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The Magdalene Sisters (2002)

R  |   |  Drama  |  29 August 2003 (USA)
7.8
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Ratings: 7.8/10 from 20,866 users   Metascore: 83/100
Reviews: 189 user | 128 critic | 38 from Metacritic.com

Three young Irish women struggle to maintain their spirits while they endure dehumanizing abuse as inmates of a Magdalene Sisters Asylum.

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Nominated for 1 BAFTA Film Award. Another 18 wins & 13 nominations. See more awards »

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Interlocking interviews of 4 women interred in various Magdalene asylums and/or orphanages because of out-of-wedlock pregancies, being sexually assaulted, or just being "too pretty" (believe it or not).

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Cast

Cast overview, first billed only:
...
...
...
...
Rose / Patricia
...
...
Una
Britta Smith ...
Katy
...
Sister Jude
Eithne McGuinness ...
Sister Clementine
Phyllis MacMahon ...
Sister Augusta (as Phyllis McMahon)
Rebecca Walsh ...
Josephine
...
Eamonn
...
Brendan (as Chris Simpson)
Sean Colgan ...
Seamus
Daniel Costello ...
Father Fitzroy
Edit

Storyline

A thoroughly mind-provoking film about 3 young women who, under tragic circumstances, see themselves cast away to a Magdalene Asylum for young women in 1964. One of many like institutions, the asylums are run like prisons and young girls are forced to do workhouse laundry and hard labor. The asylum, one of many that existed in theocratic Catholic Ireland, is for supposedly 'fallen' women. Here, young girls are imprisoned indefinitely and endure agonizing punishments and a long, harsh working system which leaves them physically drained and mentally damaged. As the girls bond together, it soon becomes clear that the only way out of the Magdalene convent is to escape, but with twisted Sister Bridget running the wing, any chances seem limited... Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

The triumphant story of three women who found the courage to defy a century of injustice. See more »

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for violence/cruelty, nudity, sexual content and language | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

|

Release Date:

29 August 2003 (USA)  »

Also Known As:

Die unbarmherzigen Schwestern  »

Box Office

Opening Weekend:

£88,315 (UK) (1 November 2002)

Gross:

$4,890,878 (USA) (21 November 2003)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Peter Mullan has remarked that the film was initially made because victims of Magdalene Asylums had no closure. They had not received any recognition, compensation, or apology, and many remained lifelong devout Catholics. See more »

Goofs

The guitar the man plays at the beginning of the film is a Taylor acoustic guitar. Taylor Guitars was not established until 1974. See more »

Quotes

[first lines]
Margaret: Well, what is it you're wanting to show me? Come on, Kevin, what's the secret?
See more »

Crazy Credits

Thanks to ... Andy and Marco at Edit-Hire Post Production Services ... all at the Glasgow Film Theatre ... Lee at Lynx ... all the gardeners ... the people of Dumfries ... and all at VFG. See more »

Connections

Version of Sex in a Cold Climate (1998) See more »

Soundtracks

God Rest Ye Merry Gentlemen
(uncredited)
Traditional Christmas carol
Sung off-screen by an unidentified man (possibly Ford Kiernan) with chorus
See more »

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User Reviews

 
Dirty washing in public
4 March 2006 | by (United Kingdom) – See all my reviews

Peter Mullan's (2002) film is based primarily upon the TV documentary 'Sex in a Cold Climate' by Steve Humphries which was first aired on RTE (Ireland) and BBC (England) in 1998. The documentary records the recollections of four Irish women who spent their youth and a good proportion of their adult lives as involuntary guests of uncompromising Roman Catholic nuns.

The film is set in a particular example of this institution which, somewhat akin to the English workhouses of the late 19th and early 20th century, became established in Ireland after the Second World War. The Magdelene Laundries took their name from the biblical figure of Mary Magdalene, a 'fallen woman' whom Christ befriended.

We join the main heroines of the movie - Margarette (Anne-Marie Duff), Bernadette (Norah-Jane No one), Rose (Dorothy Duffy) and Crispina (Eileen Walsh) in cameo as their entrance scholarships for the Magdelene Laundry are being sat.

What's most uncomfortable about this part of the movie, is trying to work out what's going on. Trying to work out what it is that's being whispered and what will be the upshot of it, and why. At first, it seems like the soundtrack of the film and the contrast have failed. But before long, it becomes obvious that the soundtrack of the film and the contrast have succeeded. The dark and deafening silence surrounding the circumstances under which these young women are being consigned to the unwelcome stewardship of the Magdalene Sisters comes through loud and muted.

We follow their induction into the laundry by Sister Bridget (Geraldine McEwan), ably assisted by the Sisters Jude (Frances Healy), Clemantine (Eithne McGuinness) and Augusta (Phyllis MacMahon) who contrive with formally celibate gentlemen like Father Fitzroy (Daniel Costello) to represent a world in which God's greatest ideal is achieved through punishment and penitence.

As the film progresses, we begin to understand why it is no accident that these institutions should have been laundries. They could - after all - have been bakeries, dairies, canneries or places where mailbags are sewn.

With every garment that passes through the process, unmentionable filth is cleansed - if the Sisters are to be believed. And if the Sisters are to be believed, the sins of the teenagers and the route to Heaven is bound up in hot water, salt and flagellation.

And as we follow these unsaintly girls on their hapless journey, we finally learn that salvation is as straightforward as a letter we are not privileged to read and a brother who arrives with a suitcase - as if there is anything that anybody could possibly want to carry away from a place like this.

This film is a powerful elegy to the suffering of these unfortunate girls who, constrained to silence for so long, have finally found a voice.


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