Will Graham is a gangster who has left the life of crime and is living in the countryside. He comes out of hiding to investigate the death of his brother when he learns that he committed ...
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I'll Sleep When I'm Dead, directed by Justin Krook, is a heart-pumping yet heart-wrenching documentary about one of the most eminent DJs working today: Steve Aoki. In the lead-up to Aoki's ... See full summary »
Two ex-government agents turned rival industrial spies have to be at the top of their game when one of their companies prepares to launch a major product. However, they distract each other in more ways than one.
Will Graham is a gangster who has left the life of crime and is living in the countryside. He comes out of hiding to investigate the death of his brother when he learns that he committed suicide. Charlotte Rampling is his old girlfriend who owns a restaurant. Boad is the villain responsible for the bad things that happened to Will's brother. Written by
Andrea Barney <firstname.lastname@example.org>
The film is believed to be a remake of Get Carter (1971). Mike Hodges directed Get Carter (1971). See more »
What was he into? He was always into something.
Well, he didn't owe no one. I mean, no one was putting the hand on him, if that's what you mean. Everyone loved him, Will.
There's nothing to tell.
Don't lie to me.
He's dead. What does it matter?
It matters. Of course it fucking matters. I wanna know why he died the way he died. I wanna know why he sat in a bath of cold water for twelve hours in his clothes, and then cut his throat. I want the fucking truth now.
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After making movie magic in Croupier, Hodges and Owen thought they'd give it another try. Sadly, they fail.
The movie tries to be the usual cold and aloof Hodges who controls the screen, like his heroes control their rage and emotions. If you want to understand what it means to master the tone of a film, I rcommend seeing the original Get Carter. And with Croupier, it seemed Hodges was back and in Owens, he had found his muse.
Alas, this movie has the attitude of those earlier films. But it keeps its distance, not by elucidated characters, but by eluding plot. The first 45 minutes is all disjointed setup. When it finally does come together and the pieces of a revenge drama are put in place, there simply isn't enough story to make it work.
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