| Bobbie Phillips | ... | Karen Douglas | |
| Howard Rosenstein | ... | Paul | |
| Ginger Lynn | ... | Pandora (as Ginger Lynn Allen) | |
| Chasey Lain | ... | Amy | |
| Taylor Hayes | ... | The Breeder | |
| Jenna Jameson | ... | Jenny | |
| Richard Grieco | ... | Mark | |
| Brandi-Ann Milbradt | ... | Shae | |
| Lael Stellick | ... | The Shape | |
| Phil Price | ... | Steve | |
| Neil Napier | ... | Jim | |
| Heidi Hawkins | ... | Tara | |
| Gillian Leigh | ... | Barbara | |
| Simon Peacock | ... | Gary | |
| Alex Chisholm | ... | Shape #2 (scenes deleted) | |
| Robert Higden | ... | Sawney Bean | |
| Alana Dash | ... | Jamie | |
| Dan Noseworthy | ... | Jean-Luc Myers | |
| J.J. Carle | ... | Sawney's Son | |
| Eric Cooke | ... | Rich Traveller | |
| Natalia Ctchekotikhina | ... | Rich Traveller's Wife | |
| Victoria Reuter | ... | Ma Bean | |
| Fanny Labbe | ... | Sawney's Daughter |
Directed by | |||
| Christian Viel | |||
Writing credits(in alphabetical order) | ||
| William R. Mariani | story | |
| Christian Viel | story and screenplay | |
Original Music by | |||
| Alex Khaskin | |||
Cinematography by | |||
| Dan Goyens | (as Daniel Goyens) | ||
Film Editing by | |||
| Jason PJ Deschamps | (as J Deschamps) | ||
| Christian Viel | |||
Casting by | |||
| Melanie Sara | |||
Art Direction by | |||
| Kevin Grant | |||
Costume Design by | |||
| Olga Studlik | |||
Makeup Department | |||
| C.J. Goldman | .... | special makeup effects artist | |
| Jessica Heeren | .... | assistant hair stylist (as Jessica Hereen) | |
| Jessica Heeren | .... | assistant makeup artist (as Jessica Hereen) | |
| Laurie Jackson | .... | key hair stylist | |
| Laurie Jackson | .... | key makeup artist | |
| Adrien Morot | .... | special makeup effects supervisor | |
| George Tucci | .... | special makeup effects artist | |
Production Management | |||
| William R. Mariani | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Benoît Hamel | .... | first assistant director | |
| Jean-Pierre Menard | .... | second assistant director | |
Art Department | |||
| Jean-François Dasylva-LaRue | .... | carpenter (as Jean-Francois DaSylva) | |
| Yves Fontigny | .... | property master | |
| Yves Fontigny | .... | set dresser | |
| Bruno Gagliardi | .... | carpenter | |
| Kevin Grant | .... | set dresser | |
| Eric Mealing | .... | construction foreman | |
| Yohan Salvail | .... | carpenter | |
Sound Department | |||
| Jean-Marin Basley | .... | boom operator | |
| John Bolanaks | .... | dialogue editor (as John Bolanakis) | |
| John Bolanaks | .... | foley artist (as John Bolanakis) | |
| Marco Fania | .... | boom operator | |
| Michel Grzelak | .... | sound effects editor | |
| Michel Grzelak | .... | sound re-recordist | |
| Ismael | .... | sound mixer | |
| Pierre Michaud | .... | sound supervisor | |
| Dimitri Médard | .... | sound mixer | |
| Christopher Piggins | .... | foley editor (as Chris Piggins) | |
| Karym Ronda | .... | boom operator | |
| Ron Woo | .... | foley recordist | |
Special Effects by | |||
| Marc Reichel | .... | special effects technician | |
| Ryan Storm | .... | special effects artist | |
Stunts | |||
| Allan Yuk-lun Chou | .... | stunt coordinator (as Alan Chou) | |
| Ben Gauthier | .... | stunt coordinator (as Benoit Gauthier) | |
Camera and Electrical Department | |||
| Patrick Bernier | .... | camera operator | |
| Mario Bissonnette | .... | dolly grip (as Mario Bissonette) | |
| Mario Bissonnette | .... | key grip (as Mario Bissonette) | |
| Yvan Bourdages | .... | Steadicam operator | |
| Stéphane Caron | .... | first assistant camera | |
| Andre Chabot | .... | best boy grip | |
| Maurizio Ciacciarelli | .... | still photographer | |
| Simon Corneau | .... | grip | |
| Daniel Dallaire | .... | gaffer (as Dan Dallaire) | |
| Jean-François Dasylva-LaRue | .... | electrician (as Jean-Francois DaSylva) | |
| Audrey David | .... | second assistant camera trainee | |
| Alexis De Plater | .... | best boy | |
| David Dollé | .... | key grip | |
| Jean-François Fontaine | .... | camera operator | |
| Jean-François Fontaine | .... | focus puller | |
| Maryse Frigon | .... | first assistant camera | |
| Bruno Gagiardi | .... | electrician | |
| Dan Goyens | .... | camera operator (as Daniel Goyens) | |
| Brent Marrale | .... | gaffer | |
| Frederic Pesant | .... | grip | |
| Christian Viel | .... | camera operator (as Cristian Viel) | |
Animation Department | |||
| Dave Desjardins | .... | animator | |
Costume and Wardrobe Department | |||
| Natalia Ctchekotikhina | .... | assistant to costume designer | |
