| Photos (see all 89 | slideshow) | Videos (see all 10) |
| Gael García Bernal | ... | Ernesto Guevara de la Serna (Argentina) | |
| Rodrigo De la Serna | ... | Alberto Granado (Argentina) | |
| Mercedes Morán | ... | Celia de la Serna (Argentina) | |
| Jean Pierre Noher | ... | Ernesto Guevara Lynch (Argentina) (as Jean-Pierre Noher) | |
| Lucas Oro | ... | Roberto Guevara (Argentina) | |
| Marina Glezer | ... | Celita Guevara (Argentina) | |
| Sofia Bertolotto | ... | Ana María Guevara (Argentina) (as Sofía Bertolotto) | |
| Franco Solazzi | ... | Juan Martín Guevara (Argentina) | |
| Ricardo Díaz Mourelle | ... | Uncle Jorge (Argentina) (as Ricardo Diaz Mourelle) | |
| Sergio Boris | ... | Young Traveler (Argentina) | |
| Daniel Cargieman | ... | Young Traveler (Argentina) (as Daniel Kargieman) | |
| Diego Giorzi | ... | Rodolfo (Argentina) | |
| Facundo Espinosa | ... | Tomás Granado (Argentina) | |
| Matias Gomez | ... | Kid (Argentina) (as Matías Gómez) | |
| Diego Treu | ... | Kid (Argentina) | |
| Ariel Verdun | ... | Kid (Argentina) (as Ariel Verdún) | |
| Mía Maestro | ... | Chichina (Argentina) | |
| Gustavo Mansilla | ... | Kid (Argentina) | |
| Susana Lanteri | ... | Aunt Rosana (Argentina) | |
| Natalia Lobo | ... | La Negra (Argentina) | |
| Maida Andrenacci | ... | Chichina's Friend (Argentina) (as Maída Andrenacci) | |
| Bárbara Lombardo | ... | Chichina's Friend (Argentina) | |
| Dana Frijoli | ... | Chichina's Friend (Argentina) | |
| Valeria Echeverria | ... | Chichina's Friend (Argentina) (as Valeria Echeverría) | |
| Ariel Prieto | ... | Chichina's Friend (Argentina) | |
| Matías Strafe | ... | Chichina's Friend (Argentina) | |
| Nicolas Watson | ... | Chichina's Friend (Argentina) (as Nicolás Watson) | |
| Carlos Rivkin | ... | Horacio Ferreyra (Argentina) | |
| Elvio Suarez | ... | Uncle Martín (Argentina) (as Elvio Suárez) | |
| Pablo Villarrazza | ... | Esteban Aguirre (Argentina) | |
| Liliana Kolinsky | ... | Chichina's Mother (Argentina) | |
| Guillermo Ojeda | ... | Men with Oxen Cart (Argentina) | |
| Oscar Alegre | ... | Don Olate (Argentina) | |
| Fernando Llosa | ... | Von Puttkamer (Argentina) (as Fernando Ignacio Llosa) | |
| Marta Lubos | ... | Schatzie von Puttkamer (Argentina) | |
| Cristián Chaparro | ... | Luna (Chile) (as Cristian F. Chaparro) | |
| Cristian Arancibia | ... | Tulio (Chile) | |
| Gabriela Aguilera | ... | Piedad (Chile) | |
| Juan Maliqueo | ... | Araucano Father (Chile) | |
| Samuel Cifuentes | ... | Araucano Son (Chile) | |
| Constanza B. Majluf | ... | Chilean Sister (Chile) | |
| Evelyn Ibarra | ... | Chilean Sister (Chile) | |
| Victor Hugo Ogaz | ... | Young Man (Chile) (as Víctor Hugo Ogaz) | |
| Fernando Farías | ... | Fire Chief (Chile) (as Fernando Farias) | |
| Maximiliano Toledo | ... | Ca±aco (Chile) | |
| César López | ... | Fireman (Chile) (as César Lopez) | |
| Pablo Macaya | ... | Janitor (Chile) | |
| Rosa Curihuentro | ... | Doña Rosa (Chile) | |
| Erto Pantoja | ... | Mechanic (Chile) | |
| Vladimir Paredes | ... | Truck Driver (Chile) | |
| Brandon Cruz | ... | Miner (Chile) | |
| Vilma M. Verdejo | ... | Miner's Wife (Chile) | |
| Jaime Azócar | ... | Mine Foreman (Chile) (as Jaime Azocar) | |
| Maria Esther Zamora | ... | Chipi Chipi Band Singer (Chile) (as María Esther Zamora) | |
| Pollito Gonzalez | ... | Chipi Chipi Band Pianist (Chile) | |
| Jorge Lobos | ... | Chipi Chipi Band Percussionist / Trumpeter (Chile) | |
| Cuti Aste | ... | Chipi Chipi Band Clarinetist / Accordionist (Chile) | |
| Roberto Lindl | ... | Chipi Chipi Band Double Bass Player (Chile) | |
| Gustavo Morales | ... | Félix (Peru) | |
| Gustavo Bueno | ... | Dr. Hugo Pesce (Peru) | |
| Maria Beatriz Abele | ... | Zdenka Pesce (Peru) (as María Beatriz Abele) | |
| Jonathan Balbis | ... | Luis Pesce (Peru) | |
| Matias Delgado Rizzi | ... | Tito Pesce (Peru) (as Matías Delgado Rizzi) | |
| Jorge Rodríguez Paz | ... | Peruvian from Canepa (Peru) | |
| Jackelyne Vásquez | ... | Luz (Peru) | |
| Ernesto Cabrejos | ... | Card Player (Peru) | |
| Víctor Ángeles | ... | Card Player (Peru) | |
| Willy Gutiérrez | ... | Card Player (Peru) | |
| Gerald Mayeux | ... | Card Player (Peru) | |
| Matías Gomez | ... | Card Player (Peru) | |
| Jorge Chiarella | ... | Dr. Bresciani (Peru) | |
| Ricardo Velásquez | ... | Banca (Peru) | |
| Carolina Infante | ... | Sister Margarita (Peru) | |
