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The Alamo (2004)

PG-13  |   |  Drama, History, War  |  9 April 2004 (USA)
6.0
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Ratings: 6.0/10 from 16,055 users   Metascore: 47/100
Reviews: 263 user | 105 critic | 38 from Metacritic.com

Based on the 1836 standoff between a group of Texan and Tejano men, led by Davy Crockett and Jim Bowie, and Mexican dictator Santa Anna's forces at the Alamo in San Antonio, Texas.

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Title: The Alamo (2004)

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Cast

Cast overview, first billed only:
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Emilio Echevarría ...
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Sgt. William Ward
Tom Davidson ...
Colonel Green Jameson
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Robert Prentiss ...
Albert Grimes
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Micajah Autry
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Mial Scurlock
Stephen Bruton ...
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Private Gregorio Esparza (as Ricardo S. Chavira)
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Storyline

Historical drama detailing the 1835-36 Texas revolution before, during, and after the famous siege of the Alamo (February 23-March 6, 1836) where 183 Texans (American-born Texans) and Tejanos (Mexican-born Texans) commanded by Colonel Travis, along with Davey Crockett and Jim Bowie, were besieged in an abandoned mission outside San Antonio by a Mexican army of nearly 2,000 men under the personal command of the dictator of Mexico, General Santa Anna, as well as detailing the Battle of San Jacinto (April 21, 1836) where General Sam Houston's rag-tag army of Texans took on and defeated Santa Anna's army which led to the indepedence of Texas. Written by Matthew Patay

Plot Summary | Add Synopsis

Plot Keywords:

texan | army | texas | dictator | general | See All (195) »

Taglines:

You will never forget See more »

Genres:

Drama | History | War | Western

Motion Picture Rating (MPAA)

Rated PG-13 for sustained intense battle sequences | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

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Release Date:

9 April 2004 (USA)  »

Also Known As:

Alamo  »

Filming Locations:

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Box Office

Budget:

$107,000,000 (estimated)

Opening Weekend:

$9,124,701 (USA) (9 April 2004)

Gross:

$22,406,362 (USA) (16 July 2004)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Production wrapped $82,000 dollars under budget. See more »

Goofs

Right after Crockett shoots the epaulet off Santa Ana's right shoulder, he can be seen stepping back with epaulets on both shoulders. The next time the camera shows him, he only has the epaulet on his left shoulder. See more »

Quotes

Sam Houston: Captain Seguin, your men will remain behind to guard the camp. Things will get confusing out there with men shooting any Mexican they see.
Juan Seguin: General Houston; you ordered me to stay here and I obeyed. This is our fight too.
Sam Houston: Very well. Join Sherman on the left.
See more »

Connections

Version of The Time Tunnel: The Alamo (1966) See more »

Soundtracks

Jarbe Pateno
Arranged by Craig Eastman and Marshall Bowen
Produced by Carter Burwell
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User Reviews

 
Excellent film that stands up to stupefying rancor
6 October 2004 | by (Cincinnati, OH) – See all my reviews

Having kept an eye on this film since before it began production, I have been amazed at the viciousness of the invective that has been hurled its way. Reviews, both professional and amateur, have tended to offer viewpoints whose stunning ignorance have been nearly matched by their astonishing arrogance. This film has suffered much at the hands of pencilneck journalists who just couldn't wait to write some endlessly clever variation on 'forget the Alamo.' Precious few, Roger Ebert chief among them, seem to have understood the film.

Much of the vitriol is because it is a Disney film; while much is because it has to do with Texas. Both, largely because of their successes, seem to attract critics who allow decency and fairness to fall victim to their vindictiveness. I fear, however, that we live in such a cynical age, that the notion of men voluntarily giving up their lives in defense of freedom is so difficult to comprehend that it is met with derision.

Disney did not help matters with their poor handling of this film's publicity. I attend many movies, and I saw the trailer once. Where was the media blitz, as Touchstone did with Ladder 49? A predatory press gleefully playing up pre-release difficulties was met largely with silence. Disney seemed to have had no faith in the film, or at least no clue as to how to market it. Their loss. Literally. Fortunately, their campaign for the DVD was somewhat better.

As for the film itself, it is the most historically accurate version of the Alamo story – though that isn't saying much. For those for whom historical accuracy is a litmus test, there is still much over which to nitpick. But, as is the responsibility of a popular culture interpretation of historical events, director Hancock fully captures the spirit of what was going on at that particular time and in that particular place. Hancock and crew did a stellar job in lovingly recreating the world of 1836 Texians – American and European immigrants, as well as native Tejanos – uniting in revolt against an oppressive regime in an effort to gain independence, as well as a sovereign government attempting to enforce law and order on its frontiers. The principals, the tempestuous Houston, the celebrated Crockett, the fearsome Bowie, and the young, unproven Travis are portrayed as real humans rather than as demigods. Each has his obstacles to overcome, and each shows significant growth as their fates are played out. For those who make the ultimate sacrifice, their heroism is made all the more real by this emphasis on their humanity. The actors, particularly Thornton in an Oscar-worthy role, as well as Patric, Wilson, and the marvelous Emilio Echevarría as Antonio Lopez de Santa Anna, are to be commended for their interpretations of these enigmatic characters. A major bonus of the DVD is the commentary by professional historian Stephen L. Hardin and military adviser Alan C. Huffines -- particularly useful for those who cannot wrap their minds around the differences between popular culture, history, and art.

Hancock has provided us with a thoughtful, intelligent, deliberate, and often subtle film for adults, certainly an explanation for the film's lack of box-office success. Even Burwell's score suffers from these 'shortcomings.' Comparisons to John Wayne's 1960 The Alamo are as inevitable as they are pointless, but anyone expecting that film's heavy-handedness may be disappointed. It is like comparing 2004's The Passion of the Christ to 1961's King of Kings – they are not remakes, but variations on a theme, each with their unique points of view, merits, and shortcomings.

The film's biggest fault is that, even if one didn't know that it was cut by about a third by negative test audience reactions, it is still apparent that it suffers from these cuts. This is a complex, epic story that demands epic treatment. I abhor criticizing a film for what it is not rather than what it is, but I join many others in sincerely hoping that a director's cut DVD will be forthcoming, so we can see Hancock's vision as it was intended. Where do I cast my vote?


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5.9 is a disgrace Jim_Hall
This or the John Wayne film? matwsussx
A few things the movie didn't tell you... Jackrabbit_Croquet
Why did the movie fail at the box office? davidod
Question about Crockett badwithsports
Alamo Myths neilmcd7
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