| David Blaine | ... | Himself | |
| rest of cast listed alphabetically: | |||
| Jim Moret | ... | Host | |
Directed by | |||
| Michael Dimich | (live segments) | ||
| Jacob Septimus | (segment director) | ||
| David Blaine | (uncredited) | ||
| Troy Miller | (uncredited) | ||
Writing credits(in alphabetical order) | ||
| David Blaine | uncredited | |
| Troy Miller | uncredited | |
| Jacob Septimus | uncredited | |
Produced by | |||
| Tracey Baird | .... | associate producer | |
| David Blaine | .... | executive producer | |
| Bill Kalush | .... | co-executive producer | |
| William Kalush | .... | co-executive producer | |
| Bruce Klassen | .... | producer | |
| Troy Miller | .... | executive producer | |
| Tom Sherren | .... | co-executive producer | |
Film Editing by | |||
| Kabir Akhtar | |||
| Michael Z. Wechsler | |||
Art Direction by | |||
| Dan Butts | |||
Production Management | |||
| Donna Suchan | .... | production manager | |
Sound Department | |||
| James Krieger | .... | post-production audio mixer | |
| Dana Mark McClure | .... | sound mixer | |
| Brian Riordan | .... | post audio mixer | |
Stunts | |||
| Bob Brown | .... | stunt coordinator | |
Other crew | |||
| Michael Dimich | .... | show director | |
| David Genova | .... | production assistant | |
| Michelle Hall | .... | script coordinator | |
| Tamar Kuznick | .... | production coordinator | |
| Raegan Matthews | .... | assistant to producers | |
| Chuck Reilly | .... | technical manager | |
|
|
|
|
|
| Click | Hocus Pocus | Pants in the Family | Eragon | John Peel's Record Box |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | IMDb USA section |
Yes, there may be other magicians and illusionists with more technical skill, but David Blaine has what Houdini had--style.
David proves again that it's not so much what you do as how you do it. Fortunately, Blaine has a very positive vibration, which helps him to communicate to a broad public. In his Vertigo, all he does is stand still in one place without a break for 35 hours. That in itself is unusual, but perched outside on an 80-foot pole with diameter of about a two feet, that's something else!
That it's in mid Manhattan adds to the "stunt." In a city where everything's "a-go-go" all the time, this is an act of defiance--or revelation.
What does it mean? Whatever one wants it to. For instance, "he's crazy" and "he's nuts," to some people; and "he's great" and "he's incredible" to others.
However, the people come out, representing all walks of life. Everyone can comprehend a person standing erect on a 80-foot pole. One doesn't need to speak a certain language, be a member of a particular organization, fall into a specific socio-economic class, or be a certain age.
Just one look up there, and every person is instantly united: a commonality is established. That's what music was supposed to do, but it doesn't seem to any more. That "universal language" has been thwarted with the influx of vastly diverging musical tastes.
But David, standing on that narrow post, so high as to be a tiny silhouette, unties. In his other TV special of street magic he went all over the U.S., ending up in the remotest point of the heretofore unexplored Amazon jungle, doing tricks for the natives, young and old. There was no need for verbal communication: he just showed them, and they understood and responded with amazement.
That's the significance of David Blaine's Vertigo. For 35 hours people came together mentally, emotionally and spiritually in a common bond of fascination and wonder.