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Overview
User Rating:
Director:
Writer:
Celina Murga (writer)
Release Date:
28 July 2004 (France) more
Genre:
Plot:
Twenty-something Ana, now living in Buenos Aires, returns to her native city of Paraná. She meets old school mates, old friends, makes new ones, and starts to rethink her life, and perhaps change her future. | add synopsis
Awards:
6 wins & 3 nominations more
User Comments:
The birth of a great new director more (4 total)
Cast
(Credited cast) | Juan Cruz Díaz la Barba | ... | Matías |
| Natacha Massera | ... | Natalia |
| Camila Toker | ... | Ana |
| Ignacio Uslenghi | ... | Diego |
Additional Details
Also Known As:
Ana and the Others (International: English title)
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Parents Guide:
Runtime:
80 min | Canada:80 min (Toronto International Film Festival)
Country:
Language:
Color:
Aspect Ratio:
1.66 : 1 more
Sound Mix:
Certification:
Filming Locations:
Fun Stuff
Trivia:
The scene where Ana asks people where was a photo shop, was improvised. Camila Toker stopped people in the street who didn't know they were been filmed, and asked them about the photo shop. The camera was hidden behind some plants. more
FAQ
This FAQ is empty. Add the first question.more (4 total)
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Related Links
| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Argentina section | Add this title to MyMovies |
Ana y los Otros is the first feature film of Celina Murga, who previously acted as assistant director to Damian Szifron (Los Simuladores). And what a great debut it is. The film's first half is slow and a character study. Mostly random encounters of Anna and previous people that knew her in her life, as she returns to her native city. Yet, in each encounter, we learn a little bit more about Anna, without her whole life story ever been told. We are never told why she's back in Parana, but the film lets the spectator begin guessing. This first half of the first film is pretty depressing as the feeling of displacement and awkwardness is prevalent and may easily turn viewers away. But, it is during her dancing that the movie begins shifting its depressing mood. Suddenly, all the pieces come together, as Anna goes on her final quest. It is the last 30 minutes of the film that, with great subtlety, Murga teaches about love and optimism. What had seemed random shots done by a student director, shows us a brilliant person who has seen a lot of cinema and loves it with a passion. Highly recommended. It may indeed be the birth of a great new Argentinian director.