IMDb > The Magdalene Sisters (2002)
The Magdalene Sisters
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The Magdalene Sisters (2002) More at IMDbPro »

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The Magdalene Sisters -- Trailer
The Magdalene Sisters -- US Home Video Trailer from Buena Vista Home Entertainment

Overview

User Rating:
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Director:
Writer:
Peter Mullan (written by)
Contact:
View company contact information for The Magdalene Sisters on IMDbPro.
Release Date:
25 October 2002 (Ireland) See more »
Genre:
Tagline:
In a place that defied belief their only hope was each other. See more »
Plot:
Three young Irish women struggle to maintain their spirits while they endure dehumanizing abuse as inmates of a Magdalene Sisters Asylum. Full summary » | Full synopsis »
Plot Keywords:
Awards:
Nominated for BAFTA Film Award. Another 16 wins & 12 nominations See more »
NewsDesk:
(78 articles)
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 (From ioncinema. 15 April 2014, 1:10 PM, PDT)

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 (From The Guardian - Film News. 28 February 2014, 8:29 AM, PST)

The top 25 underappreciated films of 2010
 (From Den of Geek. 26 February 2014, 2:57 AM, PST)

User Reviews:
One of the better films of the year; Bergman goes to Ireland, you could say... See more (185 total) »

Cast

  (in credits order) (complete, awaiting verification)

Geraldine McEwan ... Sister Bridget

Anne-Marie Duff ... Margaret

Nora-Jane Noone ... Bernadette

Dorothy Duffy ... Rose / Patricia

Eileen Walsh ... Crispina

Mary Murray ... Una
Britta Smith ... Katy
Frances Healy ... Sister Jude
Eithne McGuinness ... Sister Clementine
Phyllis MacMahon ... Sister Augusta (as Phyllis McMahon)
Rebecca Walsh ... Josephine

Eamonn Owens ... Eamonn

Chris Patrick-Simpson ... Brendan (as Chris Simpson)
Sean Colgan ... Seamus
Daniel Costello ... Father Fitzroy
Kate Christie ... Dormitory Girl
Alison Goldie ... Dormitory Girl
Jemma Heath ... Dormitory Girl
Anita Hyslop ... Dormitory Girl
Marianne McGill ... Dormitory Girl
Leonna McGilligan ... Dormitory Girl
Claire McKenzie ... Dormitory Girl
Claire Murray ... Dormitory Girl
Lynsey Robson ... Dormitory Girl
Mariann Taylor ... Dormitory Girl
Julie Austin ... Theresa
Deirdre Davis ... Margaret's Mother

Ian Hanmore ... Margaret's Father
Pol McAdam ... Band Member at Wedding
Sean McDonagh ... Kevin
Sean Mackin ... Priest at Wedding
David Muldrew ... Band Member at Wedding
Ciaran Owens ... Young Eamonn
Kevin Shields ... Band Member at Wedding
Ashley Conroy ... Sonia
Pauline Goldsmith ... Mrs. Barton
Leanne Henderson ... Amy
Stephen Mallon ... Orphanage Boy 1
Jim Murray ... Orphanage Boy 2
Christopher Sheridan ... Orphanage Boy 3
Maureen Allan ... Rose's Mother
Laurie Ventry ... Father Doonigan
Jim Walsh ... Rose's Father
Fran Brennan ... Garda Sergeant
Gemma Burns ... Ruby
Daniel Emerson ... Crispina's Son - 2
Tracy Kearney ... Crispina's Sister

Stephen McCole ... Young Man in Car
Gareth Milne ... Psychiatric Nurse

Peter Mullan ... Mr. O'Connor
Julie Wilson Nimmo ... Girl with Baby (as Julie Nimmo)
Nick Powell ... Psychiatric Nurse
Allan Sharpe ... Archbishop
Callum Smith ... Crispina's Son - 1
Flynn Turner ... Crispina's Son - 3 (as Fynn Turner)
rest of cast listed alphabetically:
Leo Horsfield ... Groom (uncredited)
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Directed by
Peter Mullan 
 
Writing credits
Peter Mullan (written by)

Produced by
Ed Guiney .... executive producer
Frances Higson .... producer
Paddy Higson .... line producer
Andrea Occhipinti .... executive producer: Eyescreen
Rod Stoneman .... executive producer: The Irish Film Board
Paul Trijbits .... executive producer
Alan J. Wands .... co-producer (as Alan J. 'Willy' Wands)
 
Original Music by
Craig Armstrong 
 
Cinematography by
Nigel Willoughby (director of photography)
 
