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Tim plans to spend his 21st birthday at his Scottish estate with eight of his closest friends. Amongst the excitement of rediscovering old friendships, no one minds that a snowstorm has cut them off from the rest of the outside world. Everything is set for the perfect weekend, until one of the guests stumbles across an old history of the house with the power to unleash the horrors of Scotland's past. The book tells of Murray, the old Scot patriot, who has had his eyes torn out and his house taken away during the English invasion. Intent on exacting bloody revenge on the reunited English friends Murray possesses the body of a guest and turns him into a murderer. He seems impossible to stop as when the possessed guest is killed, Murray passes into the killer to continue his mission of murdering all nine of them. It is survival of the fittest as the friendships are pushed to the limit. No one can guess who the next killer will be or how to break the chain. Only one will survive. Written by
It's bad. But it takes itself very seriously, and it's not bad enough to be enjoyably bad. When will someone let Paris Hilton completely loose, so she can make a truly abominable film? I'm talking something of "Glen or Glenda" caliber. That's why I rented the flick -- I was hoping for a true abortion of cinema. Instead, this film is merely born brain damaged,
Things get close to deliciously terrible when one of the characters begins to piece together parts of the puzzle. Without spoiling the plot, it goes a little like this:
"Wait a minute! Maybe the Titanic didn't sink! Maybe it was a ship from outer space! That would mean the iceberg is still out there, trying to get revenge!"
"It's crazy! But it's the only thing that makes sense!"
And then it turns out that this really is the plot of the movie.
You get that here, only the premise of the film is so incredibly bland, you couldn't care less. People wandering around in a mansion, being chased. Whoopee. If only they would die faster.
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