Family man Phil Weston, a lifelong victim of his father's competitive nature, takes on the coaching duties of a kids' soccer team, and soon finds that he's also taking on his father's dysfunctional way of relating...
Buddy was a baby in an orphanage who stowed away in Santa's sack and ended up at the North Pole. Later, as an adult human who happened to be raised by elves, Santa allows him to go to New York City to find his birth father, Walter Hobbs. Hobbs, on Santa's naughty list for being a heartless jerk, had no idea that Buddy was even born. Buddy, meanwhile, experiences the delights of New York City (and human culture) as only an elf can. When Walter's relationship with Buddy interferes with his job, he is forced to reevaluate his priorities. Written by
Ken Miller <firstname.lastname@example.org>
Zooey Deschanel performs three songs in this film. One of them is "Baby, It's Cold Outside" which she later made an official recording of, with her indie duo She & Him, released on their album "A Very She & Him Christmas" released in 2011. See more »
In the scene in Central Park when Santa is trying to fix his sleigh, the trap door is open but when Michael comes to help Santa, Santa asks Michael to open the trap door for him. See more »
Oh, hello. You're, uh, you're probably here about the story.
[the pages flip to show Papa Elf talking to the camera]
Elves love to tell stories. I-I'll bet you didn't know that about elves. There's, uh, probably a lot of things you didn't know about elves. Another, another interesting, uh, elfism, uh, there are only three jobs available to an elf. The first is making shoes at night while, you know, while the old cobbler sleeps.
[...] See more »
An Uplifiting and Cheerful Display of Raw Uninformed Innocence
Will Ferrell does a great job here, and it's the perfect Christmas (Holiday) movie that can be enjoyed anytime of the year.
The contrast of almost unbalanced folly of Will's character with those that encompass him, lends a great degree of innocence and non-stop joy and plenty of laughter as he leaves the mundane world of the usual, boring, and often time intolerance of the world in his dust.
It's refreshing to see a story where others are encouraged to rise to the level of this main character instead of him being overwhelmed and dragged down by the majority of "Cotten Headed Ninny Muggins", a.k.a. the "touch me not, speak to me not" big city public psyche so familiar that many walk around with.
For those that represent the general public in the movie, as well as the audience, Ferrell's character dares us to believe again, even for a moment of the magic of Christmas and tears down decades of political correctness to connect us with the late 60s and 70s when so many annual Holiday shows brought us a seemingly sustained desire to entertain ourselves with the magic that waxes then wanes but for a few short weeks each year. Whether a work of animation or raw theater, this refreshing story brings vitality and rekindles childhood memories for the kid in all of us.
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