A dramatic re-enactment of the Warsaw Ghetto Jewish uprising in April 1943 were 650 armed members of the Jewish Fighting Organization of Poland held off a 3,000 strong Nazi force in which ... See full summary »
Romantic comedy that mixes magical realism with traditional Australian urban-outback contrasts. The plot centers on a bored woman (the eponymous Wendy) who conjures up the perfect lover, ... See full summary »
In 1966 New Jersey, Jill Rosen, a frustrated high schooler, is intrigued by an enigmatic new student known only as the Sheik. Sheik is an Italian whose primary interests are his car, Frank ... See full summary »
Cassie has a miserable job in a bar, is lonely and depressed. Her boyfriend left her when she told him that she's pregnant. After several failed suicide attempts she'd given away her baby ... See full summary »
Aurora and Emma are mother and daughter who march to different drummers. Beginning with Emma's marriage, Aurora shows how difficult and loving she can be. The movie covers several years of ... See full summary »
James L. Brooks
All We Are Saying is a personal look at what makes musicians tick -- a look into the psyches of some of the top musical artists of the day. Through a series of intimate conversations, over ... See full summary »
Rosanna Arquette informally interviews several contrasting actresses about how they cope with being a woman in the entertainment industry. The chauvenism of male crew is discussed, the pretentiousness / stereotyping of female characters in American film now. Interviews include those with Alley Sheedy, Martha Plimpton, Debra Winger, Emmanual Beart, and Rosanna's sister, Patricia Arquette -among others. Although a documentary this film seems affected, Arquette never has an argument, never says anything bad about another actress, in fact, complimenting just about everyone of them as being her favourite actress. Written by
Screened as one of "out-of-competition" films at the Cannes Film Festival, May 2002. Director Rosanna Arquette says she made the documentary when she was struck by the fact that Debra Winger, who earned three Oscar nominations, had left the profession in her 30s. See more »
But the one thing I miss is when it does work; and as I said it hasn't been that many times out of 49 films, maybe 8 times that I've been in situation like this when you step into the light and you hit your first mark and all of the channels are open and it happens and it's like a plane taking off. You taxi and you take off and you become.
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Instead of saying a Rosanna Arquette film, it says a Rosanna Arquette Experience and instead of saying Directed by, it says Experienced by Rosanna Arquette. See more »
I wanted to like this movie, I really did, but it's a mess. As well-intentioned as is Roseanna Arquette, there's no real point to this film.
Obviously, Arquette was able to secure the confessions of some of the finest actresses of our times, but instead of drawing on the "Red Shoes" theme, we are subjected to an inchoate collection of let's face it, silly laments.
Though not meant to be, a lot of these diatribes are insulting to women who struggle along in boring jobs, barely able to make ends meet while juggling marriages, kids and art without benefit of nannies, private jets and personal assistants.
Instead of discussing the struggle of art v. children, or career v. marriage as was promised in the opening monologue, this movie is about extraordinarily beautiful women who want our sympathy because they no longer receive the enormous privileges they received when they were more desirable to the men who make movies.
I love Theresa Russell, I really do, but she comes off like a selfish, prom queen who isn't getting enough attention. Laughable but sad is Melanie Griffith who obviously knows the joys of Botox and collagen but still cringes at the sexism to which she is subjected by the industry that made her rich. Jane Fonda, on the other hand, is as loopy as she was when Ed Murrow interviewed her 40 years ago on "Person to Person."
At least two of the screen goddesses interviewed -- Diane Lane and Sharon Stone-- have already altered their pronouncements: Lane who allegedly can't fit a man into her life is remarrying and Stone who finally met the perfect mate is divorcing.
The only person in this documentary who makes any sense at all is Terri Garr. I've always liked her and now I like her even more. The problem is no one is listening to Garr, though she still works all the time, even with a disability. And thankfully, Debra Winger comes off sane and sensible.
Get a grip girls. The rest of us mortal women of a certain age struggle throughout life, not just when we enter menopause. I am competing with 20 year olds in my workplace, just the same as you.
What was it that F. Scott Fitzgerald said? "The rich are different from you and I?" I guess the same is true of actresses.
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