| Nathalie Baye | ... | Anne Charpin-Vasseur | |
| Benoît Magimel | ... | François Vasseur | |
| Suzanne Flon | ... | Aunt Line | |
| Bernard Le Coq | ... | Gérard Vasseur | |
| Mélanie Doutey | ... | Michèle Charpin-Vasseur | |
| Thomas Chabrol | ... | Matthieu Lartigue | |
| Henri Attal | ... | Fanny's Father-in-law | |
| Kevin Ahyi | ... | First Kid | |
| Françoise Bertin | ... | Thérèse | |
| Jérôme Bertin | ... | Volunteer | |
| Caroline Baehr | ... | Fanny | |
| Didier Bénureau | ... | Brissot | |
| Yvon Crenn | ... | Yves Pouët | |
| Michèle Dascain | ... | Marthe | |
| Jean-Marc Druet | ... | Lab Assistant | |
| Michel Herbault | ... | Le maire | |
| Edmond Kastelnik | ... | First Election Official | |
| Marius de Laage | ... | Second Kid | |
| Isabelle Mamère | ... | Journaliste | |
| Juliette Meyniac | ... | Hélène | |
| François Maistre | ... | Jules | |
| Jean-Pierre Marin | ... | Second Election Official | |
| Yves Pignot | ... | Pierre Vasseur | |
| Dominique Pivain | ... | Dominique | |
| Léa Pellepaut | ... | Drugstore Saleswoman | |
| Valérie Rojan | ... | Gérard's Secretary | |
| rest of cast listed alphabetically: | |||
| Nicolas Girard Deltruc | ... | Laboratory Assistant (uncredited) | |
Directed by | |||
| Claude Chabrol | |||
Writing credits | ||
| Caroline Eliacheff | (original scenario) & | |
| Louise L. Lambrichs | (original scenario) | |
| Claude Chabrol | (adaptation and dialogue) | |
Produced by | |||
| Yvon Crenn | .... | executive producer | |
| Marin Karmitz | .... | producer | |
Original Music by | |||
| Matthieu Chabrol | |||
Cinematography by | |||
| Eduardo Serra | (director of photography) | ||
Film Editing by | |||
| Monique Fardoulis | |||
Production Design by | |||
| Françoise Benoît-Fresco | |||
Set Decoration by | |||
| Fabien Belinguier | |||
| Michel Mourgues | |||
| Catherine Pierrat | |||
Costume Design by | |||
| Mic Cheminal | |||
Makeup Department | |||
| Françoise Andrejka | .... | key makeup artist | |
| Jean-Charles Bachelier | .... | key hair stylist | |
| Valérie Cancalon | .... | makeup artist | |
| Franck Mendoche | .... | hair stylist | |
Production Management | |||
| David Crenn | .... | unit manager | |
| Nicolas Girard Deltruc | .... | assistant production manager | |
| Sacha Horvat | .... | trainee unit manager | |
| Nathalie Kreuther | .... | production manager | |
| Patrice Lhuillier | .... | unit production manager | |
| Samantha Mialet | .... | trainee unit manager | |
| Matthieu Vogel | .... | trainee unit manager | |
Second Unit Director or Assistant Director | |||
| Dominique Frizat | .... | second assistant director | |
| Vincent Guillerminet | .... | trainee assistant director | |
| Cécile Maistre | .... | first assistant director | |
Art Department | |||
| Pierre Coudeneau | .... | construction manager | |
| Véronique Coudert | .... | assistant tapestry maker | |
| Pierrot Galliard | .... | property master | |
| Julien Grisot | .... | props | |
| Thierry Lautout | .... | tapestry | |
| Clémentine Léger | .... | painter | |
| Catherine Pierrat | .... | set dresser | |
Sound Department | |||
| Denis Carquin | .... | sound assistant | |
| Stéphane De Rocquigny | .... | assistant sound mixer | |
| Michel Filippi | .... | post-synchronization | |
| Lionel Le Bras | .... | boom operator | |
| Thierry Lebon | .... | sound | |
| Pierre Lenoir | .... | sound | |
| André Naudin | .... | foley artist | |
| Julien Naudin | .... | foley artist | |
Camera and Electrical Department | |||
| Claude Atanassian | .... | gaffer | |
| Jean Atanassian | .... | electrician | |
| Michel Atanassian | .... | electrician | |
| Florent Bazin | .... | first assistant camera | |
| Eric Bonnaire | .... | grip (as Erik Bonnaire) | |
| Mathieu Caudroy | .... | Steadicam operator | |
| Jean-Marie Delorme | .... | assistant camera | |
| Claire Duguet | .... | camera trainee | |
| Muriel Mayret | .... | second assistant camera (as Muriel Mairet) | |
| Jérémie Nassif | .... | still photographer | |
| Dominique Robert | .... | key grip | |
| Michel Thiriet | .... | camera operator | |
Costume and Wardrobe Department | |||
| Laurence Glentzin | .... | costumer | |
| Sandrine Kerner | .... | costumer | |
Editorial Department | |||
| Patrick Delamotte | .... | color timer | |
| Pauline Flamand | .... | trainee assistant editor | |
| Stanislas Moreau | .... | assistant editor | |
| Georges-Henri Picaud | .... | trainee assistant editor | |
| Olivier Rossignol | .... | assistant editor | |
| Patrick Thauvin | .... | negative cutter | |
| Nicolas G. Thiriet | .... | trainee assistant editor | |
| Nicolas Willmann | .... | trainee assistant editor | |
Music Department | |||
| L' Orchestre Symphonique Français | .... | performed by | |
| Laurent Petitgirard | .... | conductor | |
Other crew | |||
| Marie-Odile Arnoux | .... | production secretary | |
| Aurore Chabrol | .... | script supervisor | |
| Monica Donati | .... | press attache | |
| Nicolas Girard Deltruc | .... | production assistant | |
| Joseph Lasserre | .... | group man | |
| Gisèle Vuillaume | .... | production administrator | |
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| Mourning Becomes Electra | Primary Colors | Imperium: Augustus | Crime + Punishment in Suburbia | Potiche |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
Director Chabrol takes on the French bourgeois so insidiously, so quietly, so subtly, that you don't realize his cinematic scalpel has just removed several layers of sensitive skin; this family-based thriller shows a woman running for office, examines her philandering husband, and zeroes in on two slightly incestuous slightly related children, all under the care of a quietly smiling, deadly caretaker, who smiles while encouraging the tots to misbehave.
The plot, such as it is, could be frustrating if the viewer is looking for any kind of forward action--this is an expose of empty morality, and hardly qualifies as a suspense film (you might even ask--when will this end?), but in considering the gorgeously cinematic interiors (and beach setting) in contrast to the vapid emptiness each character ultimately reveals, this could be a film you like very much; it's typically French in that it tends to look inside rather than outside, examine character development in lieu of action perpetrated by a hero.