Collection of short films the summaries of which include; a foreign man moving to Italy, getting married and having a child; a four split scene short involving plot-less images of old ...
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In part one there is talk of a project on the subject of love, with the example of three couples, one young, one mature and the other elderly. At this point the author comes into contact ... See full summary »
When an African dictator jails her husband, Shandurai goes into exile in Italy, studying medicine and keeping house for Mr. Kinsky, an eccentric English pianist and composer. She lives in ... See full summary »
A symphony in three movements. Things such as a Mediterranean cruise, numerous conversations, in numerous languages, between the passengers, almost all of whom are on holiday... Our Europe.... See full summary »
Five short stories with contemporary settings. In New York, people are indifferent to derelicts sleeping on sidewalks, to a woman's assault in front of an apartment building, and to a ... See full summary »
On a movie set, in a factory, and at a hotel, Godard explores the nature of work, love and film making. While Solidarity takes on the Polish government, a Polish film director, Jerzy, is ... See full summary »
Six days in the life of Wilhelm: a detached man without qualities. He wants to write, so his mother gives him a ticket to Bonn, telling him to live. On the train he meets an older man, an ... See full summary »
Hans Christian Blech
The Hotel Splendide is on a remote and cold island, accessible only by a once-a-month ferry. It's a dark and dreary spa created by the late Dame Blanche, whose grown children now run the ... See full summary »
Collection of short films the summaries of which include; a foreign man moving to Italy, getting married and having a child; a four split scene short involving plot-less images of old people with television sets for heads, a beautiful woman having sex, and overall confusion; and an old man reminiscing over his youth. Written by
'With complete creative freedom, fifteen directors bring their interpretation of time to the screen', says the British National Film Theatre screening note. Alas, most of the film(s) take this carte blanche at it's worst implication and indulge themselves at the exclusion of the audience.
Good things to come out of the showing though... Mike Figgis' splitting a linear story into a 4-way split screen of different perspectives. What's the real narration? Are the dull gaps in each linear tale as important as the action in another? This also finds expression in Schlondorff's The Enlightenment and Denis' Vers Nancy where coherent but quickly unengaging voiceovers give way to the visual dialectic. Which is the essay on time - one, the other, or a linear combination of the two? The most accessible is Micheal Radford's largely straightforward tale of time travel.
A bit of a grouch - there's an element of 'oh, it's just a short so we won't bother with detail because it's the concept that matters'. Well (for example) Szabo and Bertolucci's efforts seem a little plastic as a result of off the peg costuming. Plus there's an element of the director's wanting to tackle a different issue, that of immigration - although the context of the intruder is a companion of the linear nature of time. And the idea of unifying the shorts beyond the title with meditative 'cello music is a bad one, blunting the idiosyncratic nature of each.
The film ends with a nod to three other directors. I was pleased to see the name of Chris Marker there: his 27 min narrated stills feature La Jetee is a much more approachable and thorough investigation into the nature of time (and memory). I don't recommend this as a film for anyone beyond film students and perhaps philosophers.
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