| Photos (see all 2 | slideshow) |
| Bobbie Phillips | ... | Karen Douglas | |
| Howard Rosenstein | ... | Paul | |
| Ginger Lynn Allen | ... | Pandora | |
| Chasey Lain | ... | Amy | |
| Taylor Hayes | ... | The Breeder | |
| Jenna Jameson | ... | Jenny | |
| Richard Grieco | ... | Mark | |
| Brandi-Ann Milbradt | ... | Shae | |
| Lael Stellick | ... | The Shape | |
| Phil Price | ... | Steve | |
| Neil Napier | ... | Jim | |
| Heidi Hawkins | ... | Tara | |
| Gillian Leigh | ... | Barbara | |
| Simon Peacock | ... | Gary | |
| Alex Chisholm | ... | Shape #2 (scenes deleted) | |
| Robert Higden | ... | Sawney Bean | |
| Alana Dash | ... | Jamie | |
| Dan Noseworthy | ... | Jean-Luc Myers | |
| J.J. Carle | ... | Sawney's Son | |
| Eric Cooke | ... | Rich Traveller | |
| Natalia Ctchekotikhina | ... | Rich Traveller's Wife | |
| Victoria Reuter | ... | Ma Bean | |
| Fanny Labbe | ... | Sawney's Daughter |
Directed by | |||
| Christian Viel | |||
Writing credits(in alphabetical order) | ||
| William R. Mariani | story | |
| Christian Viel | story and screenplay | |
Original Music by | |||
| Alex Khaskin | |||
Cinematography by | |||
| Dan Goyens | (as Daniel Goyens) | ||
Film Editing by | |||
| Jason PJ Deschamps | (as J Deschamps) | ||
| Christian Viel | |||
Casting by | |||
| Melanie Sara | |||
Art Direction by | |||
| Kevin Grant | |||
Costume Design by | |||
| Olga Studlik | |||
Makeup Department | |||
| C.J. Goldman | .... | special makeup effects artist | |
| Jessica Heeren | .... | assistant hair stylist (as Jessica Hereen) | |
| Jessica Heeren | .... | assistant makeup artist (as Jessica Hereen) | |
| Laurie Jackson | .... | key hair stylist | |
| Laurie Jackson | .... | key makeup artist | |
| Adrien Morot | .... | special makeup effects supervisor | |
| George Tucci | .... | special makeup effects artist | |
Production Management | |||
| William R. Mariani | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Benoît Hamel | .... | first assistant director | |
| Jean-Pierre Menard | .... | second assistant director | |
Art Department | |||
| Jean-François Dasylva-LaRue | .... | carpenter (as Jean-Francois DaSylva) | |
| Yves Fontigny | .... | property master | |
| Yves Fontigny | .... | set dresser | |
| Bruno Gagliardi | .... | carpenter | |
| Kevin Grant | .... | set dresser | |
| Eric Mealing | .... | construction foreman | |
| Yohan Salvail | .... | carpenter | |
Sound Department | |||
| Jean-Marin Basley | .... | boom operator | |
| John Bolanaks | .... | dialogue editor (as John Bolanakis) | |
| John Bolanaks | .... | foley artist (as John Bolanakis) | |
| Marco Fania | .... | boom operator | |
| Michel Grzelak | .... | sound effects editor | |
| Michel Grzelak | .... | sound re-recordist | |
| Ismael | .... | sound mixer | |
| Dimitri Médard | .... | sound mixer | |
| Pierre Michaud | .... | sound supervisor | |
| Christopher Piggins | .... | foley editor (as Chris Piggins) | |
| Karym Ronda | .... | boom operator | |
| Ron Woo | .... | foley recordist | |
Special Effects by | |||
| Marc Reichel | .... | special effects technician | |
| Ryan Storm | .... | special effects artist | |
Stunts | |||
| Allan Yuk-lun Chou | .... | stunt coordinator (as Alan Chou) | |
| Ben Gauthier | .... | stunt coordinator (as Benoit Gauthier) | |
Camera and Electrical Department | |||
| Patrick Bernier | .... | camera operator | |
| Mario Bissonnette | .... | dolly grip (as Mario Bissonette) | |
| Mario Bissonnette | .... | key grip (as Mario Bissonette) | |
| Yvan Bourdages | .... | Steadicam operator | |
| Stéphane Caron | .... | first assistant camera | |
| Andre Chabot | .... | best boy grip | |
| Maurizio Ciacciarelli | .... | still photographer | |
| Simon Corneau | .... | grip | |
| Daniel Dallaire | .... | gaffer (as Dan Dallaire) | |
| Jean-François Dasylva-LaRue | .... | electrician (as Jean-Francois DaSylva) | |
| Audrey David | .... | second assistant camera trainee | |
| Alexis De Plater | .... | best boy | |
| David Dollé | .... | key grip | |
| Jean-François Fontaine | .... | camera operator | |
| Jean-François Fontaine | .... | focus puller | |
| Maryse Frigon | .... | first assistant camera | |
| Bruno Gagiardi | .... | electrician | |
| Dan Goyens | .... | camera operator (as Daniel Goyens) | |
| Brent Marrale | .... | gaffer | |
| Frederic Pesant | .... | grip | |
