| Wei Wei Zhao | ... | Bin Bin | |
| Qiong Wu | ... | Xiao Ji | |
| Tao Zhao | ... | Qiao Qiao | |
| Qing Feng Zhou | ... | Yuan Yuan | |
| Hongwei Wang | ... | Xiao Wu | |
| Ru Bai | ... | Bin Bin's mother | |
| Xi An Liu | ... | Xiao Ji's father | |
| Shou Lin Xu | ... | Sister Zhu | |
| Ren Ai Jun | ... | Hairdresser | |
| Dao Xiao | ... | Mr. Ren | |
| Zi Ying | ... | Concubine | |
| rest of cast listed alphabetically: | |||
| Zhubin Li | ... | Qiao San | |
| Ai Jun Ren | ... | The Hairdresser | |
| Limin Wang | ... | The Karaoke Customer (as Wang Li Min) | |
| Zhang Ke Jia | ... | Man singing in street (uncredited) | |
| Juan Antonio Samaranch | ... | Himself (archive footage) (uncredited) | |
Directed by | |||
| Zhang Ke Jia | (as ZhangKe Jia) | ||
Writing credits(in alphabetical order) | ||
| Zhang Ke Jia | ||
Produced by | |||
| Shozo Ichiyama | .... | producer | |
| Kit Ming Li | .... | producer | |
| Masayuki Mori | .... | executive producer | |
| Hengameh Panahi | .... | executive producer | |
| Paul Yi | .... | executive producer | |
Cinematography by | |||
| Nelson Yu Lik-wai | (as Lik Wai Yu) | ||
Film Editing by | |||
| Keung Chow | |||
Production Design by | |||
| Jing Dong Liang | |||
Art Direction by | |||
| Jing Dong Liang | |||
Sound Department | |||
| Bing Han | .... | sound editor | |
| Yang Zhang | .... | sound | |
Editorial Department | |||
| Serge Anthony | .... | color grader | |
| Recent Posts (updated daily) | User |
|---|---|
| Filming format? | Demian Cypher |
| intro credits | msyndergaard |
| the song playing in the trailer and in the club | tristans-1 |
| Why do I keep thinking about Vive L'Amour | YNOTswim |
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| Click | Da wan | Saving Face | As It Is in Heaven | Clean |
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IMDb User Rating: |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb South Korea section |
I'm confused as to why people would still give the pleasant peasant fables of Zhang Yimou house-room now we're offered a view of intense, complex, and contemporary Chinese cinema like this. I adored the extreme negativity of this film's most repetitive moments: Xiao Ji getting slapped about the face ("having a good time?" "yes" "having a good time?" "yes" "having a good time?" "yes" "having a good time?" "yes"...) or trying repeatedly to drive up a slight slope on his motorbike. The very repeatability of film seems to highlight the way that only this silly, essentially boring medium gets at what's going on when stuff happens, in capitalist China as well as at home...