This epic is a mass amalgamation of three separate film-types that is, contrary to popular opinion, coherent and a unified whole. Bob Dylan is shown in concert, often masked, during the ... See full summary »
After being dumped by his girlfriend, a boy runs away to California. But he ends up in heaven because he dies after trying to help a family from drowning in a river. In heaven he'll meet a beautiful girl, who has never reincarnated before.
Three sisters with quite different personalities and lives reunite when the youngest of them, Babe, has just shot her husband. The oldest sister, Lenny, takes care of their grandfather and ... See full summary »
Against the backdrop of a nation on the brink of revolution, Uncle Sweetheart and Nina Veronica are slimy promoters planning a benefit concert. They desire the services of legendary singer Jack Fate, and soon Fate is sprung from jail. A rock journalist investigates the concert, attempting to determine just who will benefit. Revolution may be raging outside the arena, but Jack Fate and the benefit concert play on as planned. Written by
Ken Miller <email@example.com>
Non Dirle Che Non è Così
("If You See Her, Say Hello")
Written by Bob Dylan
Performed by Francesco De Gregori
Courtesy of Serraglio Edizioni Musicali s.r.l. and Sony Music Entertainment (Italy) S.p.A.
By Arrangement with Sony Music Licensing See more »
What could go wrong with a movie that features Bob Dylan playing some fun tunes, leading actors John Goodman, Jessica Lange, Luke Wilson, Jeff Bridges and Penelope Cruz, and bit parts by Christian Slater, Ed Harris, Angela Basset, Mickey Rourke and Val Kilmer? Well, let's start with a script penned by Bob Dylan that is easily as ineffable as, say, Subterranean Homesick Blues. If you know why the man in the coonskin cap wants eleven dollar bills (and you only got ten) then maybe you understood this movie. The rest of us struggled with mundane dialogue, disjointed vignettes, thinly veiled allusions to Dylan's life, some sort of statement on revolution, and perhaps an admission by Dylan himself that even he doesn't have a clue as to what most of his songs mean. Maybe if I saw this film another 2-3 times I would unravel the deeper meaning, peel back the layers of symbolism, and better grasp the metaphors that give deeper significance to the movie. On the other hand, it's been 35 years and I still don't know why I should hang around an ink well or watch the parking meters.
I wish I could say that I enjoyed this movie. But the fact is, I rarely laughed, certainly didn't cry, and I didn't really care about any of the characters. I could barely follow the plot line. And I didn't understand most of what was lurking under the surface. None of the actors appeared to have clue as to what was going on either. But then, maybe that's what Dylan meant all along . Maybe, but you shouldn't need a weatherman to know which way the wind blows.
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