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The Motorcycle Diaries (2004)

Diarios de motocicleta (original title)
The dramatization of a motorcycle road trip Che Guevara went on in his youth that showed him his life's calling.

Director:

Writers:

(book) (as Ernesto Guevara), (book) | 1 more credit »

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Won 1 Oscar. Another 35 wins & 47 nominations. See more awards »

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Cast

Cast overview, first billed only:
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...
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Celia de la Serna (Argentina)
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Ernesto Guevara Lynch (Argentina) (as Jean-Pierre Noher)
Lucas Oro ...
Roberto Guevara (Argentina)
Marina Glezer ...
Celita Guevara (Argentina)
Sofia Bertolotto ...
Ana María Guevara (Argentina) (as Sofía Bertolotto)
Franco Solazzi ...
Juan Martín Guevara (Argentina)
Ricardo Díaz Mourelle ...
Uncle Jorge (Argentina) (as Ricardo Diaz Mourelle)
Sergio Boris ...
Young Traveler (Argentina)
Daniel Kargieman ...
Young Traveler (Argentina)
Diego Giorzi ...
Rodolfo (Argentina)
Facundo Espinosa ...
Tomás Granado (Argentina)
Matias Gomez ...
Kid (Argentina) (as Matías Gómez)
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Storyline

In 1952, twenty-three year old medical student Ernesto Guevara de la Serna - Fuser to his friends and later better known as 'Ernesto Che Guevara' - one semester away from graduation, decides to postpone his last semester to accompany his twenty-nine year old biochemist friend 'Alberto Granado' - Mial to his friends - on his four month, 8,000 km long dream motorcycle trip throughout South America starting from their home in Buenos Aires. Their quest is to see things they've only read about in books about the continent on which they live, and to finish that quest on Alberto's thirtieth birthday on the other side of the continent in the Guajira Peninsula in Venezuela. Not all on this trip goes according to their rough plan due to a broken down motorbike, a continual lack of money (they often stretching the truth to gain the favor of a variety of strangers to help them), arguments between the two in their frequent isolation solely with each other, their raging libidos which sometimes get ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

Let the world change you... and you can change the world See more »


Motion Picture Rating (MPAA)

Rated R for language | See all certifications »

Parents Guide:

 »
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Details

Country:

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Language:

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Release Date:

15 October 2004 (USA)  »

Also Known As:

The Motorcycle Diaries  »

Filming Locations:

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Box Office

Opening Weekend:

$375,461 (Brazil) (7 May 2004)

Gross:

$16,756,372 (USA) (13 February 2005)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

There are two scenes that were improvised during the filming process.

The scene when Ernesto and Alberto are riding in the snow was not in the screen play. When the crew arrived to the filming location they faced with extraordinary weather conditions. However it was their day off they decided to go to the mountains and shoot this scene.

The scene in Cusco was filmed because the little "tour guide" boy asked the film crew if he can show them the city. They said yes and brought the camera as well. This is the way how they found the women with whom Ernesto and Alberto is talking in the Cusco scene. See more »

Goofs

The movie is set in the early 1950s. When Ernesto and Alberto arrive in Valparaiso, Chile, a blue floating dry-dock (the "Valparaiso III", owned by SOCIBER) is visible on the bay. It first appeared in 1985. See more »

Quotes

Ernesto Guevara de la Serna: This isn't a tale of heroic feats. It's about two lives running parallel for a while, with common aspirations and similar dreams.
See more »

Crazy Credits

The real Alberto appears at the very end of the film just before the credits. See more »

Connections

Referenced in Outrageous Fortune: To Sleep, No More (2007) See more »

Soundtracks

Adiós Muchachos
Written by César Felipe Veldani & Julio César Sander
Interpreted by Rodrigo de la Serna
Interpreted by Alberto Granado
Editorial SADAIC
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User Reviews

A sorely needed window on South America
28 April 2004 | by (New York, New York) – See all my reviews

The Motorcycle Diaries does a great job of sketching out the character of Ernesto Guevara de la Serna, without any pandering to our knowledge of who he will become. There are no cheap shots and only one 'Che' joke-to explain the origin of the nickname, which is a play on the Argentinian accent. It's a deeply felt examination of the events that inspired the development of a political consciousness, with only a few touches of the hagiography that has developed around 'el Che' and those not until late in the film. Gael Garcia Bernal is completely believable and very human in the role, and there's real chemistry between him and Rodrigo de la Serna (any relation?) who plays his friend Granado, leading to a lot of funny moments-important, as ther are many stretches of the movie where it is just them and the scenery. The cinematography is truly gorgeous, and reminded me how little of the South American landscape we ever see on film in the U.S. The cinematographer has pulled off a major feat in shooting a period film in slightly grainy, sometimes shaky hand-held. No crane shots or sepia tinting here-the film quality immerses you in Guevara and Granado's experiences and makes them feel very immediate, without sacrificing any sense of history. A film like this is long overdue, and it deserves wide distribution. While the plot revolves around Che's awakening to the social struggles of South America (which are ongoing) there is a rich sense of place, and people, and beauty here. It seems to me that this is the first South American film in a few years that is not a world-weary documentary about social or political problems (and U.S. involvement in them), to open in the U.S. market. It's about the life of Che, yes, but it doesn't forget the people and problems that lead him into political activity, and will hopefully inspire viewers to pay more attention to what is going on around them, not only in Buenos Aires, Cuzco, Havana or Chiapas, but right next door.


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