| Photos (See all 20 | slideshow) | Videos (see all 5) |
| Javier Bardem | ... | Santa | |
| Luis Tosar | ... | Jose | |
| José Ángel Egido | ... | Lino (as José Angel Egido) | |
| Nieve de Medina | ... | Ana | |
| Enrique Villén | ... | Reina | |
| Celso Bugallo | ... | Amador | |
| Joaquín Climent | ... | Rico | |
| Aida Folch | ... | Nata | |
| Serge Riaboukine | ... | Serguei | |
| Laura Domínguez | ... | Ángela | |
| Pepo Oliva | ... | Samuel | |
| Fernando Tejero | ... | Lázaro | |
| Andrés Lima | ... | Abogado | |
| Antonio Mourelos | ... | Juez | |
| César Cambeiro | ... | Fiscal (as Cesar Cambeiro) | |
| Antonio Durán 'Morris' | ... | Director Banco (as Antonio Durán Morris) | |
| Luis Zahera | ... | Administrativo Astillero (as Luis Castro) | |
| Luisa Martínez | ... | Funcionaria INEM (as Maria Luisa Martínez) | |
| Casilda García | ... | Dueña Pensión | |
| Mónica García | ... | Mónica | |
| Luisa Merelas | ... | Mujer Lino | |
| Pablo de la Fuente | ... | Hijo Lino | |
| Belén López | ... | Hija Lino | |
| Denis Gómez | ... | Empleado Trasbordador | |
| Miguel Borines | ... | Encargado Conservera | |
| Lois Soaxe | ... | Compañero Conservera (as Lois Seaxe) | |
| Isabel Cerviño | ... | Secretaria Judicial | |
| Pablo Vázquez | ... | Niño del chalet | |
| Talco | ... | Bizco | |
| rest of cast listed alphabetically: | |||
| Jesús Vázquez | ... | Himself (archive footage) (uncredited) | |
Directed by | |||
| Fernando León de Aranoa | |||
Writing credits | ||
| Fernando León de Aranoa | (screenplay) and | |
| Ignacio del Moral | (screenplay) | |
Produced by | |||
| Andrea Occhipinti | .... | co-producer | |
| Elías Querejeta | .... | producer | |
| Jaume Roures | .... | producer | |
| Jérôme Vidal | .... | co-producer (as Jerome Vidal) | |
Original Music by | |||
| Lucio Godoy | |||
Cinematography by | |||
| Alfredo Mayo | |||
Film Editing by | |||
| Nacho Ruiz Capillas | |||
Casting by | |||
| Luis San Narciso | |||
Production Design by | |||
| Julio Esteban | |||
Costume Design by | |||
| Maiki Marín | |||
Makeup Department | |||
| Eva Fontenla | .... | assistant makeup artist (as Eva L. Fontenla) | |
| Manolo García | .... | make-up and hair | |
| Carlos Hernández | .... | make-up and hair | |
Production Management | |||
| Gregorio Hebrero | .... | unit production manager | |
| Alexandre Isidoro | .... | post-production manager: France | |
| Primitivo Álvaro | .... | production manager (as Primitivo Alvaro) | |
Art Department | |||
| Virgilio Esteban | .... | property master | |
| Alexandra Fernández | .... | assistant decorator (as Alejandra Fernández) | |
| Miguel Fernández | .... | props | |
| Pablo González Teijeiro | .... | painter | |
| José Herrero Güénaga | .... | construction coordinator | |
| José Antonio Perozo | .... | art assistant (as Xose Antón Perozo) | |
| Luis Pombo | .... | carpenter | |
| Octavio Pérez Pimentel | .... | second assistant decorator | |
| Juan Luis Rodríguez | .... | assistant property master | |
| Jorge Santalla | .... | art assistant | |
| José Tojo 'Tojete' | .... | painter (as José Tojo López) | |
Sound Department | |||
| Polo Aledo | .... | sound | |
| Susana Benito | .... | assistant sound mixer | |
| Alfonso Conceiro | .... | sound assistant | |
| Enrique Domínguez | .... | assistant sound mixer | |
| Patrick Ghislain | .... | sound effects editor | |
| Pierre Lorrain | .... | sound | |
| Alfonso Raposo | .... | sound mixer | |
| Maite Rivera | .... | dialogue editor | |
| Pierre Tucat | .... | boom operator | |
Special Effects by | |||
| Ricardo Spencer | .... | special effects (uncredited) | |
Visual Effects by | |||
| Ricardo G. Elipe | .... | visual effects supervisor | |
| Óscar Perea Marcos | .... | visual effects operator (as Oscar Perea Marcos) | |
| Jesús de Matos Zambrano | .... | visual effects operator | |
Camera and Electrical Department | |||
| Jordi Abusada | .... | second operator | |
| Olga Carretero | .... | still photographer | |
| Juan Carrión | .... | electrician | |
| Javier Casado | .... | electrician | |
| Alberto Díaz Blanco | .... | electrician | |
| Antonio Fernández Santamaría | .... | key grip (as Antonio F. Santamaría) | |
| Daniel Fernández | .... | second assistant camera | |
| José Antonio Fernández | .... | gaffer | |
| Ricardo Llovo | .... | video assist | |
