In 1959, Truman Capote learns of the murder of a Kansas family and decides to write a book about the case. While researching for his novel In Cold Blood, Capote forms a relationship with one of the killers, Perry Smith, who is on death row.
Philip Seymour Hoffman,
Clifton Collins Jr.,
Set in the New York club scene of the late 1980's thru the 1990's, a tale which chronicles the rise and fall of club-kid promoter Michael Alig, a party organizer, whose extravagant life was sent spiralling downward when he boasted on television that he had killed his friend, roommate, and drug dealer, Angel Melendez. Originally from Indiana, Alig moved to New York, and came to be an underground legend, known for his excessive drug use and outrageous behavior in the club world. At his peak, he had his own record label, and magazine, and hosted Disco 2000, one of the biggest club nights in New York in the '90s. He was doing a lot of drugs, and as his addiction got worse, his party themes became darker and more twisted. Alig's saga reached its tragic crescendo when he viciously murdered his drug dealer, Angel, by injecting him with Drano and throwing him in the East River. The power he wielded on the club scene made him feel untouchable, so he didn't hestitate to boast of the murder. The... Written by
Sujit R. Varma
Around 1,000 costumes were used - a major achievement for a film with such a small budget. Many costumes were originals culled from the Club Kids themselves, which contribute to the authentic feel of the overall design and look of the film. See more »
When Michael Alig puts the money in the newspaper box to get a copy of the "Andy Warhol is Dead" issue, he opens the box before the money drops in the coin slot. See more »
Oh, no thanks... I don't do drugs.
Nor do I.
[snorts Special K]
Did you see that? It just flew right up my nose!
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I often wondered why U.S. American movies involving young people who are into drugs are either pathetic (f.e. Drugstore Cowboy) or even downright ridiculous in their conservative portrayal of the dangers of drug use (f.e. Traffic, The Movie). Party Monster is very different. It's easy to see that the people who made this movie really informed themselves about what they tried to show. By doing this they achieved one of the best movies about adolescence i've seen in a long time. It's has a very sad and tender tone and though some scenes seem a little bit too stagy, the performances of the two leading actors are pure magic. It's pure joy just to watch them and as you got to see a lot of them there is plenty of fun. Nevertheless the movie leaves you with a very intense and ambivalent feeling towards it's characters who were indeed something very special. I even dreamed about this picture after seeing it! Thanks for the strange dream!
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