Three sisters with quite different personalities and lives reunite when the youngest of them, Babe, has just shot her husband. The oldest sister, Lenny, takes care of their grandfather and ... See full summary »
Ella Connors is a single woman who gets pressured to sell her failing cattle farm to her corrupt ex suitor, Jacob Ewing. She asks for help from her neighbor, Frank Athearn. As Ella and ... See full summary »
A mother of two sons finds life considerably difficult on her own after the death of her beloved husband. Due to debt she must move them to Baltimore, and deal with the hardships and all ... See full summary »
Oregon, 1980: Jane, Elaine and Louise are all feeling the effects of inflation and cannot afford, as the title states, the high cost of living. Jane cannot afford a babysitter or get ... See full summary »
Susan Saint James,
Alexandra Bergson inherits the family farm and struggles to carve a home and a fortune from the windswept prairie. Along the way, she forfeits her one chance for love, but never forgets the... See full summary »
Gilbert Ivy and his wife Jewell are farmers. They seem to be working against the odds, producing no financial surplus. Gilbert has lost hope of ever becoming prosperous, but his wife ... See full summary »
Against the backdrop of a nation on the brink of revolution, Uncle Sweetheart and Nina Veronica are slimy promoters planning a benefit concert. They desire the services of legendary singer Jack Fate, and soon Fate is sprung from jail. A rock journalist investigates the concert, attempting to determine just who will benefit. Revolution may be raging outside the arena, but Jack Fate and the benefit concert play on as planned. Written by
Ken Miller <email@example.com>
In Bob Dylan's first scene, where he is released from prison, he is wearing a wig. He liked it so much that he continued to wear it for various occasions, including his appearance at the Newport Folk Festival in August 2002. See more »
When Jack Fate is talking to Tom Friend in his dressing room, his jacket jumps from his hands to the wall between shots before he takes it down again and makes to put it on. See more »
Some of us pursue perfection and virtue and if we're lucky, we catch up to it. But happiness can't be pursued. It either comes to your or it don't. You can always say, "if only this and if only that", but if only is a state of mind that we get into when we feel deprived.
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What could go wrong with a movie that features Bob Dylan playing some fun tunes, leading actors John Goodman, Jessica Lange, Luke Wilson, Jeff Bridges and Penelope Cruz, and bit parts by Christian Slater, Ed Harris, Angela Basset, Mickey Rourke and Val Kilmer? Well, let's start with a script penned by Bob Dylan that is easily as ineffable as, say, Subterranean Homesick Blues. If you know why the man in the coonskin cap wants eleven dollar bills (and you only got ten) then maybe you understood this movie. The rest of us struggled with mundane dialogue, disjointed vignettes, thinly veiled allusions to Dylan's life, some sort of statement on revolution, and perhaps an admission by Dylan himself that even he doesn't have a clue as to what most of his songs mean. Maybe if I saw this film another 2-3 times I would unravel the deeper meaning, peel back the layers of symbolism, and better grasp the metaphors that give deeper significance to the movie. On the other hand, it's been 35 years and I still don't know why I should hang around an ink well or watch the parking meters.
I wish I could say that I enjoyed this movie. But the fact is, I rarely laughed, certainly didn't cry, and I didn't really care about any of the characters. I could barely follow the plot line. And I didn't understand most of what was lurking under the surface. None of the actors appeared to have clue as to what was going on either. But then, maybe that's what Dylan meant all along . Maybe, but you shouldn't need a weatherman to know which way the wind blows.
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