Max is a trendy, pretty, young lesbian, who is having trouble finding love. A friend sets her up with Ely, whom Max likes, but Ely is frumpy, homely, and older. Nor do they have much in ... See full summary »
T. Wendy McMillan
Monterey, California in the 1940's. Cannery Row - the section of town where the now closed fish canneries are located - is inhabited primarily by the down and out, although many would not ... See full summary »
The movie tells the stories of nine girls from different parts of the world who face arranged marriages, child slavery, and other heartbreaking injustices. Despite these obstacles, the ... See full summary »
The American artist couple Port and Kit Moresby travel aimlessly through Africa, searching for new experiences that could give sense to their relationship. But the flight to distant regions only leads both deeper into despair.
Martha Horgan, a naive woman with an intellectual impairment who lives with her aunt Frances in a small town, is known for always telling the truth. She works at a dry cleaner, where her ... See full summary »
Mickey Gordon is a basketball referee who travels to France to bury his father. Ellen Andrews, an American living in Paris, works for the airline Mickey flies on. They meet and fall in love... See full summary »
All We Are Saying is a personal look at what makes musicians tick -- a look into the psyches of some of the top musical artists of the day. Through a series of intimate conversations, over ... See full summary »
Rosanna Arquette informally interviews several contrasting actresses about how they cope with being a woman in the entertainment industry. The chauvenism of male crew is discussed, the pretentiousness / stereotyping of female characters in American film now. Interviews include those with Alley Sheedy, Martha Plimpton, Debra Winger, Emmanual Beart, and Rosanna's sister, Patricia Arquette -among others. Although a documentary this film seems affected, Arquette never has an argument, never says anything bad about another actress, in fact, complimenting just about everyone of them as being her favourite actress. Written by
Screened as one of "out-of-competition" films at the Cannes Film Festival, May 2002. Director Rosanna Arquette says she made the documentary when she was struck by the fact that Debra Winger, who earned three Oscar nominations, had left the profession in her 30s. See more »
Humor. Intelligence. Talent. Imagination. Bravery. Skill. When you eliminate all those things, what have you got?
That's it. So you can't blame these people for resorting to that kind of standard when they've annihilated all their other options. At least for men, there are options, character roles, you know what I'm saying?
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Instead of saying a Rosanna Arquette film, it says a Rosanna Arquette Experience and instead of saying Directed by, it says Experienced by Rosanna Arquette. See more »
I actually just read about this documentary in Entertainment Weekly, so was surprised to see it on Showtime tonight. I was ready to slam it for being shallow, but was pleasantly surprised at its refreshing insights.
Rosanna Arquette directs this documentary about the role of women in Hollywood when they are no longer a starlet; the effects of age on the actress' career. What was most impressive about the documentary was the incredible number of actresses interviewed. From Sharon Stone to Martha Plimpton, Holly Hunter to Charlotte Rampling the many actresses (both fairly obscure and mainstream) express some interesting views without sounding like they are complaining about the `lack of strong roles for women' a phrase that has become cliché. While I am not a fan of Salma Hayek in the least, she came across as very strong, voicing the need for female writers, directors, etc. (and backed up her word by doing that with Frida.)
Arquette's earthy style made the documentary flow very smoothly, and it was refreshing to see no pretensions. On many occasions, she very humbly expressed her adoration and respect for her subjects. She also put many of her interviewees together in groups which not only opened up the dialogue, but showed genuine camaraderie. Even Roger Ebert makes an appearance discussing how the movie going men tastes in movies have changed.
The one complaint I have is that I never really followed Arquette's vision. After listening to the amazing insights provided by actresses, I didn't see a clear correlation with the thesis.
Definitely worth a look, but definitely estrogen-laden so it may not be for all. But for someone who generally leans towards the `anti-Meg Ryan' films this was indeed interesting and thought provoking.
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