Film Editing by
Colin Monie 
 
Casting by
Lenny Mullan 
 
Production Design by
Mark Leese 
 
Art Direction by
Caroline Grebbell 
Jean Kerr 
 
Costume Design by
Trisha Biggar 
 
Makeup Department
Candice Banks .... additional makeup artist
Carol Chambers .... additional makeup artist
Kate Elliot-Muir .... additional makeup artist (as Kate Elliot Muir)
Sindy Hely .... additional makeup artist
Dianne Jamieson .... makeup designer
Sylvie Francoise Kurz .... additional makeup artist
Fiona Maynard .... makeup artist
Catherine Muir .... additional makeup artist
Carole Reid .... makeup work experience
Karen Scott .... makeup trainee
Catherine Shirley .... additional makeup artist
Meg Speirs .... additional makeup artist
Stephanie Wedge .... makeup artist
Tracey Wells .... makeup artist
 
Production Management
Janet Riddoch .... production manager (as Janet S. Riddoch)
 
Second Unit Director or Assistant Director
Jill Dempsey .... second second assistant director: crowd
David Gilchrist .... first assistant director
Tommy Gormley .... additional first assistant director
Elaine Mackenzie .... third assistant director (as Elaine MacKenzie)
Michael Queen .... second assistant director
Susan Radcliffe .... trainee assistant director
Katie Rennie .... trainee assistant director
 
Art Department
Evelyn Barbour .... additional cash buyer
Mat Bergel .... stand-by props
Sandy Borthwick .... chargehand
Sandy Borthwick .... painter
Phil Bowen .... construction manager
Duncan Burns .... stagehand
Tristan Carlisle-Kitz .... stand-by props
Paul Cowan .... laborer
Stewart Cunningham .... dressing props
Sam Curren .... additional painter
Laura Donnelly .... assistant art director
Bobby Gee .... stand-by painter
Angus Gentleman .... additional props
Ewan Gillespie .... additional carpenter
Alec Graham .... additional carpenter
Jane Harvie .... apprentice painter
Emma Henderson .... cash buyer
Christopher Higson .... supervising carpenter (as Chris Higson)
John Hughes .... painter
Piero Jamieson .... additional props
Scott Keery .... props master
William Maxwell .... carpenter
Duncan McDevitt .... dressing props
Elaine McLenachan .... production buyer
Dennis Murphy .... carpenter
Alan Reid .... storyboard artist
Alex Robertson .... stand-by carpenter
David Weatherstone .... additional props
Rhona Wilson .... dressing props
Dawn Youll .... apprentice plasterer
 
Sound Department
Tony Cook .... boom operator
Felicity Cottrell .... foley artist
Debbie Dingwall .... additional boom operator
David Donaldson .... sound engineer
David Donaldson .... sound programming
Robert Farr .... adr re-recordist
Robert Farr .... foley re-recordist
John Fitzgerald .... sound re-recording mixer
Kahl Henderson .... dialogue editor
Tom Johnson .... sound re-recording mixer
Gayle Learmonth .... sound trainee
Douglas MacDougall .... supervising sound editor
Sandy Miller .... additional boom operator
Colin Nicolson .... sound recordist
Chris Sinclair .... foley editor
Ruth Sullivan .... foley artist
 
Special Effects by
Steve Breheney .... special effects supervisor (uncredited)
 
Visual Effects by
Giles Livesey .... digital film colorist (uncredited)
 
Stunts
Gareth Milne .... stunt performer
Nick Powell .... stunt coordinator
 
Camera and Electrical Department
David Bourke .... best boy
James Bourke .... rigging electricians mate
Charlie Crawford .... unit photographer
Bonnie Dempsey .... clapper loader
Andrew Ford .... camera operator: "b" camera
Alick Fraser .... focus puller: "b" camera
Tom Gates .... gaffer
Chris Gilbertson .... additional electrician
Katharine Higgs .... camera trainee
Alan Maxwell .... focus puller: "b" camera
Mickey May .... electrician
Drew Meldon .... key grip
Paul Murphy .... additional electrician
Sam Osborne .... focus puller
Ross Pearson .... stand-by rigger
Tim Proctor .... grip: "b" camera
Glenda Rome .... clapper loader: "b" camera
Jamie Summers .... electrician
Tony Wilcock .... rigging gaffer (as Tony Wilcocks)
Lorna Will .... camera operator: "b" camera
 
Casting Department
Victoria Beattie .... additional casting assistant (as Vicky Beattie)
Kara Johnston .... casting assistant
 
