Ingeborg Holm's husband opens up a grocery store and life is on the sunny side for them and their three children. But her husband becomes sick and dies. Ingeborg tries to keep the store, ... See full summary »
Two Soviet partisans depart their starving band on a short march to a nearby farm to get supplies. The Germans have reached the farm first, so the pair must go on a journey deep into ... See full summary »
Young Pauline is left a lot of money when her wealthy uncle dies. However, her uncle's secretary has been named as her guardian until she marries, at which time she will officially take ... See full summary »
Three centuries before Christus. Young Cabiria is kidnapped by some pirates during one eruption of the Etna. She is sold as a slave in Carthage, and as she is just going to be sacrificed to... See full summary »
Continuing where His Trust (1911) leaves off, George, a slave, takes care of his deceased master's daughter after her mother's death. He sacrifices his own meager savings to give the girl a... See full summary »
When I watched Jean-Luc Godard's documentary series Histoire(s) Du Cinema, there was a quick image from a silent film of a woman open mouthed, collapsing in front of a movie screen. The brief clip impressed me, but I had no way of knowing what the film's title was. A few months later, I am watching the Gaumont Treasures DVDs and I stumble onto the film with that clip. A personal mystery is solved!
The above mentioned scene is the centerpiece of this forty minute thriller. The plot is the classic of a scoundrel trying to do away with an heir to inherit a fortune. The mystery of the title isn't much of one, but the film is fun and also unexpected. A psychiatrist uses a motion picture camera to treat a patient, re-creating a traumatic event in that patient's life. This is an unconventional moment of self-reflexion for a film from 1912. I was fascinated. In addition to the set up, the actors are wonderful. Some have found director Leonce Perret wrong for the role of the scoundrel, but I found him appropriately light-hearted AND evil. His reactions during the masked ball finale are perfect. I actually prefer The Mystery of the Rocks of Kador to Perret's more revered The Child of Paris. It was a good time!
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