| Christian Viel | .... | camera operator (as Cristian Viel) | |
Animation Department | |||
| Dave Desjardins | .... | animator | |
Costume and Wardrobe Department | |||
| Natalia Ctchekotikhina | .... | assistant to costume designer | |
Editorial Department | |||
| Jason PJ Deschamps | .... | editing consultant (as J. Deschamps) | |
| Tom Strnad | .... | additional editor | |
| Motassem Younes | .... | online editor (uncredited) | |
Transportation Department | |||
| Renan Moguel | .... | office driver (as Renan 'Rayster' Moguel) | |
| Poncho | .... | driver: cast | |
| Dany Zarifeh | .... | driver: cast | |
Other crew | |||
| Jeff Boisvert | .... | production assistant | |
| Vincent Brabant | .... | production assistant | |
| Patrick Casavant | .... | production assistant | |
| Maxime Dufort | .... | production assistant | |
| Daniel DuSablon | .... | production assistant | |
| Rene Forbes | .... | production assistant | |
| Caroline Isabelle | .... | script supervisor (as Caroline Isabelle Bedard) | |
| Caroline Joyner | .... | unit publicist | |
| Elana Klein | .... | production assistant | |
| Lina Poirier | .... | craft service | |
| Steven Tamas | .... | production accountant | |
| Nicholas Taylor | .... | production assistant | |
| Ian Vanderwall | .... | production assistant | |
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| The Hills Have Eyes | Wrong Turn | Dawn of the Dead | The Return of the Living Dead | The Cottage |
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Tourists head to Ireland for a school trip to learn about Druids. What they encounter is a horrific tale of cannibalistic killers.
If I had to sum up Evil Breed, it would be a low grade gore fest. The film mixes Dead Alive, Evil Dead, Wrong Turn all in one. It's just too bad that the film has so many inconsistencies to keep track of that it loses any "fun" one would have watching it. The film has lots of random "horror" nudity...although the film also stars four porn stars, yup four, so there could have been plenty more. Breed also showcases a good amount of gore.
Evil Breed has a horrible start, with laughable dialogue and horrible acting. That's a given in a straight to video horror film, but this takes the cake. I can't really figure out who the main character is, since the one female who "lives" at the end is not really in the movie all that much. Speaking of the ending, that has to be one of the most random and bogus ending in the history of film. It has no purpose with the rest of the film and totally changes one's view of the film.
You have to see this film to believe it, since there are some pretty great death scenes. There are two death scenes that come into my mind, one in which the inbred killer rips the intestines out of a naked woman through her chest....yea her chest, don't ask me. The other id when the guy gets his intestines, yet again, ripped out through his asshole. Does that kill the guy? No, the killer continues to strangle the guy with his own intestines. These scenes remind me so much of Dead-Alive, with the right amount of humour in each. I also got the sense of Evil Dead, with the pointless mentions of horror films and Sam Raimi. Along with Halloween, when the female character is in a closet screaming for her life with the killer trying desperately;y to get in.
Although, the gore and nudity are not enough for the poor audio and visual quality of the film. When the teacher wakes up from her bed and walks down the stairs, her footsteps are so loud and hard that it seems like she was wearing boots. Distracting indeed. As well as the continuity in the film, with only one inbred killer? As well as which character dies at which moment. I couldn't tell if the breast implant chick was Jenny or Gary's sister/cousin...I can't remember. As well as the random naked chick with a dead baby hanging out of her body, still attached with the umbilical cord.
The horrible editing is distracting as well, the opening credits are too fast and disorienting. It did have a bad start and got better, but the ending just brings the film back down to a horrible level. If maybe there were better production values and more faith put into this film, then it wouldn't have been horribly butchered to death. Stay away from this film, unless you are happy with the below budget horrible bad film with decent gore.