In 16th century Venice, when a merchant must default on a large loan from an abused Jewish moneylender for a friend with romantic ambitions, the bitterly vengeful creditor demands a gruesome payment instead.
The story of Karen Silkwood, a metallurgy worker at a plutonium processing plant who was purposefully contaminated, psychologically tortured and possibly murdered to prevent her from exposing blatant worker safety violations at the plant.
God has abandoned Heaven. It's 1985: the Reagans are in the White House and Death swings the scythe of AIDS. In Manhattan, Prior Walter tells Lou, his lover of four years, he's ill; Lou bolts. As disease and loneliness ravage Prior, guilt invades Lou. Joe Pitt, an attorney who is Mormon and Republican, is pushed by right-wing fixer Roy Cohn toward a job at the Justice Department. Both Pitt and Cohn are in the closet: Pitt out of shame and religious turmoil, Cohn to preserve his power and access. Pitt's wife Harper is strung out on Valium, aching to escape a sexless marriage. An angel invites Prior to be a prophet in death. Pitt's mother and Belize, a close friend, help Prior choose. Written by
The play's original subtitle ("A Gay Fantasia on National Themes") is based on the rarely used subtitle for George Bernard Shaw's play "Heartbreak House," which is "A Fantasia in the Russian Manner on English Themes." See more »
The movie takes place in 1985, yet the funeral in Perestroika shows a drag queen dressed as a Barbra Streisand circa 1993. See more »
I live in America, Louis. I don't have to love it. You do that. Everybody's gotta love something.
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It saddens me to read some of the negative reviews of this film adaptation of Kushner's brilliant Pulitzer and Tony-winning play. I guess some people simply can't see past their bigotry. (I find it revealing that most of the negative reviews appear to be written by people who clearly have no idea that Roy Cohn was a real person, and I bet they never heard of the Rosenberg's either.)
I was lucky enough to see the Broadway production of Angels with the original cast, and it was without question the highlight of my 25 years of theatre-going. While I prefer the stage version over the film (I usually do), Nichol's film does an outstanding job of capturing the brilliance of Kushner's script.
Personally, I believe that Pacino gives the performance of his career, and Streep is amazing in her three roles. The other performances are quite solid as well.
This film not only won a record 11 Emmys, taking the award for Outstanding Miniseries and all four acting trophies, it also won those same awards at the Golden Globe presentations plus four SAG acting awards. In short, it won practically every award it possibly could.
I often have my Theatre 101 students read this play. I now look forward to being able to show scenes from the film version as well.
Obviously, I recommend this film highly.
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