Critic Reviews



Based on 14 critic reviews provided by Metacritic.com
An unforgettable experience from yet another filmmaker who is making South Korean cinema one of the most vibrant of any emerging on the international scene.
At once a romantic melodrama, a sharp social comedy and a fierce political commentary on Korean society's cruelty to social outcasts. It's also a triumph of artistic indirection: Not a single scene plays out the way you expect. This is a film that gives humanism back its good name.
Oasis is utterly beguiling because Lee, like many other percipient Asian filmmakers, is simply more attentive to his characters' emotional tumult than the audience's.
Oasis is that rare miraculous whirlwind romance that moves from attempted rape to reverence without kicking up a lot of dust.
New York Daily News
Director Lee Chang-Dong has boldly crafted a challenge rarely found on film. But if you choose to meet it, you'll be rewarded with one of the most original, indelible romances in recent memory.
Chicago Sun-Times
A brave film in the way it shows two people who find any relationship almost impossible, and yet find a way to make theirs work. The problems with the film come because it overstays its welcome.
In the 2002 South Korean film Oasis, one can appreciate one of Asia's best directors (Lee Chang-dong) and one of the region's best actresses (Moon So-ri).
New York Post
You'll have to look long and hard to find a performance as emotionally raw as that of Moon So-ri in the startling South Korean love story Oasis.
The Hollywood Reporter
Although overlong and diffuse, Oasis, written and directed by Lee Chang-dong, boasts many powerful moments.
The combination of Lee's discomforting subject matter and distancing style -- calculating artlessness punctuated by occasional flights of lyrical fantasy -- makes this slow-moving drama a challenge that doesn't seem entirely worth the effort.

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