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|Index||12 reviews in total|
This is the one movie to see if you are to wed or are a married couple.
portrais a couple in Italy and deals with such difficult topics as
juggling work and family.
The so called "culture of death" that we are experiencing nowadays in the world is terrible and this movie will surely make you think.
A must see. I hope it gets distributed as it should.
Congratulations on the cast and director.
Two thumbs up and a 10 star evaluation from me!
I loved this movie and I happened to watch it twice in 2 months, in
2002. I already liked Stefania Rocca, but I didn't think Fabio Volo
would have been a great actor (telling from his previous TV shows).
Instead he was. And so was the priest. The soft simplicity with which
the movies explores a whole love story, starting from the beginning,
growing to the climax and then facing ever-increasing difficulties, to
reach the final break... was really special. Some moments are really
enjoyable, and some other moments will make you cry, as you are pulled,
along with the 2 wed characters, into deep troubles, feeling love that
vanishes minute after minute and, actually, without really knowing
"why" they're not in love anymore.
I'd say 9 stars out of 10, even if I may understand that, to non-italian people, it may loose some of its beauty.
"Casomai" is a masterful tale depicting the story of a young couple who wade through the murky waters of marriage. The story is very believable in telling the strange see-saw between oblivion and continuous interference by others, which is fairly typical in Italy (one may wonder whether such happenings are different elsewhere, though). Pavignano and D'Alatri were very good at writing, and that is one of the strong points of the movie. Acting by Stefania Rocca and Fabio Volo is sober and gripping. And the figure of the sympathetic priest is funny and well-rounded. All in all, a truly deserving movie, probably one of the best Italian movies of the year.
I was very pleased to go and see a "Milanese" film shot in
Alessandro Alatri is a Roman director who has understood properly and
fortunately printed in a film the Milanese philosophy.
Film tells the story of a standard -in career- Milanese couple, starting from "the birth" to the death. The birth-wedding is so typical out of any scheme that becomes original and involves all the wedding guests in a flash back story of how the couple came to each other and felt in love. Life is hard in the "urbe" of Milan and after the sweeties old days became tougher and tougher, then finally the product: a child, who instead of strengthen further the couple relationship it weaken because "the selfish effect" typical of a nowadays "metropolis" personality. The advertising environment with all the "creative" under stress atmosphere helps to get well involved in the plot. We are losing the life values and this is well and deeply reflected in this nice and sharp movie from the Senza Pelle's director.
The actors are well chosen, Stefania Rocca nice and well characterised, and a positive surprise, an unexpected good Fabio Volo, well known by the "trash" TV serie: Le Iene.
This movie contains personalities that so deliciously are playing their parts, I love the final, when nobody knows what are they gonna do about their life, but it's completely great when you see and realize that the priest is right, is jut for two, so what are the other persons doing there? The movie embrace you to a new life, to experiences, to be able of dream with the other person and reach those dreams. Also shows you the life itself, hard like it is. But gives you the option to choose what you want and what you really need. Hope this comment works for you. The movie it did worked well for me. I bought the movie by the way ;) Take care.
"CASOMAI" was the last movie I've seen before getting married, just
It was also the first movie I've searched for, after I was married, because we promised to offer a copy to our priest.
Sometimes, reality is not that apart from fiction. To all those who wrote that priests like "Don Camillo" don't exist in real life, I would recommend them to visit my Priest Pe. Nuno Westwood, in Estoril, Portugal :-)
To all others, I would only recommend them to see this movie, before and after the "I do!" day :-)
Rodrigo Ribeiro Portugal
A sophisticated contemporary fable about the stresses that work to loosen and ultimately unbind the vows of marriage. The main thrust of the narrative arises from a 'homily' spoken by a country priest following the wedding vows of a young cosmopolitan couple from Milan. In it, the future course of the marriage is spelled out, which bit by bit frays from the stresses of modern life. The 'moral' of this story within a story is that in order for a marriage to work out, both now, and in the past, it has been necessary for that relationship to be abutted by family and friends. This film was a relative blockbuster by domestic Italian standards. It's a terrible shame that this film is not available in either DVD or VHS.
The best film about marriage and family. This is a very interesting
reflections to the couples that will be come to the dangerous and
paradoxical fascinating world of marriage and family. This decision
could be the better or the worst in our lives and the life of our kids.
The real intrusion or help of 'friends' -or executioner if we leave-.
The real role of families: they can help or they can destroy us. The
mad priest who possibly is not much mad telling what could happen
according the statistics and the reality. A couple who thinks in a
'special' marriage, live a painful story in their future own history.
Who likes contract marriage? Nobody, after the priest tells their own history if they leave the future in another hands, if they don't know WHAT is the marriage. That the problems are true, that the life demand a real engage, guaranties, from each one. That the real victims of the divorce are kids, with real name Andrea in the film- or names. That the abortion is only an easy exit: sadness, regrets and unhappiness will be there after abortion. That the state and social security thinks every time less in a real problems of the families. The gossip of the 'friends', the infidelity because of weakness and desperation of Steffania because Tomasso lives his life as if he were alone.
Maybe someone could think that this film is a pessimistic film, but not. Steffania and Tomasso, in the deep of their hearts, they like a beautiful marriage and family, if not, Why they like marriage? A truly and beautiful marriage depends only of the couple: of each one of their decisions, of each one actions in their lives. The family could be a place where each one feel loved because being his or her, only by existing. The screenplay is wonderful. The performances are great: Steffania and Tomasso, ¡the almost cynical priest! An excellent direction and script. The colors and the management of the cameras, superb.
I now that these days, some people wan't see a movie without movie styling, so much Dogma, Lars Von, Watchosky Brothers, are changed what we expect in a movie, perhaps, Casomai is no-one-more-Independent-non-american movie, the movie take all movies resources and language to tell us a simple history about love and marriage, but much more .. Fully of views, lectures and let you thinking ... and I'm sure, you can't fell boried any second of a long 116 minutes. I calculate that don't have a single scene longer that 3 o 2 1/2 minutes.
*** This review may contain spoilers ***
I was very curious to see this film, after having heard that it was clever and witty. I had to stop halfway because of the unbearable boredom I felt.
The idea behind the film would have been acceptable: depicting the way the relationship between a man and a woman evolves, through all the problems and difficulties that two people living in a big city can experience. What made me dislike the whole film were two things.
First of all, the film was so down-to-earth that it looked as if, by describing the problems that a couple must solve on a day-to-day basis, it became itself ordinary and dull.
Secondly, the overall sloppiness of the production, with dialogues that were barely understandable.
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