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How to Deal (2003)

PG-13 | | Comedy, Drama, Romance | 18 July 2003 (USA)
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A teenager (Moore), disillusioned by too many examples of love gone wrong, refuses to believe that true love exists. Then this new guy (Ford) comes along...

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Cast

Cast overview, first billed only:
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Steve Beckwith
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Grandma Halley
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Lewis Warsher
...
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Ashley Martin
Sonja Smits ...
Carol Warsher
Laura Catalano ...
Lorna Queen
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Donald Sherwood
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Buck Warsher
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Michael Sherwood
Alison MacLeod ...
Sharon Sherwood
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Storyline

Halley is a young high school student who is disillusioned with love after seeing the many dysfunctional relationships around her. Her parents are now divorced and her father has a new young girlfriend she doesn't care for too much. Her mother is now always alone; and her sister is so overwhelmed by her upcoming wedding that she barely leaves the house anymore. On top of that, the shallowness of all the girls and guys at her school convinces Halley that finding true love is impossible. A tragic accident, however, leads her to meeting Macon, and suddenly Halley finds that true love can occur under unusual circumstances. Written by Sujit R. Varma

Plot Summary | Plot Synopsis

Taglines:

A lesson in love for non-believers. See more »

Genres:

Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for sexual content, drug material, language and some thematic elements | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

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Release Date:

18 July 2003 (USA)  »

Also Known As:

Enamórate  »

Box Office

Budget:

$16,000,000 (estimated)

Opening Weekend:

$5,809,960 (USA) (18 July 2003)

Gross:

$14,108,518 (USA) (8 August 2003)
 »

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

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Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Mandy Moore cut her hair short because she felt it suited the role; the movie producers weren't happy about it. In the end they compromised and had her wear hair extension for some of the movie and then have her having her hair cut put into the film. See more »

Goofs

Towards the end, Halley and Macon are dancing in the hallway. Nurses are visible in the background, in the next shot, they disappear. See more »

Quotes

Macon: When I ask you to go out with me this Friday night you're gonna think you're the one asking me because you're gonna say 'yes Macon, I would love to go out with you because I know we'll have a totally great time together. In fact, I'd been hoping you'd ask me all week.'
Halley: You wanna go out on a date with me?
Macon: See, I told you you'd ask me.
See more »

Connections

References Sixteen Candles (1984) See more »

Soundtracks

Billy S.
Written by James Robertson and Skye Sweetnam
Performed by Skye Sweetnam
Courtesy of Capitol Records
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User Reviews

 
A pleasant surprise
8 July 2004 | by (california) – See all my reviews

I almost considered passing up watching this one, but I'm glad I didn't. This movie has all the hallmarks of a bad afterschool special, actually four or five of them smashed together. But just when you think it's about to fall off a cliff of cliches, something unexpectedly intelligent happens. Just when it's about to turn into a tear-jerker, the director puts her camera, almost joyfully, above the rain to show everyone shielding themselves with the church program. Just when you think it's going to turn into a soppy love story, the characters flee from each other, scared out of their minds at the possibility. Just when you think it's going to be a soap opera, Mandy Moore acts her way out of the paper bag that people seem to pigeon-hole her into. You get the idea.

The actors all do well, especially Allison Janney, who puts a real edge to a role that could have easily been mush. I must admit, though, Peter Gallagher, usually a reliable guy, doesn't do much with his aging hipster role. The real joy here is Moore. She's got just enough stuff to hook you into the story, and she's just raw enough that she'll make you believe. And, yeah, the dialogue is corny here and there, but not outrageously so. I have to hand it to the director to keep everyone loose enough to pull off some of these lines, and to make the shots interesting enough for us to care what happens when they do.

The plot, which does have its convolutions and weird devices, is not nearly as interesting as Halley's growth as a character. It's basically a character piece wrapped in a teen romance. And Moore brings it all together.


32 of 42 people found this review helpful.  Was this review helpful to you?

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