Editorial Department | |||
| Jason PJ Deschamps | .... | editing consultant (as J. Deschamps) | |
| Tom Strnad | .... | additional editor | |
| Motassem Younes | .... | online editor (uncredited) | |
Transportation Department | |||
| Renan Moguel | .... | office driver (as Renan 'Rayster' Moguel) | |
| Poncho | .... | driver: cast | |
| Dany Zarifeh | .... | driver: cast | |
Other crew | |||
| Jeff Boisvert | .... | production assistant | |
| Vincent Brabant | .... | production assistant | |
| Patrick Casavant | .... | production assistant | |
| Maxime Dufort | .... | production assistant | |
| Daniel DuSablon | .... | production assistant | |
| Rene Forbes | .... | production assistant | |
| Caroline Isabelle | .... | script supervisor (as Caroline Isabelle Bedard) | |
| Caroline Joyner | .... | unit publicist | |
| Elana Klein | .... | production assistant | |
| Lina Poirier | .... | craft service | |
| Steven Tamas | .... | production accountant | |
| Nicholas Taylor | .... | production assistant | |
| Ian Vanderwall | .... | production assistant | |
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| The Evil Dead | The Cottage | Cabin Fever | Evil Dead II | The Return of the Living Dead |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb Canada section |
A bunch of American students and their tutor decide to visit the ugliest part of Ireland in order to study ancient religious practices. Despite being repeatedly warned about the dangers of straying off the beaten path (by the local creepy Irish guy, natch), they do just that, and wind up with their insides on the outside courtesy of a family of inbred cannibals (the descendants of the infamous Sawney Bean clan, who according to the film's silly plot, upped sticks from Scotland and settled on the Emerald Isle).
If you think that porn stars plus low budget horror automatically equals tons of nudity and terrible acting, then think again: Evil Breed is bristling with adult stars, but in fact, there's not nearly as much nudity as one might expect given the 'talent' involved, and the acting, although far from Oscar worthy, ain't all that bad (with the exception of Ginger Lynn Allen, who we know can do marvellous 'French', but whose Irish is lousy).
Evil Breed opens in superb style with the brutal slaughter of a couple of amorous campers: after some brief under-canvas sex, the silicone enhanced hottie is dragged from the tent and torn in half; the guy has his arms and legs cut off and is roasted on a spit. It's a very gory start, and bodes well for the rest of the film.
Unfortunately, after this promising beginning, things start to go seriously downhill: we are introduced to the main characters, an annoying bunch of twenty-somethings just begging to become cannibal chow, and are subjected to a fair amount of time wasting in the form of some terrible false scares, a lot of blarney about murderous druids from local Irish weirdo Gary (Simon Peacock), and worst of all, some sub-Scream, post-modernistic conversation about the conventions of horror films (how clever!).
Then, just as it looks as though the film is never going to get any better, director Christian Viel decides to get serious: a guy gets a knife rammed through his head and there's a gratuitous sex-in-the-shower scene featuring lovely blonde Gillian Leigh (NOT a porn star, but I'm sure there's a career there waiting if she wants it). After that, things improve rapidly as the cannibals kick into top flesh-eating gear, and the film is transformed into a veritable bloodbath: Gary has a machete rammed up his ass (about time!), and is strangled with his intestines; Ginger Lynn kick-boxes a mutant; Jenna Jameson is torn open, eviscerated and has her silicone breast implant gnawed on by confused cannibal; a guy gets decapitated by cheese wire; and Taylor Hayes is seen bloody, bruised and naked with a dead foetus between her legs (apparantly, she's been captured and used as breeding stock).
All of this is so outrageously gory that it makes sitting through the less interesting stuff worthwhile, and earns Evil Breed a final rating of 7/10.
NB. A very troubled production and studio meddling resulted in Christian Viel eventually abandoning the project. Re-shoots were done and the gore was heavily trimmed for a US release. The good news is that although the film doesn't flow as well as it might have, and is cursed with a terrible ending, the UK DVD (the version I watched) seems to have been left relatively intact as far as the splatter is concerned (only 13s were cut from the film in total).