Costume and Wardrobe Department
Lee Dickson .... costume junior
Frank Gallacher .... additional costume assistant
Irene Godfrey .... costume assistant
Arnalie Harper Gow .... additional costume assistant (as Amalie Harper Gow)
Anne Matheson .... additional costume assistant
Tracy McGregor .... additional costume assistant
Michael Mooney .... costume supervisor
Marnie Ormiston .... key costumer
Claire Pettifer .... costume assistant
Ailsa Rendell .... additional costume junior
Alex Watherston .... additional costume assistant
 
Editorial Department
Giles Burgess .... first assistant film editor
Yvonne McDonald .... negative checker
Sonya Scott .... post-production secretary
 
Music Department
Craig Armstrong .... conductor
Craig Armstrong .... music arranger
Matt Dunkley .... additional orchestrator
Matt Dunkley .... conductor: Royal Scottish National Orchestra
Emma Ford .... music supervisor
Geoff Foster .... orchestra recordist
Geoff Foster .... score recordist
Royal Scottish National Orchestra .... orchestra
 
Transportation Department
Darren Bell .... facilities driver: Aeroshoot
Colin Crosbie .... unit driver
Gary Forsyth .... driver: camera truck
Graham Gordon .... driver: props
Graham Harrison .... facilities driver: Aeroshoot
David Love .... facilities driver: Aeroshoot
Gareth Reeve .... unit driver
Gordon Shillinglaw .... unit driver
Charlie Simpson .... facilities driver: Aeroshoot
Philip Twinberrow .... unit driver
 
Other crew
Helle Absalonsen .... working crew: Digital Film Lab
Vicci Allen .... working crew: Digital Film Lab (as Vicci Allan)
Beth Armstrong .... unit nurse
Mike Bolam .... location scout
Laurence Byrne .... trainee accountant
Susan Cairney .... unit nurse
Sarah Carswell .... production trainee
Gillian Clyde .... business affairs: Film Council's New Cinema Fund
John Cooney .... security: Atlas Security (as John Cooney)
Eric D'Souza .... working crew: Digital Film Lab (as Eric d'Souza)
Mark Devlin .... production coordinator
Brendan Diver .... caterer: Thistle Catering
Larry Eydmann .... health and safety advisor
Emma Ford .... assistant: Craig Armstrong
Helen Game .... chaperone
Cara Gavigan .... location scout (as Kara Gavigan)
David Havard .... insurance: AON
Carol-Anne Henderson .... pre-production assistant
Michael Higson .... location scout
John Hinchliffe .... working crew: Digital Film Lab (as John Hinschliffe)
Vince Holden .... production finance: Film Council's New Cinema Fund
Steve Humphries .... director: "Sex in a Cold Climate" which inspired this movie
Steve Humphries .... producer: "Sex in a Cold Climate" which inspired this movie
Christine Hunter .... unit nurse
Jacqueline Hurt .... lawyer: Olswang
Stephen Kane .... religious advisor
Jim Kerr .... developed with the financial assistance of
John Kirkham .... unit nurse
Robbie Kirkpatrick .... location assistant
Kris Kolodziejski .... working crew: Digital Film Lab
Susie Liggat .... physical production executive: Film Council's New Cinema Fund
Giles Livesey .... working crew: Digital Film Lab
Andrew Lowe .... business affairs: Temple Films
Barbara Lynch .... production secretary
Phyllis MacMahon .... religious advisor (as Phyllis McMahon)
Lucy Marr .... assistant accountant
Mark McBride .... production runner
Jill McCullough .... voice coach: Geraldine McEwan
Kenny McGhee .... unit nurse (as Kenny McGee)
Margaret McGowan .... chaperone
John McKain .... production accountant
Bronagh Murphy .... trainee script supervisor
Jim O'Donnell .... unit nurse
Michael Osborne .... additional runner
Frederico Piacentini .... caterer: Thistle Catering
Pat Rambaut .... script supervisor
Les Reilly .... caterer: Thistle Catering
Malcolm Ritchie .... financial executive: PFP Films
Andreas Rostock .... working crew: Digital Film Lab
Jessica Rundle .... pre-production assistant
Scott Russell .... caterer: Thistle Catering
Sam Smith .... working crew: Digital Film Lab
Richard Starkey .... unit nurse
Beverley Syme .... location manager
Alex Usborne .... production executive: Film Council's New Cinema Fund
Susan Waddell .... lawyer: Olswang
Jenny Williams .... pre-production assistant
 
