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Baadasssss Cinema (2002) (TV)
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Overview
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Plot:
Filmmaker Isaac Julien uses film clips and interviews to illustrate the history of the so-called "blaxploitation" genre. | add synopsisNewsDesk:
Black Actors Blast Civil Rights Groups Over 'Blaxploitation'(From Studio Briefing - Film News. 13 August 2002)
User Comments:
Mandatory viewing for 'blaxploitation' fans and film critics moreCast
(Credited cast)| Jim Brown | ... | Himself (archive footage) | |
| Larry Cohen | ... | Himself | |
| Tamara Dobson | ... | Herself (archive footage) | |
| Ron Finley | ... | Himself | |
| Pam Grier | ... | Herself | |
| Ed Guerrero | ... | Himself | |
| Isaac Hayes | ... | Himself (archive footage) | |
| Gloria Hendry | ... | Herself | |
| bell hooks | ... | Herself | |
| Roy Innis | ... | Himself (archive footage) | |
| Jesse Jackson | ... | Himself (archive footage) (as Rev. Jesse Jackson) | |
| Samuel L. Jackson | ... | Himself | |
| Max Julien | ... | Himself (archive footage) | |
| Jim Kelly | ... | Himself (archive footage) | |
| Yaphet Kotto | ... | Himself (archive footage) | |
| Curtis Mayfield | ... | Himself (archive footage) | |
| Elvis Mitchell | ... | Himself | |
| Ron O'Neal | ... | Himself (archive footage) | |
| Gordon Parks | ... | Himself (archive footage) | |
| Richard Roundtree | ... | Himself (archive footage) | |
| Afeni Shakur | ... | Herself | |
| Quentin Tarantino | ... | Himself | |
| Melvin Van Peebles | ... | Himself | |
| Armond White | ... | Himself | |
| Fred Williamson | ... | Himself |
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
58 min | USA:55 min (TV)Language:
EnglishColor:
ColorAspect Ratio:
1.66 : 1 moreCertification:
New Zealand:R13Fun Stuff
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Even I, who have seen Melvin van Peebles' Sweet Sweetback's Baaddasssss Song, loved every minute of this revealing documentary. Richly documented with inserts from the films that are being discussed on camera, or that merely give extra power to the narration; also, a number of newspaper clips with headers that made history, or highlighted the political change trends in the late 1970s. The number of people interviewed, and the important messages they deliver now - is a unique upraisal of their work of a quarter of a century ago. For me at least, it was also marvellous to see how Pam Grier, and Gloria Hendry, have gained weight, but are beautiful, sexy women even now. For the young generation, this documentary is also a good introduction to white/black relationships in the USA in the late 1960s - and a big incentive to discover nice, little action and nudity films of the 1970s now (unfortunately) mostly relegated to video warehouses.