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2 items from 2016


Scott Eastwood in Talks to Star in Sci-fi Film ‘Ecstasia’

15 August 2016 11:50 AM, PDT | Variety - Film News | See recent Variety - Film News news »

Scott Eastwood is in early talks to star in Wayne Kramer’s sci-fi film “Ecstasia.”

Kramer is directing from his own screenplay, which centers on a couple who lives in a world where love no longer exists. The film, which also stars Matilda Lutz, follows their final days together before their love expires.

The movie will be introduced to buyers at next month’s Toronto Film Festival, with shooting set to start next year in South Africa. UTA, which reps Eastwood, is handling domestic rights, while Red Sea is selling international rights.

Producers are Sentient Entertainment’s Renee Tab and Christopher Tuffin, who recently collaborated with Eastwood on the heist thriller “Overdrive.” Matthew Chausse and Eastwood are also producing. Ingenious, Film Afrika, and Red Sea Media will finance “Ecstasia.”

Eastwood appeared in “Suicide Squad” and will be seen next in Oliver Stone’s “Snowden,” Ben Affleck’s “Live by Night, »

- Dave McNary

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The 25 most underrated film scores of the 2000s

3 March 2016 12:47 PM, PST | Den of Geek | See recent Den of Geek news »

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Diverse, awe-inspiring and memorable treasures that have sadly fallen off the radar

The noughties were a tough decade for film music fans. Not only was there the unprecedented loss of four great masters in the form of Jerry Goldsmith, Elmer Bernstein, Michael Kamen and Basil Poledouris; the nature of the industry itself began to go through some seismic changes, not all of them for the better.

With the art of film scoring becoming ever more processed, driven increasingly by ghost writers, electronic augmentation and temp tracks, prospects looked bleak. However, this shouldn’t shield the fact that there were some blindingly brilliant scores composed during this period. Here’s but a small sampling of them.

25. The Departed (Howard Shore, 2006)

When it came to the sound of his Oscar-winning crime thriller, director Martin Scorsese hit on the inspired notion of having composer Howard Shore base it around a tango, »

- simonbrew

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2 items from 2016


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