The life and times of Cazuza, Brazilian singer/poet/enfant terrible, from his start with rock group "Barão Vermelho", to his death from Aids, in 1990, showing his career, love affairs, and involvement with drugs.
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The "daddy's boy" Cazuza is a dysfunctional, drug and booze addicted, homosexual that disrespects basic social rules and terrible and irresponsible son and man. He loves his freedom, his friend and singing with his garage band, Barão Vermelho. His career is built by chance because he needs to work and his father and president of phonographic industry Som Livre gives a job opportunity in his company as a simple employee. His talent is found by his direct chief Zeca, who convinces Cazuza's father to release his album. In the top of his career, he leaves the Barão Vermelho and finds that he has Aids. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
This film cannot be seen as a good piece of film as it is. Out of context, it has no special meaning besides the point it constantly tries to make of the clichés we have heard over and over again. That is, gay men taking drugs, having sex with everyone they see and being self-destructive. As it usually happens with Brazilian cinema, this movie doesn't try to break away from the national social basis and only repeats all the beliefs the citizens and foreigners have of the country and its own people. A very sad thing to do, a very bad message to pass. I watched this film remembering my mother telling me how horrible it is when people start smoking joints and end up dying of aids for sharing needles and being promiscuous. That's what everyone goes around saying in Brazil, in sensationalist terms, and this is how this film is presented. It is a true pity that such a good composer and singer had to be pictured in such horrible colours. And worst still that Brazil hasn't learnt how to do something new that will challenge the people to expand their way of thinking into new areas.
4 of 11 people found this review helpful.
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