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The Day After Tomorrow (2004)

PG-13 | | Action, Adventure, Sci-Fi | 28 May 2004 (USA)
Jack Hall, paleoclimatologist, must make a daring trek from Washington, D.C. to New York City, to reach his son, trapped in the cross-hairs of a sudden international storm which plunges the planet into a new Ice Age.

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Won 1 BAFTA Film Award. Another 5 wins & 12 nominations. See more awards »
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Cast

Cast overview, first billed only:
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Dr. Lucy Hall
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Nassim Sharara ...
Saudi Delegate
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Venezuelan Delegate
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Saudi Translator (as Michael A. Samah)
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Storyline

As Paleoclimatologist named Jack Hall is in Antartica, he discovers that a huge ice sheet has sheared off. But what he does not know is that this event will trigger a massive climate shift that will affect the world population. Meanwhile, his son Sam is with friends in New York to attend an event. There they discover that it has been raining non-stop for the past 3 days, and after a series of weather-related disasters begin to occur over the world, everybody realizes the world is entering a new Ice Age and the world population begins trying to evacuate to the warmer climates of the south. Jack makes a daring attempt to rescue his son and his friends who are stuck in New York and who have managed to survive not only a massive wave but also freezing cold temperatures that could possibly kill them. Written by John Wiggins

Plot Summary | Plot Synopsis

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Motion Picture Rating (MPAA)

Rated PG-13 for intense situations of peril | See all certifications »

Parents Guide:

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Details

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Release Date:

28 May 2004 (USA)  »

Also Known As:

Tomorrow  »

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Box Office

Budget:

$125,000,000 (estimated)

Opening Weekend USA:

$85,807,341, 30 May 2004, Wide Release

Gross USA:

$186,740,799

Cumulative Worldwide Gross:

$544,272,402
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

On the shot that shows the front of the library, lamps are seen instead of the iconic lions. According to a New York City Public Library employee, the studio didn't want to pay the fee for filming the statues that are a trademark of the institution, and therefore only took advantage of the public area rights of filming. See more »

Goofs

The Russian cargo ship that drifts into the street outside the library, appears to be completely undamaged and seaworthy. So why are there no crew on board? There is no obvious reason for them to have abandoned ship. See more »

Quotes

[first lines]
Frank Harris: See how it's done?
Jason Evans: Yeah, I think I got the hang of it.
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Crazy Credits

The commentary says the closing credits are 8mins long, and were sped-up from an original 13mins duration. See more »


Soundtracks

Do You Really Want to Hurt Me
Written by Boy George (as George O'Dowd), Jon Moss, Mikey Craig (as Michael Craig) and Roy Hay
Performed by Culture Club
Courtesy of Virgin Records
Under license from EMI Film & Television Music
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Frequently Asked Questions

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User Reviews

 
Smoke and mirrors, all flash and no substance
3 January 2005 | by See all my reviews

THE DAY AFTER TOMORROW

Aspect ratio: 2.39:1

Sound formats: Dolby Digital / DTS

Utterly routine blockbuster, loosely based on scientific predictions of disastrous climate changes due to global warming, in which the Gulf Stream is essentially 'shut off', triggering a series of freak weather conditions (giant hailstones in Japan, tornadoes in Los Angeles, tidal waves in New York, etc.) which culminate in a new Ice Age. Dennis Quaid is the obsessive climatologist who struggles to convince sceptical authorities of the impending catastrophe, and who is forced to rescue his son (Jake Gyllenhaal) after the boy becomes stranded in Manhattan following torrential floods and the subsequent Big Freeze. Industrial Light & Magic unleashes a wealth of attention-grabbing visual effects during the film's impressive opening stretch, effectively sidelining the crudely drawn characters and half-baked melodramatics, but the superficial script (by Jeffrey Nachmanoff and director Roland Emmerich) fails to sustain the initial momentum, and the second half becomes bogged down in Quaid's ho-hum rescue mission.

To be fair, the movie DOES contain a number of awe-inspiring sequences (the massive wave which rises from the ocean to engulf New York; the view from space as three colossal storms circle the entire northern hemisphere of the earth; a trawler floating serenely down a flooded Fifth Avenue), and a couple of satirical jabs are surprisingly potent (most notably, the mass exodus of American citizens INTO Mexico!), but the movie amounts to little more than smoke and mirrors, all flash and no substance.


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