| Nidia Bermejo | ... | Young Indian Nurse (Peru) | |
| Carlos 'Caitro' Soto de la Colina | ... | Papa Carlito (Peru) | |
| Delfina Paredes | ... | Mother Sister Alberto (Peru) | |
| Nemesio Reyes | ... | Leper from San Pablo (Peru) | |
| Hernan Herrera | ... | Leper from San Pablo (Peru) (as Hernán Herrera) | |
| Antonella Costa | ... | Silvia (Peru) | |
| Igor Calvo | ... | Dr. Souza Lima (Peru) | |
| rest of cast listed alphabetically: | |||
| Alberto Granado | ... | Himself (uncredited) | |
| Gustavo Pastorini | ... | Passenger (uncredited) | |
Directed by | |||
| Walter Salles | |||
Writing credits(WGA) | ||
| Ernesto 'Che' Guevara | (book "Notas de viaje") (as Ernesto Guevara) | |
| Alberto Granado | (book "Con el Che por America Latina") | |
| Jose Rivera | (screenplay) | |
Produced by | |||
| Daniel Burman | .... | co-producer | |
| Diego Dubcovsky | .... | co-producer | |
| Mónica Lima | .... | assistant producer | |
| Michael Nozik | .... | producer | |
| Robert Redford | .... | executive producer | |
| Edgard Tenenbaum | .... | producer | |
| Karen Tenkhoff | .... | producer | |
| Paul Webster | .... | executive producer | |
| Rebecca Yeldham | .... | executive producer | |
Original Music by | |||
| Gustavo Santaolalla | |||
Cinematography by | |||
| Eric Gautier | |||
Film Editing by | |||
| Daniel Rezende | |||
Casting by | |||
| Walter Rippell | |||
Production Design by | |||
| Carlos Conti | |||
Art Direction by | |||
| Coca Oderigo | |||
| Laurent Ott | |||
| Maria Eugenia Sueiro | |||
Set Decoration by | |||
| Carlos Conti | |||
Costume Design by | |||
| Beatriz De Benedetto | |||
| Marisa Urruti | |||
Makeup Department | |||
| Marisa Amenta | .... | makeup artist | |
| Karina Arbulú | .... | assistant makeup artist: Peru | |
| Katerine Astete | .... | key makeup artist | |
| Esther Barbieri | .... | assistant hair stylist | |
| Laura Borselli | .... | special makeup effects artist | |
| Jana Carboni | .... | special makeup effects artist | |
| Araceli Farace | .... | assistant makeup artist | |
| Ariel Godoy | .... | assistant hair stylist | |
| Sebastián Molchasky | .... | special makeup effects artist | |
| Marisol Ortega | .... | assistant hair stylist | |
| Jean-Jacques Puchu | .... | key hair stylist (as Jean-Jacques Puchu Lapeyrade) | |
| Laura Quijandría | .... | assistant makeup artist: Peru | |
| Norma Recalde | .... | assistant hair stylist | |
| Juan A. Redondo | .... | special makeup effects artist | |
| Juan Angel Redondo | .... | special makeup effects artist | |
| Luigi Rocchetti | .... | special makeup effects artist | |
| Alejandro Staricco | .... | assistant hair stylist | |
| Juan Pedro Rodriguez Valiente | .... | special makeup effects artist | |
Production Management | |||
| Ricardo Avelluto | .... | unit manager | |
| Carlo Bettin | .... | production supervisor | |
| Raúl Campos | .... | unit manager | |
| Peter McAleese | .... | executive in charge of production | |
| Federico Noejovich | .... | location unit manager | |
| Severo Santos | .... | assistant production manager | |
| Graham Stumpf | .... | post-production supervisor | |
| Marcelo Torres | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Federico Berón | .... | second assistant director | |
| Márcia Faria | .... | first assistant director | |
| Claudio Leiva Araos | .... | second assistant director | |
| Samuel León | .... | assistant director | |
| Pablo Ramos | .... | director help | |
| Claudio Reiter | .... | assistant director | |
| Sara Rossi | .... | assistant director | |
| Julia Solomonoff | .... | first assistant director | |
| Natalia Vacs | .... | trainee assistant director | |
Art Department | |||
| Fernanda Abadía | .... | painter | |
| Lorena Acin | .... | scenic painter | |
| Angélica Alvear | .... | set dresser | |
| Silvina Carballo | .... | assistant production designer | |
| Martín Libert | .... | property master | |
| Matías Martínez | .... | assistant production designer | |
| Daniel Mauvignier | .... | painter | |
| Alejandro Gastón Mondello | .... | assistant property master | |
| Ariel Guillermo Mondello | .... | assistant property master | |
| Jorge Mondello | .... | property master | |
| Julio Ojeda | .... | assistant property master | |
| Ana Piaggio | .... | graphic designer | |
| Estella Zeballos | .... | assistant property master | |