Thanks
Neil Ballantyne .... thanks: Summerlee Heritage Centre
John Booth .... thanks
David Brown .... thanks
Sonia Butterworth .... thanks
Leonard Crooks .... special thanks: Glasgow Film Office (as Lenny Crooks)
Belle Doyle .... thanks
Andrew Eaton .... thanks
Mike Fagan .... thanks
Jim Guthrie .... thanks
Graham Hawkins .... thanks
Jeffrey Honneiker .... thanks
Margaret Horspool .... thanks (as Mags Horsepool)
Matt Hume .... thanks: Summerlee Heritage Centre
Mary Keane .... thanks
Darren Longthorne .... thanks
Ray Marston .... thanks (as Ray Marsden)
Eddie McGee .... thanks
Tracey McGee .... thanks
Celine McHugh .... thanks
Robert McNeilly .... thanks
Alexander Murray .... thanks
Irene Napier .... thanks
Claire Paterson .... thanks
Eddie Robinson .... thanks
Bob Robison .... thanks
Jane Roche .... thanks
Carole Sheridan .... thanks
Ian Somerville .... thanks
Bill Summers .... thanks
Ann Swan .... thanks
Katrin Swan .... thanks
Mairi Swan .... thanks
Paddy Swan .... thanks
Claire Wiles .... thanks: VFG
 
Crew believed to be complete


Production CompaniesDistributorsSpecial EffectsOther Companies
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Additional Details

Also Known As:
MPAA:
Rated R for violence/cruelty, nudity, sexual content and language
Runtime:
119 min
Country:
Language:
Color:
Aspect Ratio:
1.85 : 1 See more »
Sound Mix:
Certification:

Did You Know?

Trivia:
Vanessa Redgrave dropped out due to her mother's ill health and was replaced by Geraldine McEwanSee more »
Goofs:
Anachronisms: The guitar the man plays at the beginning of the film is a Taylor acoustic guitar. Taylor Guitars was not established until 1974.See more »
Quotes:
[first lines]
Margaret:Well, what is it you're wanting to show me? Come on, Kevin, what's the secret?
See more »
Movie Connections:
Referenced in Jack Taylor: The Magdalen Martyrs (2011) (TV)See more »
Soundtrack:
God Rest Ye Merry GentlemenSee more »

FAQ

This FAQ is empty. Add the first question.
25 out of 36 people found the following review useful.
One of the better films of the year; Bergman goes to Ireland, you could say..., 3 October 2004
Author: MisterWhiplash from United States

The Magdalene Sisters is one of the better movies of the year. It holds within it such emotional girth, such a sympathy with these girls and what they go through in such a society that holds the Catholic belief system as the absolute truth, that by the time you leave the theater, like it or dis-like it, you'll feel drained. Along with a heart-wrenching relentlessness by writer/director Peter Mullan in revealing the details of the nun's cruelty and coldness, there are a number of very good performances here. Geraldine McEwan's Sister Bridget, head Sister of the Magdalene reformatory, is on par with Nurse Ratched for being one of the most frightening of dominating female figures; Eileen Walsh's Crispina/Harriet is possibly the most touching of the lot of imprisoned women and could garner an Oscar nomination; Nora-Jane No one's Bernadette is a true balancing act between rebellious spirit and trapped creature; and the other players, including Anne-Marrie Duff and Dorothy Duffy add splendid supporting work.

As fellow film connoisseurs know, Ingmar Bergman was renown for most of his films dealing with faith, the loss of it, and/or the absence of God and the pain that seeps through in living in such a world that doesn't question it. While these questions weren't as forward and evident in this film as they were in Bergman's masterpieces, often Mullan subtly brings these questions to light as the film progresses: if God is pounded over and over and over into these girl's heads, that they are here because they need to repent for their "mortal sins" (such as being raped, flirting, having children out of wedlock), and they are subjected to physical, sexual, and mental abuse by those who should be compassionate, life-long devotees to the faith, where is God? This question actually comes to a big head in a scene that at first shows itself to be rather amusing when a priest gets a poison Ivy rash, and then Crispina, who got it from him in the worst way, shouts out over and over 'YOU ARE NOT A MAN OF GOD!', and thus is silenced away to a mental asylum. Indeed, this is the part of the film where the question gets the most light, and it's the most harrowing scene in the movie among others and is one of the most powerful in movies this year.

The only liability is the climatic ending to which is something against a Bergman=esque logic, and while I won't reveal it here, it tends to go to an (appropriate) timing that's akin to Cuckoo's Nest. Personally, I felt the film should have ended with the Bergman logic instead of the Kesey spirit, but that's neither here nor there, since the bulk of the film in and of itself is contains some passionate drama, and to those who see it will not only get an eye-opening view to the old-time (if old-time is up until seven years ago) Catholic ways, but also to the great dangers of control over human life.

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