5.5/10
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Carrie (2002)

Carrie White is a lonely and painfully shy teenage girl with telekinetic powers who is slowly pushed to the edge of insanity by frequent bullying from both her classmates and her domineering, religious mother.

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(teleplay), (novel)
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2 nominations. See more awards »
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Cast

Cast overview, first billed only:
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Jesse Cadotte ...
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Detective John Mulchaey
Miles Meadows ...
Sean Tyler Foley ...
Lou Garson (as Tyler Foley)
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John Hargensen
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Storyline

This is the story of Carrie White, a lonely and painfully shy teenage girl with unbelievable telekinetic powers, and is slowly being pushed to the edge of insanity by frequent bullying from both cruel classmates at her school, and her own domineering, religious mother. One classmate, Sue Snell, feels sorry for Carrie and asks her boyfriend, Tommy Ross, to take Carrie to the senior prom instead of her. But another classmate, Chris Hargenson, is banned from the prom and is determined with her boyfriend to have her revenge on Carrie. Carrie soon discovers she has telekinetic powers; and when the most gruesome prank is played on her on prom night, anything can happen. Written by Anthony Pereyra {hypersonic91@yahoo.com}

Plot Summary | Plot Synopsis

Taglines:

For a night you won't forget... Join Carrie at the prom. See more »


Certificate:

TV-14 | See all certifications »

Parents Guide:

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Details

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Release Date:

4 November 2002 (USA)  »

Also Known As:

Carrie - A Estranha  »

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Technical Specs

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Sound Mix:

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Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

At 2 hours and 12 minutes, this is the longest adaptation of Carrie until the present time. See more »

Goofs

When Sue is driving towards town, she drives toward us on a street with three faint lights in the background and two cars parked on the left side of the street. When Chris and Billy are driving towards town, they drive away from us on the same street with the same cars and lights visible ahead of them. See more »

Quotes

Estelle Horan: [calling after Carrie] Do yourself a favor and run away from home!
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Connections

References She's All That (1999) See more »

Soundtracks

It's Only Sex
Performed by Sky Tyler
Courtesy of Access Denied Music
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Frequently Asked Questions

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User Reviews

 
In The Shadow Of A Masterpiece
6 November 2002 | by (San Gabriel, Ca., USA) – See all my reviews

It seems to make as much sense to remake a great movie like Brian DePalma's 1976 horror/suspense masterpiece CARRIE for television as it did to make a sequel of it in the form of THE RAGE: CARRIE 2 three years before, but that's what has been done. A lot of bells and whistles have been added to this television remake, but in the end this CARRIE is still in the shadow of the DePalma original.

Angela Bettis (GIRL INTERRUPTED) has the unenviable task of stepping into the shoes (and the prom dress) of Sissy Spacek in the title role of a New England teen tortured at school by cruel classmates (because she doesn't belong) and at home by her religiously fanatical mother (Patricia Clarkson, in the Piper Laurie role). Soon, she discovers she has telekinetic powers; and when the most gruesome of gags is played on her on prom night, all bets are off.

Though looking much more glazed in the eyes than Spacek ever did, Bettis gives a fairly good performance as Carrie; and Clarkson's portrayal of her uprighteous mother is much more low-key, but no less threatening, than Laurie's portrayal. The special effects, however obvious they might be, are also quite good. But in the end, the reputation of the 1976 original, with its combination of psychological horror and teen-angst drama, still hovers over this remake. Nowhere is this more apparent than in the pig's blood scene. It doesn't have the same jarring emotional impact this time around--not so much because we've seen it before, but because here it looks slightly laughable when the blood gets poured onto Bettis. Because of DePalma's use of slow-motion in the original, the blood hits Spacek like a tidal wave.

I give the CARRIE remake a '6' just for trying. I only regret that its shortcomings as a film have less to do with its execution as a film than the fact that the original movie still resonates much more fully.


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