Sound Department | |||
| Bryan Arenas | .... | stereo sound consultant: Dolby | |
| Javier Bennassar | .... | sound editor | |
| Jean-Claude Brisson | .... | sound | |
| Colin Cooper | .... | adr recordist | |
| Gary Coppola | .... | sound re-recording mixer | |
| Jed M. Dodge | .... | dialogue editor | |
| Frank Gaeta | .... | sound designer | |
| Frank Gaeta | .... | supervising sound editor | |
| Lauro Galindo | .... | adr recordist | |
| Patrick Giraudi | .... | sound re-recording mixer | |
| Peter Gleaves | .... | adr mixer | |
| Catherine Harper | .... | foley artist | |
| Terry Isted | .... | adr recordist | |
| Andrea Lakin | .... | sound re-recording mixer | |
| Patricio A. Libenson | .... | foley supervisor (as Patricio Libenson) | |
| Leandro Lima | .... | sound | |
| Christopher Moriana | .... | foley artist | |
| Todd Niesen | .... | dialogue denoising | |
| Todd Orr | .... | sound re-recording mixer | |
| David Romero | .... | boom operator | |
| Christopher Sidor | .... | sound re-recording mixer (as Chris Sidor) | |
| Victor Alejandro Tendler | .... | sound assistant | |
| Dennis Twitty | .... | foley editor | |
Special Effects by | |||
| Georges Demétrau | .... | special effects supervisor | |
Visual Effects by | |||
| Merysa Nicholas | .... | digital compositor | |
| Adam Stern | .... | digital artist | |
Camera and Electrical Department | |||
| Enrique Apéstegui | .... | electrician: Peru | |
| Alejandro Arbulú | .... | electrician: Peru | |
| Pablo Baião | .... | second assistant camera: Peru | |
| Alberto Bellezia | .... | second assistant camera: Peru | |
| Rubén Carpio | .... | electrician: Peru | |
| Aníbal Cattaneo | .... | grip | |
| Aníbal Haran | .... | electrician | |
| John Rockwell Harris | .... | additional still photographer | |
| Rafael Mackay Fulle | .... | grip | |
| Flavio Naranjo | .... | grip | |
| Constanza Ott | .... | first assistant camera | |
| Paula Prandini | .... | still photographer | |
| Dennis Ramírez | .... | grip | |
| Rodolfo Resch | .... | electrician | |
| Agustín Roca | .... | electrician | |
| Sergio Scalisi | .... | gaffer | |
| Cristian Vega | .... | assistant camera: second unit, Argentina | |
| Peter Zuccarini | .... | water camera operator | |
Casting Department | |||
| Norma Angeleri | .... | extras casting | |
| Pablo Pérez Giménez | .... | extras casting | |
Costume and Wardrobe Department | |||
| Gabriela Bellacomo | .... | costume assistant | |
| Fátima Macera | .... | costume assistant (as María Fátima Macera) | |
| Carmen Montecalvo | .... | costume assistant | |
| Ramiro Piombo | .... | costume assistant | |
Editorial Department | |||
| Luis Bernardez | .... | post-production coordinator | |
| Gilbert Carreras | .... | film color timer | |
| Steve Johnson | .... | colorist | |
| Isabelle Julien | .... | color timer | |
| Maria Montoreano | .... | second editor | |
| Fabien Pascal | .... | color timer | |
| Miguel Schverdfinger | .... | assistant editor | |
| Patrick Thauvin | .... | negative cutter | |
Music Department | |||
| Robb Boyd | .... | music editor (as Robert Boyd) | |
| Anibal Kerpel | .... | music editor | |
| Stephen Lotwis | .... | music editor | |
| Lee Scott | .... | music editor: temp tracking | |
Transportation Department | |||
| Sergio Miguel | .... | unit transportation coordinator | |
Other crew | |||
| Patricia Apter | .... | production coordinator | |
| Kim Ballard | .... | production financing | |
| Susan Bradley | .... | title designer | |
| Paul Cafferty | .... | post-production accountant | |
| Emma Chapman | .... | unit publicist | |
| Dante Deccheco | .... | production assistant | |
| Nicky Earnshaw | .... | assistant: Peter McAleese | |
| José Luis García Espina | .... | location manager | |
| María Gowland | .... | script supervisor | |
| Leo Haidar | .... | legal counsel | |
| Bill Holderman | .... | assistant to producer | |
| Donna Kail | .... | assistant: Mr. Redford | |
| María Paula Mancini | .... | assistant production accountant | |
| Gianni Minà | .... | creative consultant | |
| Anna Luiza Müller | .... | publicist | |
| Alexander Nicolas | .... | marketing | |
| Sebastián Ponce | .... | assistant to producer | |
| John H. Price | .... | interviews: post-production | |
| Joe Russo | .... | interviews: post-production | |
| Paola Scagnet | .... | accounting assistant | |
