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How to Deal (2003)

PG-13  |   |  Comedy, Drama, Romance  |  18 July 2003 (USA)
5.7
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Ratings: 5.7/10 from 7,994 users   Metascore: 45/100
Reviews: 95 user | 46 critic | 29 from Metacritic.com

A teenager (Moore), disillusioned by too many examples of love gone wrong, refuses to believe that true love exists. Then this new guy (Ford) comes along...

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Cast

Cast overview, first billed only:
...
...
...
...
...
Steve Beckwith
...
Grandma Halley
...
Lewis Warsher
...
...
Ashley Martin
Sonja Smits ...
Carol Warsher
Laura Catalano ...
Lorna Queen
...
Donald Sherwood
...
Buck Warsher
...
Michael Sherwood
Alison MacLeod ...
Sharon Sherwood
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Storyline

Halley is a young high school student who is disillusioned with love after seeing the many dysfunctional relationships around her. Her parents are now divorced and her father has a new young girlfriend she doesn't care for too much. Her mother is now always alone; and her sister is so overwhelmed by her upcoming wedding that she barely leaves the house anymore. On top of that, the shallowness of all the girls and guys at her school convinces Halley that finding true love is impossible. A tragic accident, however, leads her to meeting Macon, and suddenly Halley finds that true love can occur under unusual circumstances. Written by Sujit R. Varma

Plot Summary | Plot Synopsis

Taglines:

A lesson in love for non-believers. See more »

Genres:

Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for sexual content, drug material, language and some thematic elements | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

Release Date:

18 July 2003 (USA)  »

Also Known As:

Enamórate  »

Box Office

Budget:

$16,000,000 (estimated)

Opening Weekend:

$5,809,960 (USA) (18 July 2003)

Gross:

$61,305 (South Africa) (23 January 2004)
 »

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

| |

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Is a combination of the Sarah Dessen novels "Someone like You" and "That Summer" See more »

Goofs

When Halley and Scarlett are hiding behind the ticket booth at the movie theater, the reflection in the glass does not match the surrounding shots that show what they are looking at. See more »

Quotes

Lorna Queen: Well... look at you Halley.
Halley: That's hard to do without a mirror isn't it?
Lorna Queen: Honey you keep getting prettier every day.
Halley: I have no idea how you could say that because you definitely don't see me every day. And yesterday, oh my God I was so ugly. And last Wednesday, that sucked too, so it's kind of a day to day thing.
See more »

Connections

References Casablanca (1942) See more »

Soundtracks

Thinking About Tomorrow
Written by Beth Orton, Ted Barnes, Sebastian Steinberg and Sean Read
Performed by Beth Orton
Courtesy of Heavenly Recordings/Astralwerks/Capitol Records
See more »

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User Reviews

 
A pleasant surprise
8 July 2004 | by (california) – See all my reviews

I almost considered passing up watching this one, but I'm glad I didn't. This movie has all the hallmarks of a bad afterschool special, actually four or five of them smashed together. But just when you think it's about to fall off a cliff of cliches, something unexpectedly intelligent happens. Just when it's about to turn into a tear-jerker, the director puts her camera, almost joyfully, above the rain to show everyone shielding themselves with the church program. Just when you think it's going to turn into a soppy love story, the characters flee from each other, scared out of their minds at the possibility. Just when you think it's going to be a soap opera, Mandy Moore acts her way out of the paper bag that people seem to pigeon-hole her into. You get the idea.

The actors all do well, especially Allison Janney, who puts a real edge to a role that could have easily been mush. I must admit, though, Peter Gallagher, usually a reliable guy, doesn't do much with his aging hipster role. The real joy here is Moore. She's got just enough stuff to hook you into the story, and she's just raw enough that she'll make you believe. And, yeah, the dialogue is corny here and there, but not outrageously so. I have to hand it to the director to keep everyone loose enough to pull off some of these lines, and to make the shots interesting enough for us to care what happens when they do.

The plot, which does have its convolutions and weird devices, is not nearly as interesting as Halley's growth as a character. It's basically a character piece wrapped in a teen romance. And Moore brings it all together.


32 of 42 people found this review helpful.  Was this review helpful to you?

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