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Storyline
This is the story of Carrie White, a lonely and painfully shy teenage girl with unbelievable telekinetic powers, and is slowly being pushed to the edge of insanity by frequent bullying from both cruel classmates at her school, and her own religious, but abusive, mother. Soon, she discovers she has telekinetic powers; and when the most gruesome of gags is played on her on prom night, all bets are off. Written by
Anthony Pereyra {hypersonic91@yahoo.com}
Plot Summary
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Plot Synopsis
Taglines:
Make a date with terror... And have a bloody good time.
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Did You Know?
Trivia
The ending was designed to allow a Carrie television series. However, as a result of poor ratings, the TV series was never made.
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Goofs
Carrie's hair is already wet and there is already blood splashed all over the floor when the first drops hit her face.
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Quotes
[
Carrie has just slammed a door and upended a table]
Margaret White:
Witch!
Carrie White:
I'm not a witch, I just... sometimes... I can move things.
Margaret White:
I should have known when you let the fire come. Sin never dies.
Carrie White:
I'm not the only one, Momma. Other people can do it, too. I read about them on the Internet.
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Connections
References
She's All That (1999)
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Soundtracks
"Exit"
Performed by Hypnogaja
Courtesy of Access Denied Music
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To state that this new version of Carrie doesn't remotely compare with the original horror classic is to belabor the obvious, so I will leave that issue aside.
However, I expected this movie to be simply garbage, like the recent "Rose Red", or dull and mediocre, like the TV remake of The Shining, and surprisingly, it was better than that.
Making a remake of a classic film is usually inadvisable, but under the circumstances, this was an honest and decent rendition of Carrie. TV movies tend to be endlessly drawn out, with low proudction values, and this was better than average. Most of the credit goes, however to the casting. Most of the cast were a very competent group of actors who I think really gave it their best shot in creating a new angle on the Carrie story. Particular mention should be made of Angela Bettis in the title role. She tackled the daunting task of taking a part made very famous by someone else, and making it her own. Her Carrie is less a neurotic mess than Sissy Spacek', repressed and unhappy but still strong and with some guts. She was very sweet and vulnerable, and was often very touching, as when she was suddenly, out of the blue, asked to the prom by such a handsome, nice boy.
One big disappointment was Patricia Clarkson as Mrs. White. The part was really reduced in scope in this version, and the actress played her in a very restrained and bland fashion. I can well imagine that it was decided that to replicate Piper Laurie's over the top baroque performance was inadvisable. The idea here was to have a more low key sinister approach. But the result was completely dull and uninteresting character that had less relevance to the story than it should have.
So for a TV remake of a horror classic, I give it A for effort, with some very good elements to it. However, this is still a movie you will probably watch only once. The real Carrie, Brian DePalma's 1976 classic, is one that is always fun to watch again and again!