| Ettore Scola | .... | creative consultant | |
| Mauro Stecco | .... | production apprentice | |
| Alistair Thompson | .... | supervising production accountant | |
| Fernando Wajs | .... | production accountant | |
| Connie Wethington | .... | assistant: Michael Nozik | |
| Brad Simonsen | .... | production executive (uncredited) | |
Thanks | |||
| Tessa Ross | .... | very special thanks | |
| Leslie Urdang | .... | thanks | |
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Why a film about Che now? Why suddenly a revival of a revolutionary hero?
Apathy, political blandness and complacency are the characteristics of today's world when compare with the 60's generation, and any left revolutionary dogma seems, for many reasons, to have been put at rest for the time being and until further notice. The relevance of this film today has many different facets and its success is particularly interesting at a moment of change, when wars, political and economical crisis and their global effects, are starting to provoke some reaction suggesting that involvement might just be around the corner. Wisely the film concentrates on following Guevara diaries before becoming radicalised and in the process of gaining knowledge and awareness of the struggle of the Latin American unprivileged classes and prior to breaking up with his middle class ties. The film has had many viewers that have criticized the lack of a stronger political definition in the portrait of the lead character, a more radical view of Guevara and of its political stand even at that early stage in his life. The film makes his image more digestible for a general audience, showing him in a sympathetic light and from a softer perspective. In my view this is exactly what it makes it relevant and interesting for today's audiences. Although the film grows in the memory as being a touch more political than what perhaps Walter Salles aimed for, it doesn't intend to preach politics or even try to be a full-blown biopic of an historical and controversial figure. What makes the message strong is the fact that we actually know who the character eventually will become after the story of the film finishes and the end titles start to run, that makes it rather more poignant. We only witness the beginning of his personal journey and know how much he will travel. The film is more about personal choices, experiences and decisions that eventually might change the course of a life, and particularly about the spirit of being young. The film recreates the freedom of adolescence, a time for absorbing and experimenting, the start of a trek where we discover the world and where justice and a hope for change is strongly embedded with the attitude of the young. Or at least that happen in the 60's generally and particularly in Latin America. The real quality of the film is that through a subtle, engaging, fun tale allows the audience to connect with a period where change, personal and internal, was possible, and where there was hope for a fairer future.
For anyone like myself from Argentina, part of a generation that were there and young at the time, the film evokes just that starting point. It is a rather emotional journey that takes back a whole generation that had firm beliefs in these ideals, as relevant today as they were in 1952 where the action of the film ends and Guevara flights back home shaken by the whole travel experience. It is rather significant that not that much has changed for the better in the Latin America of today, where the gap between the 'haves' and the 'have nots' has, if anything, grown wider. The film is simple and straightforward showing the real talent of Walter Salles for avoiding patronising his audience as he conveys an accurate portrait of the landscape and its people. There is perhaps some excessive 'under acting' on the approach from Gael Garcia Bernal to his performance [ ...was Che really ever such a "softie"?] but still, it is great to see him growing as an actor and as Che through the film. To counter balanced such a restrained interpretation, Rodrigo de la Serna projects the right dosage of charm and Argentinean street wisdom that gives the warmth and humanity the film exudes. The music of Gustavo Santaolaya adds a layer of depth and intensity whilst rightly avoiding, like the rest of the film, most of the traditional clichés of the South American image.