Margit and her older sister, Katla, flee their homeland in Iceland after their mother is killed for practicing witchcraft. Needing a place to stay, Katla casts a spell over a young farmer ... See full summary »
Bryndis Petra Bragadóttir,
Valdimar Örn Flygenring
"Voltaic: The Volta tour Live in Paris and Reykjavik" is a remarkable, multi-media document of Björk's visually dazzling Volta tour. Full of on-your-feet moments, the film features ... See full summary »
How does artist Matthew Barney use 45,000 pounds of petroleum jelly, a factory whaling vessel and traditional Japanese rituals to create his latest art project? Barney plowed the waters off... See full summary »
There once was a girl named Anna Young. She was the perfect child. One day, Anna wakes up with a horrible illness. She looks like a sad version of Marilyn Manson and is terribly moody. When... See full summary »
Barney plays the Entered Apprentice and his opponents include the Order of the Rainbow for Girls (who look a lot like the Rockettes), Agnostic Front and Murphy's Law (two New York Hardcore bands), Aimee Mullins, and Richard Serra. Molten Vaseline, dental surgery, a demolition derby by vintage Chrysler Imperial New Yorker cars and a gorgeous creature who is half-cheetah/half woman all figure in this latest edition of Matthew Barney's fever dream. Much of the action takes place in two New York landmarks, the Chrysler Building and the Guggenheim Museum, as well as at the Saratoga Racetrack (upstate NY), the Giant's Causeway (Ireland) and Fingal's cave (the Scottish Isle of Staffa). Written by
Sujit R. Varma
After the teeth have begun to exit the Apprentice's prolapsed intestine, there is an overhead shot of the hitmen standing around the Apprentice on the dentist's chair. The view of the intestine is slightly blocked by the back of one of the hitmen, but as he shifts from side to side, the teeth are nowhere to be seen. See more »
I just saw Cremaster 3 on a big screen (Castro Theater in San Francisco).
First the good:
It looks great. The cinematography is beautiful.
There are some interesting and unusual scenes and images.
Now the bad:
The movie is a bunch of scenes which act as if they're going to add up to
something but really don't add up to anything.
There's a lot of "product placement". In Hollywood movies, product
placement means that the characters drink Coke or subliminally (or even overtly) advertise some product. In Barney's case, this means that the characters use or play with white plastic sculptures which are what Barney sells for lots of cash. Just think: you could buy one of these things that might have been used in the movie for only $50,000.00.
There is a long sequence in the Guggenheim museum in which Barney
showcases his rock climbing skills. Great. He's so buff. Isn't it amazing? Talented AND buff. Sorry, that rock climbing was just a show-off. It added nothing to the film otherwise. Much has been made of how Barney was a football player, and he seems to feel obligated to keep proving that he's a jock. The novelty of it all... a jock artist! Oh my.
In the same Guggenheim sequence he has two punk bands playing at once with
punks dancing, while sculptor Richard Serra throws liquid vaseline at some steel plates, with some of it running down a channel that goes down the inside of the spiral walkway. The main point of this seemed to be "look how cool I am. I have punk bands and big deal sculptors here with me!"
If you want to see some strange scenes and don't mind spending 3 hours at it, go ahead. If you expect art or something of significance, you will either be sorely disappointed or perhaps you'll be snowed like the most critics and will believe you saw just that.
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