| Vicente Martín | .... | still photographer | |
| Emilio Martínez-Borso | .... | camera trainee | |
| David Melero | .... | electrician | |
| Santiago Zuazo | .... | assistant camera | |
Costume and Wardrobe Department | |||
| Carmen Casal | .... | costume assistant | |
| Graciela Rubio | .... | wardrobe | |
Editorial Department | |||
| María José Almela | .... | assistant editor | |
| Carolina Martínez Urbina | .... | positive assembler (as Carolina Martínez) | |
| María Jesús Sánchez | .... | negative cutter | |
Music Department | |||
| Bibiana Bergia | .... | musical advisor | |
| José Luis Crespo | .... | music mixer | |
| Lucía Cárdenas | .... | music licensing (as Lucía Cárdenes) | |
| Héctor García | .... | assistant music mixer | |
| Lucio Godoy | .... | musician: guitar | |
| Federico Lechner | .... | musician: piano | |
| Ara Malikian | .... | musician: viola | |
| Pablo Pimentel | .... | assistant music mixer | |
| José Antonio Romero | .... | musician: electric guitar | |
| José San Martín | .... | musician: percussion | |
| Juan San Martín | .... | musician: bass | |
Transportation Department | |||
| Sergio Cozar Gil | .... | driver: production car (as Sergio Gil) | |
| Emilio Ruiz | .... | driver: production car | |
Thanks | |||
| Sergio Aguero | .... | very special thanks (as Sergio Agüero) | |
| Yolanda Aguiar Castro | .... | thanks | |
| Gusa Alonso-Pimentel | .... | thanks (as Gusa Pimentel) | |
| Carlos Asorey | .... | very special thanks | |
| Manuel Camacho | .... | very special thanks (as Manolo Camacho) | |
| Jesús Fernández Iglesias | .... | thanks | |
| Cirenia Lamela | .... | very special thanks | |
| Ángel Luis Lara | .... | very special thanks | |
| Javier Liñán | .... | very special thanks | |
| Patricia de Muns | .... | very special thanks | |
| Guadalupe Murillo Solís | .... | thanks | |
| José María Olaizola | .... | very special thanks (as José Mari Olaizola) | |
| Cristina Palés | .... | very special thanks | |
| Rolando Pardo | .... | very special thanks | |
| Claudio Rodríguez | .... | very special thanks | |
| Lola Salvador | .... | very special thanks | |
| Roberto Santiago | .... | very special thanks | |
| Pablo Sanz | .... | very special thanks | |
| Javier Tamarit | .... | very special thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb Spain section |
No film has ever captured the depression and delight of the ordinary working man as realistically as "Mondays in the Sun". Watching it brought me back to the gray days of growing up when I would see my father's tired face and wonder what joy he can possibly be getting that pulls him through the pressure filled, cold and seemingly endless cycle of working hard day in, day out.
Javier Bardem plays the not-ever-to-be-defeated Santa, a strong-willed, but down on his luck guy who just got laid off from a comfortable job at a shipyard. He takes refuge in a buddy's bar with all his friends/co-workers who share the same misfortune. On top of all the problems anchoring him down, Santa must pay a hefty fine for destroying a light by the shipyard. For one week, he tries to run from these injustices and bothers, and he sojourns with his dreams.
What director Fernando Leon de Aranoa understands is that no matter how much joy we can have in a given amount of time, there is always the weight of work and responsibility to come back to. In the dreary life of the working man, things gets so routine that the magic of being young and having dreams is lost and gone forever. Aranoa's characters are all faced with the joy and bad luck of being unemployed. In this short time of pressure and paradise, they find escape and salvation in what seems like a limbo of meaninglessness. One of the film's best characters is a surreal, random friend of someone in the group who claims he was once an astronaut. By looking into his starry eyes, it is easy for the viewer to understand that this group of people have all found release in dreaming about getting to leave the earth as well.
It may not amount to the world, but I loved "Mondays in the Sun" because it knows the ordinary joys and pains of those struggling in the lower or middle class. What is truly beautiful about this film is how all of the characters seem at their most desperate, but somehow there is the assurance that maybe the light is not out forever.
(3 out of 4)