A decidedly odd couple with ulterior motives convince Dr. Alan Grant to go to Isla Sorna (the second InGen dinosaur lab.), resulting in an unexpected landing...and unexpected new inhabitants on the island.
A factory worker, Douglas Quaid, begins to suspect that he is a spy after visiting Rekall - a company that provides its clients with implanted fake memories of a life they would like to have led - goes wrong and he finds himself on the run.
5 years after Pitch Black, the wanted criminal Riddick arrives on a planet called Helion Prime, and finds himself up against an invading empire called the Necromongers, an army that plans to convert or kill all humans in the universe.
As Paleoclimatologist named Jack Hall is in Antartica, he discovers that a huge ice sheet has sheared off. But what he does not know is that this event will trigger a massive climate shift that will affect the world population. Meanwhile, his son Sam is with friends in New York to attend an event. There they discover that it has been raining non-stop for the past 3 weeks, and after a series of weather-related disasters begin to occur over the world, everybody realizes the world is entering a new Ice Age and the world population begins trying to evacuate to the warmer climates of the south. Jack makes a daring attempt to rescue his son and his friends who are stuck in New York and who have managed to survive not only a massive wave but also freezing cold temperatures that could possibly kill them. Written by
The whole wolves attacking the ship sequence took only 5 days to film. See more »
In the final shot the space station is moving across the screen with the Earth in the background. Midway through the camera pulls back dramatically and we see the Earth recede into the distance, while the station continues its journey across the screen, changing neither speed nor size. The inference is that the space station has instantaneously moved away from the Earth with a rate of acceleration that would allow it to achieve galactic escape velocity (speeds of over 1000 km/s). The space station should have receded along with the Earth into the distance. See more »
A brave attempt, but it falters with the story and other basic film principals
The Day After Tomorrow is a rather entertaining film which combines good CGI and character development and mixes them up into a film containing elements of a rather delicate subject; namely global warming.
Unfortunately, the CGI and character development is all that this film has going for it when it comes to the basic principals of good film-making. The whole 'moral message' about the global warming and stoppage of environment destroying is made very obvious, very early on. This is rammed into our faces with some very disorientating montage sequences, very early on in the film with various natural disasters occurring through out the world. From the beginning, we are immediately shown some of the flaws this film has. It moves from one thing to the next at a confused pacing and annoying things like this crop up at various intervals.
The early montage scenes, as I've mentioned, are very sudden. There is no real build up to these scenes; it's just random hail in Japan amongst other things in other places. Here, a bit of character build up would have worked so that we can sympathise with the people going through hell thanks to the weather, but there isn't any so we don't really care that much and this detracts from the experience. Another thing is the editing, which is sloppy. I can understand shaky camera work in a moment of panic and chaos but only if it's from someone's point of view. In this scene, it's just blurred and too chaotic to even notice/care what the hell is happening. Some patience and some build up would have worked.
Another thing is that the initial disaster of the tornados around L.A happens a little too early on for me. The film makers were probably a little eager to show off the CGI, but they had the chance to do that with the earlier scenes, of which they could have executed a little better. Here, it seems L.A. is eliminated and just brushed aside for the rest of the film in an odd message from the director consisting of: 'Right, here's the shock and awe of the weather in this film. Something as big as L.A. is gone so forget about it'. We don't find out what happens in the aftermath and in the end, the whole attack probably didn't even need to happen to advance the film; as I said - it was merely a show off.
During the bulk of a film, especially a thriller like this one, you need some suspense or build up. In The Day After Tomorrow, there isn't any. One half of the characters in the film are attempting a rescue mission, the other half are staying in the same place for the entire film. That's not going to work. The only real fight the hero(s) have is the chase on the large boat against the wolves which floats into the city, in fact the wolves, in their brief appearance, are actually more of a match for the hero(s) and are more 'frightening' than the weather is.
So, you get the idea that this film is rather slow in the middle and after a good beginning (bar the ridiculous early montages) it falters further and further before stumbling over the finish line with a bit of a silly ending. The character development is good but with the un-thrilling middle this film has, that's all the characters CAN do: talk. One good thing that this has through out is the CGI. Right from the beginning, the opening track shot of the ice glazier leaves you guessing whether or not it's actually real! and this momentum and consistent superior CGI is maintained through out, rivalling that of other releases of around this film's time that contain CGI, so at least it's good to end on a positive note.
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