A fight with Joe leaves Louis badly scarred; Roy plays a final practical joke on Ethel; Prior wrestles the Angel and then addresses a review board in Heaven; Harper heads out West; Prior, outliving ...
God has abandoned Heaven. It's 1985: the Reagans are in the White House and Death swings the scythe of AIDS. In Manhattan, Prior Walter tells Lou, his lover of four years, he's ill; Lou bolts. As disease and loneliness ravage Prior, guilt invades Lou. Joe Pitt, an attorney who is Mormon and Republican, is pushed by right-wing fixer Roy Cohn toward a job at the Justice Department. Both Pitt and Cohn are in the closet: Pitt out of shame and religious turmoil, Cohn to preserve his power and access. Pitt's wife Harper is strung out on Valium, aching to escape a sexless marriage. An angel invites Prior to be a prophet in death. Pitt's mother and Belize, a close friend, help Prior choose. Written by
When Louis takes Joe to his Alphabet City (tenement) apartment, he opens his door which is in a long line of doors down the hallway. Once inside, he suddenly has two large windows, front and back, where there shouldn't be windows because there are more apartments on either side of his. See more »
What are you doing in my hallucination?
I'm not in your hallucination, you're in my dream.
You're wearing makeup.
So are you.
But you're a man.
[looks into mirror and screams]
My hands and feet give it away.
There must be some mistake here. I don't recognize you. Are you my... - some sort of imaginary friend?
No. Aren't you too old to have imaginary friends?
I have emotional problems. I took too many pills. Why are you wearing makeup?
I was in the process of applying the face, trying to make ...
[...] See more »
Simply the best piece of American Cinema/Television I have ever seen!! Superb acting by the entire cast, fantastic and clever script, magnificently filmed, a pure joy from start to finish.
I am amazed how well such an excellent stage presentation has translated to film. This will become a classic. All of the awards that it has received are fully deserved.
It has captured the essence of what being gay was in the 80's with all its fears, problems and excitements. But it is more than just a gay document, it speaks of life generally in the 80's, of everyones fears and hopes in such an affluent time. The depiction so real (even in the surreal sequences) so insightful of that period.
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