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The Night We Called It a Day (2003)

Based on the true events surrounding Frank Sinatra's tour of Australia. When Sinatra calls a local reporter a "two-bit hooker", every union in the country black-bans the star until he issues an apology.

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1 win & 3 nominations. See more awards »
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Cast

Cast overview, first billed only:
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Barbara Marx
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Hilary Hunter
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Rod Blue
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Audrey Appleby
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Mickey Rudin
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Penny
Stephen O'Rourke ...
Jilly Rizzo
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Phil
George Vidalis ...
Vinny
Peter Demlakian ...
Ruby
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Ralph Blue
Vincent Ball ...
Rex Hooper
Jennifer Hagan ...
Doris
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Storyline

Based on the true events surrounding Frank Sinatra's tour of Australia. When Sinatra calls a local reporter a "two-bit hooker", every union in the country black-bans the star until he issues an apology.

Plot Summary | Add Synopsis

Taglines:

This nobody is about to catch a big somebody. See more »


Motion Picture Rating (MPAA)

Rated R for strong language | See all certifications »
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Details

Country:

|

Language:

Release Date:

14 August 2003 (Australia)  »

Also Known As:

All the Way  »

Box Office

Opening Weekend:

$113,686 (Australia) (15 August 2003)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

(Filmfest Hamburg)

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Also titled, "All the Way"... See more »

Goofs

There are a number of anachronisms in the Sydney backdrops, ostensibly set in the 1970s. The most obvious is the catamaran harbour ferry that crosses the screen, in an early night-time shot of the harbour bridge. These were not introduced until 15 years later in 1988. See more »

Quotes

Frank Sinatra: I have an apology to make. To all the hookers out there, I compared them to the media.
See more »

Connections

References The Godfather (1972) See more »

Soundtracks

I've Got You Under My Skin
Composed by Cole Porter
Performed by Tom Burlinson
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User Reviews

 
Who knows where the road will lead us?
2 August 2004 | by (Jigoku West, a.k.a. Las Vegas) – See all my reviews

That song line from "all the way" is emblematic of The Night We Called It A Day, which starts out as a gritty piece of history, but ultimately becomes a testament to the joys of total romantic commitment.

For much of The Night We Called It A Day, I thought I had the movie completely pegged: Frank Sinatra, representing US Cultural Imperialism, running roughshod over the Australian locals. I'm not thin-skinned, and not uncritical of the US myself, so I thought, okay...that along with the voyeur's pleasure of seeing the crude reality of Sinatra's private life portrayed on screen is sufficient for 90 minutes entertainment.

But what starts out seeming like a poison pen letter turns out to be more of a Valentine, and the switch from one to the other makes the conclusion especially satisfying and exhilarating. The filmmakers play fast and loose with the facts toward the end, but the result is worth the artistic license.

I doubt anyone could play Sinatra and come out on top; in his own films Sinatra had a singular presence that could never be duplicated by any mere actor. Hopper isn't mimicking, however, he is acting, and he does a good job of conveying the essence of his character. I imagine the most difficult part of the role was bringing the audience along in those scenes where Sinatra, without dropping his tough guy act, reveals a tiny glimpse of the sweeter inner man. I bought it.

Maybe I was just in a receptive mood, but I immensely enjoyed it.


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