge or on the strings. She's strumming the guitar, and Anna originally plays the palm mutes. See more »
This is about the third adaptation of the Mary Rodgers novel. Finally, the team behind this film has gotten it together. It's obvious the original text has been revised in order to include the language of today. But the best thing about the movie is the casting assembled for it, with a sure director's hand behind it.
Actually, this is about the first film that has made me laugh since "Bringing down the house" that came out earlier this year. Most comedies today seem to forget that the basic premise for their existence is to amuse the audiences and entertain them, at the same time.
Mark Waters, the director shows he has a fine sense of how to make things move constantly in this comedy about identity changes. Of course, this film wouldn't be half the fun it is without Jamie Lee Curtis, who has never been as effective in any previous films. Her take on Tess Coleman, the not so cool therapist, strikes the right tone.
Her daughter is played with a lot of conviction by Lindsay Lohan, who is totally believable as the typical teen ager working through the pain of losing a father and getting a replacement she is not too fond of.
Things move at a rapid pace; there is never a dull moment in the film. It's a perfect summer comedy that will leave the viewer satisfied and happy.
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