Selene, a beautiful vampire warrior, is entrenched in a war between the vampire and werewolf races. Although she is aligned with the vampires, she falls in love with Michael, a werewolf who longs for the war to end.
Alice awakes in Raccoon City, only to find it has become infested with zombies and monsters. With the help of Jill Valentine and Carlos Olivera, Alice must find a way out of the city before it is destroyed by a nuclear missile.
A war has been raging between the Vampires and Lycan for centuries, Selene (Beckinsale) is a death dealer, assigned to hunt down and eradicate the last of the Lycan. When she comes across Michael Corvin(Speedman)who holds the key to end the war she must decide where her alligances will lie. Written by
The ancient tome which Selene uses to research the history of Kraven features pages from three different sources, all shown before "The Fall of Lucian." The first, featured on the page with the seals of Amelia, Viktor, and Marcus, is an ancient Hungarian text entitled Funeral Sermon and Prayer. The second is an old Catholic Roman Missal, including the Propers of the Second Mass for All Souls' Day. The third is a book entitled Instructissima Bibliotheca Manualis Concionatoria, which is also featured between pages of the story of the fall of Lucian. See more »
Viktor is referred to as 'The oldest and strongest vampire', but if Marcus Corvinus is the first vampire, and is an elder still living in the current time in the movie, then Viktor cannot possibly be the oldest. See more »
The war had all but ground to a halt in the blink of an eye. Lucian, the most feared and ruthless leader ever to rule the Lycan clan, had finally been killed. The Lycan horde scattered to the wind in a single evening of flame and retribution. Victory, it seemed, was in our grasp, the very birthright of the vampires. Nearly six centuries had passed since that night, yet the ancient feud proved unwilling to follow Lucian to the grave. Though Lycans were fewer in number, ...
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The "Underworld" sequel will soon be out so now is a good time to revisit the original. Personally I enjoyed this film more than any high budget "mainstream movie" I have seen in years years. But I can see many of the problems others have pointed out. Although the small action scenes work very well, the more elaborate scenes are disjointed, confused, and somewhat silly. If you compare the opening subway sequence to the train station sequence in "The Untouchables", you see an illustration of why less is better; and "Underworld" expends more ammo for less effect than anything this side of a "Godzilla" film.
Along with too much aggressive confusion is the silliest head-splitting in cinema history. Similar to the way Tarentino dispatched Lucy Lie in "Kill Bill Vol.1" (i.e. a delay in the actual detachment-I don't know which film did it first but Tarentine did it way better), the effects editor overlooked the need to show a slice in the head before it topples off. Surely this was just simple incompetence and not deliberate, because there are ways to show this (i.e. a line) that would still make it a relatively shocking scene.
The story itself breaks too many horror genre conventions and fails to generate much real suspense (although the climax is somewhat surprising). But ultimately these problems did not interfere with my enjoyment of the movie.
This was because it is first and foremost a Kate Beckensale's vehicle, as emphasized by recent trailer for the sequel. It is likely that your feeling about the film will depend on your impression of Beckensale. She has never looked better and I'm just talking about her face which I could watch in closeup for two hours without the slightest complaint. She is increasingly an absolute ringer for a 1940-ish Loretta Young. An earlier comment noted that: "This 30 year old has the figure and face of a magazine model, with the bored flat expression to match. Pour this tight little body into a rubber suit with especially reflective pants and you have something to anchor your movie". All this is very true but add intelligence, subtlety and nuance not seen since Diana Rigg was playing Mrs. Peel. The film does not demonstrate her range (you have to watch "Alice Through the Looking Glass" for the best evidence of that) but it is one of those rare cases where you can't imagine anyone but her in the role.
The production design, lighting, and cinematography are all excellent and the DVD has some great features explaining these aspects of the production.
The film has a nice consistent look that fits very well with the story. I don't understand the comments that are negative overall, or what films these people are unfavorably comparing it to, can't be the garbage films that have been coming to mainstream theaters over the past few years. Bottom line, if you like the genre, appreciate stylish production design, and think highly of Ms. Beckensale you should make it a point to see this movie.
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