A woman leaves an abusive relationship to begin a new life in a new city, where she forms an unlikely and ironic relationship with a suicidal hit man (unbeknownst to her). Enter a worn, ... See full summary »
Dramatized version of the story of CNN's Gulf War coverage featuring "The Boys from Baghdad": the battle over access, the fight to keep the technology up and running.. and the decision whether to risk their lives behind enemy lines once the bombing starts, in order to get the story of a lifetime. Written by
Dustin Hoffman stated in a 1994 interview with Larry King that he was set to play Robert Wiener in this movie, directed by Barry Levinson. He also said that Levinson was considering Jeff Goldblum for the part of Peter Arnett. See more »
When Robert is giving cash to the front desk clerk and the Egyptian translator in 1990, he is giving them the new U.S. notes which were not introduced until 1996. See more »
[First lines spoken as characters in the film, preceded by title cards, archival movie dialog, and news announcements]
Baghdad is me.
You're supposed to be in Berlin.
Fuck Berlin. The wall's down. Baghdad is me, Eason.
You've never even been to Baghdad.
Close enough. Jerusalem.
I wouldn't bring up Jerusalem if I were you. It's not a point in your favor.
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Stunning reminder of the days when CNN was a news network
Outstanding HBO movie charting the coming of age of CNN during the opening days of the Gulf War, as producers Robert Wiener (Michael Keaton) and Ingrid Formaneck (Helena Bonham Carter) doggedly walk a tightrope between reporting the facts as they see them and keeping the Iraqi authorities from expelling them. Excellent supporting cast, in particular David Suchet as Naji Al-Hadithi, the Iraqi information minister and Bruce McGill (dodgy accent notwithstanding) as Peter Arnett. Mick Jackson's best work since A Very British Coup (1988) and hopefully the catalyst to re-energise Michael Keaton's career. In short, the finest film of it's kind since Under Fire (1983) and a wake-up call to CNN to get back to real reporting and cease its current pathetic spiral into celebrity-obsessed 24 hour chat-show oblivion.
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