Kingdom of Heaven (2005)

Director:

Ridley Scott

Writer (WGA):

William Monahan (written by)

Release Date:

6 May 2005 (USA)

Genre:

Action | Adventure | History

Tagline:

Be without fear in the face of your enemies. Safeguard the helpless, and do no wrong

Plot:

Balian of Ibelin travels to Jerusalem during the crusades of the 12th century, and there he finds himself as the defender of the city and its people.

Plot Keywords:

Jerusalem | Knight | King | Sword | Blacksmith

Awards:

3 wins & 11 nominations

Cast

  (Cast overview, first billed only)

Martin Hancock	...	Gravedigger
Michael Sheen	...	Priest
Nathalie Cox	...	Balian's Wife
Eriq Ebouaney	...	Firuz
Jouko Ahola	...	Odo
David Thewlis	...	Hospitaler
Liam Neeson	...	Godfrey de Ibelin
Philip Glenister	...	Squire
Orlando Bloom	...	Balian de Ibelin
Bronson Webb	...	Apprentice
Kevin McKidd	...	English Sergeant
Nikolaj Coster-Waldau	...	Village Sheriff
Steven Robertson	...	Angelic Priest
Marton Csokas	...	Guy de Lusignan
Alexander Siddig	...	Imad

Also Known As:

MPAA:

Rated R for strong violence and epic warfare.

Runtime:

144 min | 190 min (director's cut) (Blu-Ray Disc) | 192 min (director's cut)

Country:

UK | Spain | USA | Germany

Language:

English | Arabic | German

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

DTS | Dolby Digital

Certification:

Taiwan:R-12 | Canada:14A | Portugal:M/12 | Netherlands:16 | Malaysia:U | Iceland:16 | Germany:16 (director's cut) | New Zealand:R16 | Argentina:13 | Australia:M | Brazil:14 | Canada:13+ (Quebec) | Canada:14A (Alberta/British Columbia/Ontario) | Finland:K-15 | France:U | Germany:12 | Hong Kong:IIB | Ireland:15A | Italy:T | Norway:15 | Peru:14 | Philippines:PG-13 | Singapore:NC-16 | South Korea:15 | Spain:13 | Sweden:15 | Switzerland:12 (canton of Geneva) | Switzerland:12 (canton of Vaud) | UK:15 | USA:R | Indonesia:Dewasa

Filming Locations:

Atlas Corporation Studios, Ouarzazate, Morocco

Company:

Twentieth Century Fox Film Corporation

Trivia:

Production designer Arthur Max, set decorator Sonja Klaus and costume designer Janty Yates all visited the Salles des Croisades in the Musée National du Château de Versailles for inspiration about the period in which the film is set. The paintings found there became vital in helping the filmmakers design the flags, banners, horse dressing, costumes etc. Arthur Max also used the work of Jean-Paul Jérôme and Paul Gustave Doré as inspiration in designing his sets for the film.

Goofs:

Crew or equipment visible: In some scenes involving horses, modern orange cones can be seen on the ground directing the riders on the path past the camera to follow. This has been corrected for the Director's Cut DVD.

Quotes:

[first lines]
Gravedigger:Crusaders.
Squire:Clear the road, if you will.

Movie Connections:

Referenced in MovieReal: Kingdom of Heaven (2005) (TV)

Soundtrack:

VIDE COR MEUM

"Kingdom of Heaven": A Near Masterpiece

In 1935, Cecil B. DeMille made his famous epic "The Crusades" on one of the backlots of Hollywood. What a change in the Ridley Scott film "Kingdom of Heaven" of 2005 with the technical wizardry of a new era! Although it is not a perfect film, it is nonetheless skillfully crafted and well worth the time of any film-goer in our current, troubled age.

From the visual and technical standpoint, "Kingdom of Heaven" is masterful. The recreation of medieval France and the city of Jerusalem were brilliant technical achievements. The French landscape recalls the region around medieval Clermont and Vézelay where Pope Urban and Bernard of Clairvaux delivered their momentous calls to arms for the early Crusades. And in the recreation of Jerusalem, the film artists truly drew us into the twelfth-century walled city with sacred roots in Judaism, Islam, and Christianity. Much credit should go to cinematographer John Mathieson, costume designer Janty Yates, and all of the film's art directors. The film's events spanned the era between the Second and Third Crusades, and the evocation of this epoch was simply spectacular.

In the genre of the epic film, the leading actor is crucial, as in the unforgettable performances of "Lawrence of Arabia" (Peter O'Toole), "Tess" (Nastassja Kinski), and "Bridge on the River Kwai" (Alec Guiness). One weakness of "Kingdom of Heaven" is leading performer Orlando Bloom. Although this young actor has fine screen presence, his performance was subdued and monochromatic. The Crusaders were driven by zeal, and Bloom's character Balian seems mired in melancholia following the death of his infant child and the subsequent suicide of his wife. Bloom's character does not even evolve much when upon arriving in Jerusalem, he falls in love with the mysterious Sibylla. Neither courtly love nor the fires of faith could ignite a spark of passion or change the expressionless, emotionless face of Orlando Bloom. As Sibylla, Eva Green also seemed out of place in this film. The closest historical prototype for her character was the formidable Eleanor of Aquitaine, who accompanied her husband King Louis on the Second Crusade, during which Eleanor had a stormy affair with her uncle Raymond of Antioch. Eva Green's character seemed closer to a young woman from the twenty-first century, as opposed to the twelfth.

Other performances were stronger, including those of Liam Neeson as Balian's father, Jeremy Irons as Tiberias, and Edward Norton as the King. Those actors really resembled medieval knights. Norton's characterization of the king victimized by leprosy and forced to wear a mask was one of the most sensitive character portraits since Ralph Fiennes' role as "The English Patient." Norton's characterization offers a glimpse into the softer side of the great medieval knights, such as the legendary Richard the Lionheart, a poet and troubador, as well as a king. Ghassan Massoud also merits praise for his portrayal of Saladin as not only a brilliant general, but a figure of great dignity.

At a time when we are at war in the Middle East, the screenplay and dramatic impact of "Kingdom of God" were thoughtful and worthy of serious reflection for any film-goer. I was especially struck by the theme of honor that ran through the film. The actions of the main character of Balian were guided by honor. And the character of Saladin was portrayed as an individual of great moral rectitude. The Western cultural heritage of chivalry, courtly love, and honor filtered into Europe through Islamic traditions, which "Kingdom of Heaven" seems to acknowledge. There is a powerful moment in the film where Saladin discovers a small Christian cross that has toppled over. He takes the time to pick up the fallen cross and set it aright. In a film filled with special effects and spectacular scenes of siege warfare, that moment of simplicity was the most meaningful and important one for me.