Diarios de motocicleta (2004)

Director:

Walter Salles

Writers (WGA):

Ernesto 'Che' Guevara (book)
Alberto Granado (book)

Release Date:

24 September 2004 (USA)

Genre:

Adventure | Biography | Drama

Tagline:

Before he changed the world the world changed him

Plot:

The dramatization of a motorcycle road trip Che Guevara went on in his youth that showed him his life's calling.

Plot Keywords:

Motorcycle | Friend | Che Guevara | Diary | 1950s

Awards:

Won Oscar. Another 26 wins & 37 nominations

Cast

Gael García Bernal	...	Ernesto Guevara de la Serna (Argentina)
Rodrigo De la Serna	...	Alberto Granado (Argentina)
Mercedes Morán	...	Celia de la Serna (Argentina)
Jean Pierre Noher	...	Ernesto Guevara Lynch (Argentina) (as Jean-Pierre Noher)
Lucas Oro	...	Roberto Guevara (Argentina)
Marina Glezer	...	Celita Guevara (Argentina)
Sofia Bertolotto	...	Ana María Guevara (Argentina) (as Sofía Bertolotto)
Franco Solazzi	...	Juan Martín Guevara (Argentina)
Ricardo Díaz Mourelle	...	Uncle Jorge (Argentina) (as Ricardo Diaz Mourelle)
Sergio Boris	...	Young Traveler (Argentina)
Daniel Cargieman	...	Young Traveler (Argentina) (as Daniel Kargieman)
Diego Giorzi	...	Rodolfo (Argentina)
Facundo Espinosa	...	Tomás Granado (Argentina)
Matias Gomez	...	Kid (Argentina) (as Matías Gómez)
Diego Treu	...	Kid (Argentina)

Also Known As:

The Motorcycle Diaries (UK) (USA)
Carnets de voyage (France)
Die Reise des jungen Che (Germany)
Voyage à motocyclette (France) (festival title)

MPAA:

Rated R for language.

Runtime:

126 min

Country:

Argentina | USA | UK | Germany | Mexico | Chile | Peru | France

Language:

Quechua | Spanish

Color:

Black and White | Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Stereo

Certification:

Taiwan:R-12 | Switzerland:12 (canton of Zurich) | Iceland:L | Hungary:14 | South Korea:15 | Sweden:7 | Argentina:Atp | Australia:M | Brazil:12 | Canada:14A (Alberta/British Columbia/Ontario) | Canada:G (Québec) | Chile:TE | Finland:K-7 | Hong Kong:IIA | Netherlands:AL | Portugal:M/12 | Singapore:NC-16 | Switzerland:7 (canton of Geneva) | Switzerland:7 (canton of Vaud) | UK:15 | USA:R | Norway:11 | Germany:6

Filming Locations:

Argentina

Company:

FilmFour

Trivia:

The motorcycle used by the real life pair was a British-made Norton International, which had a 500cc single cylinder engine. The director revealed that they found, restored and used such Nortons except for the crash scenes where modern Suzukis were made up to look like Nortons and christened "Nortsukis". The director revealed that whereas the old Nortons were unfailingly reliable, the modern Suzukis were forever breaking down.

Goofs:

Continuity: When Ernesto is sitting on the boat to San Pablo, he is writing in a notebook with a pencil, but when he gets up to look for his bag, the notebook and pencil are gone.

Quotes:

Ernesto Guevara de la Serna: How is it possible to feel nostalgia for a world I never knew?

Movie Connections:

Referenced in Match Point (2005)

Soundtrack:

Felíz Cumpleaños

Bias is downfall of this movie

I would not consider myself to be an ultra liberal, but I am somewhat knowledgeable about what has been going on in South America for the last 100 years, and Che Guevara is a part of it. Going into this movie all I knew about him was that he is on a lot of t-shirts, and that "che", despite what ignorant people think, is not his name, it is what Argentinians say to each other like in the US saying "dude".

I am also a big fan of the purity of movies, not this Spider-man crap that is all over the place, but the true art of films, and I am fairly serious when I go into a movie for the first time. A part of this is that I watch the movie throwing all bias I might have out the window and watch it as if I had never heard of it before. That said, I believe this movie was excellent because it had superb cinematography of the beauty of South America, had excellent acting, great chemistry between the two main actors (despite Ebert saying they did not), and an overall political theme.

This movie did not get great reviews in the US, and I haven't seen reviews from Latin American countries, but I am guessing they are better. This is because many people either shied away from the movie once they heard the word Che, and if they did see it, through the whole movie they were probably thinking "commie, commie!".

I have since read up on Che Guevara, and he is actually a fascinating person to study because he began as a rich boy who through his journeys learned how much people were suffering beyond his imagination, and part of this was how he got to be so rich, by suppressing the native people. The movie does an excellent job of showing this transition from his carefree exploring until later having an epiphany about his destiny to help the people. Yes, he got extreme after a while, but the study of him is compelling nonetheless.

It is interesting to know that coffee and bananas that say "Guatemala" are still grown today by slave laborers on farms, and that the US does not mind the slave labor because they were the ones who sponsored a coup in 1951 to install a dictatorship that in history books says it was an ousting of communism, which makes it okay. This is a much bigger and important example than the movie, but it is the same bias involved: People in the United States (I don't say America because that refers to every country from Argentina to Canada, not just the US as people in this country like to think) not only don't care about the suffering of people in other countries (unless it's mentioned on Oprah or involves economic rewards) but have the nerve to call them evil when they try to better themselves, which at the time was the communist movement in South America. This is not the communism of Castro or even of the later Che Guevara, but simply to give more to the starving and suppressed that are today suppressed to make your bananas and Starbucks coffee.

Because of the biases people have towards the people of countries they know nothing about, this movie has been extremely underrated in the wake of films that comparatively suck ("Ray", way overrated) yet have been rewarded because of their popularity and appeasement to the ignorant people that attend theaters in the United States.