Set in Victorian London, Gwendolen Harleth is drawn to Daniel Deronda, a selfless and intelligent gentleman of unknown parentage, but her own desperate need for financial security may destroy her chance at happiness.
The series tells the story of Amy Dorrit, who spends her days earning money for the family and looking after her proud father, who is a long term inmate of Marshalsea debtors' prison in ... See full summary »
Based on a little known 1848 novel by Anne Bronte, Tara Fitzgerald stars as an enigmatic young woman who moves to 19th Century Yorkshire with a young son. Distancing herself from everyone ... See full summary »
This Masterpiece Theatre production, set at the cusp of the Industrial Revolution, chronicles the life, loves, foibles and politics of the fictional English town of Middlemarch. Adapted ... See full summary »
At the center of the story is Augustus Melmotte, a European-born city financier, whose origins are as mysterious as his business dealings. Trollope describes him as 'something in the city',... See full summary »
In the 1840s, Cranford is ruled by the ladies. They adore good gossip; and romance and change is in the air, as the unwelcome grasp of the Industrial Revolution rapidly approaches their beloved rural market-town.
Emma Woodhouse seems to be perfectly content, a loving father whom she cares for, friends, and a home. But Emma has a terrible habit - matchmaking. She cannot resist finding suitors for her... See full summary »
Jonny Lee Miller
It is across the roulette table that Gwendolen Harleth first locks eyes with the enigmatic Daniel Deronda. Gwendolen is beautiful, vivacious, and a gambler, but desperate for financial security; something that possessive Henleigh Grandcourt would be able to provide for her. Daniel is the adopted son of an aristocratic, but doubtful of his own identity. He pours his energy into selflessly helping his friends, including poor Jewish singer Mirah Lapidoth. As Gwendolen's situation becomes dire, and Daniel seeks to uncover the mystery surrounding his own birth, their lives become intertwined... Written by
"I don't love her any more than she loves me. That's not the point."
Having never read George Eliot's novel, I came into the film with only what I know based on the information friends have given me. The film is utterly exquisite. The costuming alone will have Anglophiles like myself crying from sheer envy, and there's enough archery, riding, and balls to weigh out the seriousness of the film, which is essentially two plots woven into one. An utterly heartless and wretched marriage for a spoiled young Gwendolyn in the form of the evil Grandcourt, a landowner whose sole pleasure lies in torment. Be it his wife or dogs, our heartless villain never takes greater pleasure than in dangling something before them and tearing it away again, only to feed it to someone else. We see a kind of barbarism in this act, be it with the family spaniel or his impoverished, abandoned mistress.
The second plot line, which I found slightly less interesting, was about the film's lead, Daniel Deronda, a presumed illigitimate boy who has been raised a country gentleman. One day while out boating he saves a Jewish singer from drowning herself, and sets out to discover his own true identity through finding her family. I don't know why, but I found myself itching through these scenes to get back to Gwendolyn and her pathetic plight of enslavement to her husband. A second viewing, once I knew the course of the characters, settled me a bit.
The acting is very stellar. There's not a weak link in the cast, although I have to say seeing Barbara Hershey seemed a little out of place in this Victorian paradox. The film makes numerous contrasts between good and evil, selfishness and humility, lies and deception. It's actually quite an achievement, and I was pleased at the amount of restraint showed by the filmmakers. The sexual tension between man and wife will go over most younger viewer's heads, something for which I'm grateful. It's rare we get a wonderful Victorian bodice ripper where the bodice stays on.
35 of 37 people found this review helpful.
Was this review helpful to you?