What is this film called Brazil? Find out in this witty documentary.

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Brazil (1985)
Drama | Sci-Fi
    1 2 3 4 5 6 7 8 9 10 8/10 X  

A bureaucrat in a retro-future world tries to correct an administrative error and himself becomes an enemy of the state.

Director: Terry Gilliam
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    1 2 3 4 5 6 7 8 9 10 7/10 X  

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Drama | Fantasy | Horror
    1 2 3 4 5 6 7 8 9 10 6.6/10 X  

Because of the actions of her irresponsible parents, a young girl is left alone on a decrepit country estate and survives inside her fantastic imagination.

Director: Terry Gilliam
Stars: Jeff Bridges, Jennifer Tilly, Jodelle Ferland
Adventure | Comedy | Drama
    1 2 3 4 5 6 7 8 9 10 7.7/10 X  

An oddball journalist and his psychopathic lawyer travel to Las Vegas for a series of psychedelic escapades.

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Stars: Johnny Depp, Benicio Del Toro, Tobey Maguire
Mystery | Sci-Fi | Thriller
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In a future world devastated by disease, a convict is sent back in time to gather information about the man-made virus that wiped out most of the human population on the planet.

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What is this film called Brazil? Find out in this witty documentary.

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This documentary is featured on the 3-Disc Criterion Collection DVD for Brazil (1985). See more »

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Kim Greist: It's entering Terry Gilliam land.
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References The King of Comedy (1982) See more »

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A brief but entertaining on-set glimpse into the making of Terry Gilliam's classic sci-fi
18 June 2007 | by (Australia) – See all my reviews

Having recently watched 'Brazil,' Terry Gilliam's disturbing, weird, absurdly-hilarious science-fiction masterpiece, I was still full of countless questions that needed to be answered. Rob Hedden's 30-minute on-set documentary 'What is Brazil?,' included on the DVD release for the film, seemed an appropriate place to start. The documentary, basically a television plug for the coming release of the film, combines clips from the film, on-set footage and interviews with the cast and crew to form a quick overview of 'Brazil' and to hopefully entice viewers enough for them to see it at the cinemas. Curiously, there is no mention whatsoever of Gilliam's epic struggle with Universal chairman Sid Sheinberg to have his film released in its original form in American cinemas. One must presume that the documentary was completed before these events took place.

So… what is 'Brazil?' Unfortunately, none of the cast and crew members seem to have any idea about this, either. Co-writer Tom Stoppard admits that he "doesn't even know why it's called 'Brazil.'" Rather than trying to explain the symbolic meanings behind the events of the film – which would be impossible to an audience that is yet to actually see it – this documentary serves to pique the viewer's curiosity, to persuade them to find out for themselves what 'Brazil' is.

The on-set interviews with the cast and crew members are interesting enough. Terry Gilliam sits himself down on a step to share a few moments with the camera crew, tracing through such production problems as the complex visual effects, the casting decisions and the difference of work habits between himself and co-writer Tom Stoppard. Stoppard and Charles McKeown , the other co-writer, also appear in the film. Special effects supervisor George Gibbs, model effects supervisor Richard Conway, prosthetic make-up artist Aaron Sherman and model photographer Tim Spence are also included to relate their experiences in producing 'Brazil.' Many of the main cast members (no Robert De Niro, unfortunately) also give interviews about their roles, with Michael Palin, in character, being the stand-out, pretending to be an upper-class acting veteran and giving his interviews into the telephone.

Hedden's documentary, 'What is Brazil?,' basically exists to pose that question, and never really attempts to answer it in any specific way. The interviewed cast and crew members each offer their own opinions: Gilliam calls it "the impossibility of escape from reality," and then, more enigmatically, "it's late night shopping and terrorist bombing." Michael Palin amusingly declares the film to be "a Viking musical," but I'm not sure if many would agree with his individual assessment. Perhaps Charles McKeown's brief description is the most appropriate: "it's like lifting the top off Terry Gilliam's skull… and glimpsing inside."


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